YOU ARE UNIQUE, RUN WITH IT

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Today, first, I want to wish all those suffering from the devastating earthquakes in Nepal an eventual sense of peace and comfort through those who have been able to help, and I am sad that so many others are using their energy to hurt rather than to help.

Now, on to the purpose of this blog.  Inspiring those who would like to accomplish something specific, but are reluctant to do so, because of seeming obstacles.  My father, Eddie Green, has been a great example to me, of a person who started out with rags (in various senses of the word) and rose to riches.  Eddie’s rise was not rocket-like.  But it was steady and continual.

Eddie was born in 1891, he left home at about age nine, got work where he could performing as a child magician in churches and whatnot until he got work in various theaters, by 1909 he was married for the first time, 1917 he was drafted for WWI and wrote his first song, he spent the 20s on the Vaudevile and Burlesque stage, in the 30s he got married again and started his radio career.  By 1936 Eddie was 45 years old and still climbing.

untitled (5)No, this is not Eddie.

On April 18, 1936 Mr. Joe Bostic of Radiograph wrote an article about Eddie.  He chose Eddie’s performance on the Rudy Valley radio show as the “peak radio performance of the Week.”  It was the second time within a month that Eddie’s performance had been chosen.  He said that “Eddie Green, it seems to be, is more than a new star in the radio firmament, he is a symbol of what race artists might achieve if they have a distinctive and individual entertainment idea to offer.”  He also states “We doff our hat to a sterling performer and a great fellow.”  Hear Eddie Green Thursday night WEAF 8 p.m.

Eddie’s distinctive and individual entertainment idea was to perform skits, with scripts written by John Tucker Battle, of people from certain literature, such as, The Courtship of Miles Standish, which I have just learned, is a poem written by Henry Wadsworth Longfellow about a love triangle involving pilgrims who may have actually been real people; and Sir Galahad and the Knights of the Round Table, I guess these skits were sort of a “What if the Knights of the Round Table were Black” kind of thing.  The skits were part of a sketch called “Heroes Wuz People”.  Eddie acted out these skits with a Negro’s impression (according to the Daily Herald) and evidently they were so funny he kept getting called back to the show.

On September 3, 1936, The Daily Herald announced:  Rudy Vallee to Present Karloff, Eddie Green – Mr. Karloff was there to do a dramatic sketchkarloff2.

And Eddie was there to perform a humorous sketch titled “Adam and Eve”.  What if Adam and Eve were Black?

adam2

This same year, Eddie performed, on the Rudy Vallee radio program, “Jonah and the Whale” –  The general consensus was this was his funniest skit of all.

jonah

My very first set of books was bought for me by Eddie.  Moby Dick, The Last of the Mohicans, Sir Arthur and the Knights of the Round Table, The Count of Monte Cristo.  As a young child these books were a connection to my father, now I see they were a connection to his entertainment career.  The set of books  looked something like this:

my books

Unfortunately, sometime before I turned ten, we needed some cash, so mom sold the books.  I still consider those books a legacy from my father.  Eddie was obviously a reader.  He taught himself.

Those appearances on the Vallee show when Eddie portrayed these classic characters, were added rungs up Eddie’s  ladder to success.

Keep reading and thanks for stopping by.

CONNECTING THROUGH HOPE AND TECHNOLOGY

 

Connies Inn - Harlem New York$_57

In 1923, Conrad “Connie” Immerman, a Latvian immigrant bootlegger, transformed the club in the picture on the left, into one of the most popular clubs in New York, where early morning jam sessions carried out to the Tree of Hope that stood in front.

I looked up the “Tree of Hope” and at first what I found were articles about the Sycamore that had been destroyed on September 11, 2001. One article was by a person who worked with St. Paul’s Church.   It stated that the tree had been located in the northwest corner of the old graveyard of St. Paul’s Chapel near the World Trade Center.  There is now a smaller Spruce tree in that spot, which is known as the “Tree of Hope, which symbolizes peace for our world and which gets lit up with spotlights and decorated with doves for the Christmas season.

