ELLE VA – “She Goes”

 

1964 Elva Courier

Lately I have taken to signing my emails with my first name italicized, like this. I have also begun to use a different font from what’s used in the body of the message. Today I noticed that italicized letters give the illusion of movement. Elva. Which then reminded me of the fact that at one time the Elva racing car was quite popular. According to Wikipedia, Elva was a sports and racing car manufacturing company based in Bexhill, then Hastings and Rye, East Sussex, United Kingdom. The company was founded in 1955 by Frank G. Nichols. The name comes from the French phrase elle va (“she goes”). I have obviously started to think of myself as someone who is going forward. So my name is appropriate for this time of my life. My mother told me that my father chose my name and I always wondered how he came up with Elva. I know he took my mom to Paris once, maybe he heard it there. And I do love pairing it with a cool racing car.

This past week I had a library presentation in Los Angeles. I shared about the biography I have written about my father, Eddie Green. The book was published in 2016 and I am happy that I am still being asked to do these presentations. When I started writing the book I never even considered the possibility of appearing before a group of people to talk about the book. I just wanted to write it.

I have gone on to do presentations at libraries, Rotary Clubs, and clubs whose members are in the Entertainment business. I have done podcasts and radio interviews. Here I am at Mark Twain Library, still going, doing my thing-I think I am listening to a member of the audience. (I look just like my father!).

 

In the meantime, I have added to the process of going forward by starting the research on my second book by interviewing the producer of the tv sitcom, The Jeffersons. Yes, I had a 20 minute phone convo with Mr. Norman Lear. For those of you who don’t know, Norman Lear is an American television writer and producer who produced such 1970s sitcoms as All in the Family, Sanford and Son, One Day at a Time, The Jeffersons, Good Times, and Maude. I wrote out my questions beforehand, went to the park and made the call. The cell phone didn’t cut off and Mr. Lear was easy to talk with. My second book will be about The Jeffersons 1970s-1980’s television program.

I have started to watch all the episodes of The Jeffersons (DVD), and I have even begun to try and get a cast member to do a foreword for the book. My wonderful publisher thinks I am just right for this book writing project, so I must be! ELVASHE GOES.

Hey, thanx, for stopping by!!!

 

We Were THERE

My question is “didn’t Black people ever watch old time radio?” I have begun to realize the magnitude of commercialism and how it played into Blacks being ignored in this world in the early 1900s. While researching African-Americans and their relationship to Old Time Radio I did a Google search for “Old Time Radios”. The search engine game me dozens of images of families sitting around the radio listening to a program. Some actually were looking at the radio as if it was a television. However, none of these families were Black. I am trying to wrap my head around the idea that despite all the African-Americans in America at the time, there was little representation in the radio industry. According to J. Fred MacDonald “the industry in its so-called Golden Age offered only limited opportunities for black men and women to develop.” Even though there was a huge need for personnel.

Of course, there were Blacks working in radio as janitors, or electrical assistants and even an announcer or two. They had to come in the “other” door, though. And there were Blacks performing on the radio, such as my father, Eddie Green, who became Rudy Vallee’s protege’ or Eddie “Rochester” Anderson from the Jack Benny program. My father was evidently so funny that Rudy Vallee would feature Eddie over and over. Then there were shows that were hugely popular with everybody (maybe not the NAACP), such as, Amos n Andy. People everywhere literally stopped what they were doing to listen to this program. Eddie was the lawyer, Stonewall in this program. There must have been some Blacks sitting in front of their radios, or if they did not have one a person could stand in front of their local storefront and listen to the broadcasts. Yes, I am beginning to really see how segregation kept Black people “out of the picture”, except in some rare instances. I mean we were THERE.

Today, If you look up Old Time Radio (OTR), not the Beyonce’ concert, you will get a lot of information about all the White radio suspense, cowboy, comedy and horror shows.

Old Time Radio shows produced by Blacks got a toehold in maybe the late 30s. The one I have researched so far, though got its start on June 27, 1948. Mr. Richard Durham began a radio program titled “Destination Freedom”. Now….. if you look up OTR shows online you will get a lot of sites that post lists of shows and you will get sites that let you listen to lots of shows. Until two days ago I hadn’t found one site that had a list of a Black OTR program.