Then I found an article that refers to the “Tree of Hope” in the picture, above, in front of Connie’s Inn.

The legend and tradition of this “Tree of Hope”, began outside the famous Harlem Lafayette Theatre once located between 131st and 132nd Streets on Seventh Avenue, known as the Boulevard of Dreams.   Some performers believed the tree to be the purveyor of good luck to those who stood beneath its branches. The tree came to symbolize the promise that Harlem held for millions of aspiring African-Americans.

Around the time that the Apollo Theater first opened in 1934, the City of New York widened Seventh Avenue and the trees that had once lined the Boulevard of Dreams had to be removed. One of the trees doomed to this fate was the famous Harlem landmark, the “Tree of Hope”, across from Connie’s.  Someone saved a section  of the trunk of this very tree, and it now stands on the Apollo stage.

The connections here are mind-blowing.

My father, Eddie Green (for those who are new to this blog), performed on stage at Connie’s Inn in 1929 in “Hot Chocolates”.  Not only did he perform, he also wrote the comedy sketches and he wrote the “talking” song “Big Business.”  On the album cover pictured above, Eddie is listed under Thomas “Fats” Waller.  I must point out again, Eddie is listed with Armstrong and Waller, two gentlemen a lot of people know-but Eddie’s recognition factor is almost nil.  And as the years went by, Eddie became a well-known star of stage, screen and radio.  I hope  to change this recognition factor, because I think my father deserves it and my grandson will  benefit, and I will feel better.

The talking song “Big Business” was also a prize fighting skit for the in-between-weight Championship.  Jazzlips Richardson was in the opening and of course, “Fats” Waller did the piano passages.

I found this on-line:

Victor matrix BVE-56782. Big business / Ed Green, Billy Higgins and Company
Connie’s hot chocolates (Work title) Disc label (RDI)

Ed Green (author)
Composer information source: Disc label.
Personnel

Ed Green, Billy Higgins and Company (dramatic group)
Ed Green (speaker)
B. Higgins (speaker)
B. Maxey (speaker)
J. E. Lightfoot (speaker)
D. Campbell (speaker)
J. Willson (speaker)
T. Hall (speaker)
Jazzlips (speaker)
A. Haston (speaker)
L. L. Watson (director)
Fats Waller (instrumentalist : piano)

This was the show that boosted Eddie’s career.  “Hot Chocolates” went on to Broadway.  Eddie was cast as a performer over the radio for Commander Byrd in Antarctica and he wrote a few more songs.  Warner Brothers featured Eddie in a Vitaphone film titled:
“TEMPLE BELLES”
With EDDIE GREEN
Featured Comic of “Hot Chocolates”

Four Happenings in March 1929

Charles Curtis(R-Kansas) becomes 1st native American Vice President

March 23 1st telephone installed in White House

March 28 Eddie Green copyright’s “We All Want What We Want When We Want It”.

Ain’t that the truth.  I want my computer to act right.  So I am logging of now.  Thanks, for stopping by.

YOU TOO CAN BE PRESIDENT

my brother

my brother

Here is a picture of my Brudder Brian (I love my brother.)  He is very happy for me.  Well, he would be if he knew what I am going to post about.  Since Sibling Day has just passed I will use his picture anyway, cause I know he will be happy for me when he learns about my latest find.

Research is a never-ending tool of non-fiction writing, I am finding.  And I am absolutely suited to spending hours pouring over maps and newspapers and searching websites.  I have had help, also.  From the folks who read my posts.  From people I have found on-line, and from one person who heard me on the radio.  I have received cd’s, an original portrait, lyrics to my father’s (Eddie Green) songs.

There is a gentleman who told me about a library in Beverly Hills, where I have found scripts for a couple of Eddie’s movies and even a contract Eddie had with Paramount Motion Pictures.  I found a letter  that was written by a censor about one of Eddie’s racier movies (he made five movies).  I even received a Press Sheet in regard to this comedy of Eddie’s from 1940:

EG in "One Round Jones"
EG in “One Round Jones”

Eddie is the one with his mouth wide open-I guess he is winning.

I have received messages of support for this blog and I even have a couple of people who want to read the book I am writing about my father.  This has become much more than a one woman project and helps keep a smile on my face.  But you know there are always things that just do not want to work out, at first.

At one point in 1922, Eddie made his first foray into the movie business, in Washington, D.C.  Over the past few years, I have not been able to find  anything more than a couple of two line articles about this business.   Very frustrating.  But today I found a listing  where I never before thought to look:

10th Annual Edition, 1922-23

THE FIRST COLORED

Professional, Clerical, Skilled and Business

DIRECTORY

OF BALTIMORE CITY

With Washington, Wilmington and Annapolis Annex

PRICE 5O CENTS

Sold at AFRO-AMERICAN OFFICE. Eutaw St. and Druid Hill Avenue
and R. W. COLEMAN. Publisher. 418 Federal St., Baltimore. Maryland

————————————————————————————-

DEANWOOD MOTION PICTURES CORP.

308 SOUTHERN AID BUILDING
WASHINGTON, D. C.

Capitalization $200,000 Stock $1.25 per share.

Edward Green, President.
Anything that you want to know about Moving Pictures, Write us.

Eddie’s business is the first listing on the page.  Not only do I now have the verification, I also have the address and money info.  I am sure more will be revealed, which can go into my second rough draft of the book.

So, everything is cool and life is good.  Thanks, for stopping by.

Hard Work and Perseverance Equals Cash Money

little appollo

Hello!  In my head today, it is 1925, and my father, Eddie Green, who is now 33 years old, is working at Minsky’s.  Minsky’s Burlesque is a theater run by the Minsky brothers, Abraham Minsky (Abe), Michael Minsky (Billy), Herbert Minsky and Morton Minsky.  Eddie, at the time was what one article called, Billy’s right hand man.  I have not actually verified that but I came across an article from the Baltimore Afro-American newspaper that had high praise for Eddie’s role with Minsky, at what was then called the “Little Apollo” on 125th Street in New York.

Eddie has by now, written a few songs, he has gotten married and started a family and signed up for the WWI draft. He’s become a music producer and has even spent some time in Washington, D.C. in 1922, starting up a movie production company, Deanwood Productions.  He has  played a few vaudeville shows all across the country, Eddie is beginning to make a name for himself.

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Which, I imagine, is why, a few months after the famous Minsky raid (due to a young performer ending her act bare-chested with her arms over her head), an article appeared giving Eddie kudos.  I can’t print the Baltimore  Afro-American article, but I can share a portion:  “Eddie Green, East Baltimore Boy Is Now Making Good” is the headline. “Eddie Green Makes Stock Record, Finishes 45 Weeks Engagement with White Company in New York.”      ” Will Stage 5 Burlesque Shows.”  “Former Member of Daly’s Is Now In Forefront of Profession.”

The article goes on to mention Eddie’s recording contract with Paramount, and his dancing studio on 46th Street.  It says that Eddie had been re-engaged with a considerable increase in salary, and that those fat salaried contracts should keep him quite busy.

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The opinion is that “Green’s success is another feather in the hat of East Baltimore”, probably referring to other celebrities who were East Baltimoreans.

baltimore

Oh yea, I may have written this before but the article also says  Eddie’s success is a good example of work and perseverance.

Perseverance.  Works for me.

Come back again, won’t you?

To Coin a Phrase-PROGRESS, NOT PERFECTION

Hi there.  Cutting and pasting is extremely easy.  I should try it more often.  The above is a recording of a song my father, Eddie Green, wrote in 1924.  This song’s copyright was renewed by Eddie just before he died in 1950, and is still in copyright.  Soon, I hope to have the moola to get copies of the paperwork in regard to this song, and a few others.  I  have only learned of these songs in the past five years and I did not realize the Copyright Office wanted so much money to do a search for materials and file new documents!  Anyhoo, I get a kick out of listening to this song.  I haven’t found much information on the lady singing with Eddie, Billie Wilson, but I think this is the only Paramount Recording she did.

I wanted to start this post with something that gives me pleasure, because lately I have begun to feel so confused in regard to the writing I am doing, meaning this blog and my book.  I forget what I wrote where and when.  I have found that in writing these posts, I have gone back and forth, from 1949 to 1917 to 1923 and then to 1945, when, of course, my book, as a biography, is chronological, and this all gets mushed up in my head.

This has been a real learning process for me.  Today, I sat down and tried to put my thoughts and words into some kind of order.

The blog is supposed to relate the progress of my book.  To share portions of the book and any other stories I find inspiring or funny, and to, hopefully, enourage others to research their own family members.

The book is about Eddie, from birth in 1891 to death in 1950.  As of today, I have begun Chapter V – Takes Broadway By Storm.  I will include an article from the Brooklyn Eagle dated July 18, 1929 that begins with this sentence:  “The Whole Town Is Talking About Eddie Green.”  I will also include an article which was written by Eddie in 1949 about this period of 1929 and which I first posted in my second post “Screaming Sirens Can Be Inspiring”.

My chapter titles have changed and I have discovered new information that has had to be inserted into earlier chapters, such as the discovery of  a fourth wife.  I will be blogging about Eddie’s wives.

Hey, thanks for stopping by and I hope you get as much of a kick out of “I’m Sorry For It Now” as I do.

TEN PIN not TIN PAN, and no bowling!

Edward Green Draft Registration Card 1917-1918
Edward Green Draft Registration Card 1917-1918

I absolutely do not expect anybody to read the above, because it is so small, it’s just that I suffer with a need to show verification of my findings and maybe whoever is reading this can see my father’s signature on this draft card on the left side.  This is the most foolproof way for me to know that I am discussing the right Eddie Green.  If you are new to this blog, this is where I am journaling about my father’s life as an entertainer back in the day, way back.  Along with this project, I am writing a book about my father.  I started this blog also as a way to share my journey and to, hopefully, provide inspiration to those who need a push to get out there and pursue their dreams.

I stumbled across this 1917-1918 draft card a few days ago while looking for some other unrelated information about my father.  Now that I have an up-to-date computer system, I have access to more records.  This card provided a lot of new information, for example, it listed Eddie’s address as1405 Ten Pin Alley, Baltimore.  So, of course, I went on-line to find this address, but it no longer exists, which is not surprising.  What I did find was this:

ten pin alley
ten pin alley

And This:

bathroom
This is the plaque on the door at Ten Pin Alley

I finally found the  Index of Streets and Alleys found in Records, Plats, Atlases and Miscellaneous Drawings
at the Baltimore City Archives compiled by Rebecca Gunby, 1993.  And there between Pratt Street and Washington Blvd. I found Ten Pin Alley.  It was actually an alley that people lived in, in 1917.

10 Ft Alley: n of Pratt St 1959 M4205
10 Ft. Alley: Ten Pin Alley
10 Ft Alley: Washington Blvd
Here is a picture of Fells Point Alley, which was located in about the same area.

fells point

Eddie, who was still calling himself Edward, and who had a wife and child, and who would, in a few months write his first and most famous hit song “A Good Man Is Hard To Find”, probably could not imagine to what heights his talents would take him while he was living on Ten Pin Alley in 1917, or maybe he could.  Maybe he saw himself jamming on Tin Pan Alley, I don’t know.  What I do know is that I found a May 1949 article that says:. ” . . . It is now being said by Pigmeat Markham and John Mason, a duo of funny lads themselves, that Eddie has so much money now that he has stopped counting it and started weighing it.”

That’s all for now, good people.  Thanks for stopping by.