Two days ago I found one that has a list and lets you download shows of Mr. Durham’s Destination Freedom.  Old Time Radio Downloads. They have won my heart. They actually have clippings of each episode of “Destination Freedom” for my listening pleasure. I love them. Maybe some day this show will appear in the internet search engines under OTR, Old Time Radio, that is.

https://www.oldtimeradiodownloads.com/historical/destination-freedom/the-making-of-a-man-1948-07-25

Hey, thanks, for stopping by.

WHAT THE? Communication-Then and Now

 

 

In the 1940s when my father, Eddie Green, was looking for women to dance as chorus girls or to star in one of his movies, he would put on beauty contests. Beauty contests were not exactly new in 1940,  but they were definitely segregated. Which means that these contests only got media attention from the White owned newspapers. If you were to google “beauty contests” from the 1940s, you could find many images of the White ones, but none of the Black ones. This particular contest was for Miss Sepia America. Anyhwho, this is not a post about segregation. Or beautiful girls as it says in the first article from 1940. “Eddie Green Bringing Six Beautiful Girls to Affair At Claver (The St. Peter R. C. Claver Church, located in the Burrough of Brooklyn was hosting their annual post-season Basketball Game and Matinee Dance.)  This is a post about communication, then and now.

 

 

 

As it is next to impossible to read this article from 1941, I will type it out. From the Courier-Post (Camden, New Jersey) – 09 Oct 1941: “Each and every fine cat in Harlem is figgering on draping out in their most much of hard-hitting togs, donning their up-to-date sky pieces and collaring a broom down the midway to Harlem’s Renaissance Casino on the early black of Oct. 9. To dig the most mad lay-out of fine and mellow chicks Eddie Green’s gonna drop on them. Now Eddie is a square (and actually needs some prayer) when it comes to beating up his chops on a bid like this to you. So trilly up Harlem way and dig in on something to gumbeat about . . .Now if that spiel is too panicky for you to latch on, and you’re a Lane from Spokane, or a Home from Rome, may I simply say the date is the early black of Oct 9th. So be on hand to gim those gams…..Dig?”

The funny part here is that it says my father was a square which is probably why I think of myself as being square. But I had a difficult time trying to understand just what this article was talking about!

I do know what “fine cat” means (I’m not THAT square) and I know togs are clothes. And back in the 1940s men were always sharp (meaning they always made sure they looked good). If you were going to the Renaissance Casino you definitely had to look good because the Renaissance Casino, provided the backdrop for the area’s most elegant dances and exciting sporting and political events. In the 1940s it was also one of the few places Black people could go to have a good time. And of course I know the article must mean Eddie was bringing some of his beauty contestants for the fellows to ogle.

After I read that article from the Courier I just had to look up some other terms people have used over the years since the forties. I didn’t really use much slang until the 60s when everything was groovy. I particularly liked “Be there or be square”. Oh, and “book it” (meaning to leave from where you were. “Chick” is a word I still use today. My step-dad could always use some extra “bread”.

Then “book it” became “split”. If you were smoking some grass you had to watch out for the “fuzz”, can you dig it? Women were “foxy” and “phat”, word? Pretty soon everything was “totally tubular”, dude. And then along came Run DMC and I was “illin”. As far as slang goes I think I kind of petered out about this time, though I still hang on to “cool”. So before I bounce I will share with you what I think about slang today. WTF does cray-cray mean anyhow?  Being a square, of course I thought LOL meant “Lots of Love”. (LMAO) It took me an hour to figure out what my daughter meant when she sent me this one night while texting: gn. (Oh! good night) She ended one of her texts with ty-I thought “why would she end her text with my nephews name-then I found out it meant thank you (ty, get it?) ROFL. Sometimes it’s hard AF to figure out what people are talking about. But it’s all good.

KCB

(Keep Coming Back)

 

 

 

 

 

 

Propelling Pioneers and Trailblazers

eddiegreenblogbannerI’m mortified. I have not posted for almost two weeks. Periodically, my depression gets the better of me, plus it’s been as high as 117 degrees where I live, so, I have isolated. When up I have focused on gaining followers to my other social media sites. This month it has been two years since the biography I wrote about my father, Eddie Green, was published. Approximately one year since I won the Foreword INDIES 2016 Bronze Book Award for the book. I set up this blog in 2014 for the specific purpose of chronicling my book writing journey and to have a “platform” as those in the know suggested.

Lafayette-Theatre-Macbeth-1936-2I began the research for the book in the late 1990s. It has all been worth it. And then some. Since the book was published I have begun getting all sorts of new information about Eddie. People have sent me never before seen pictures of Eddie. They have sent me new newspaper articles. I have heard new stories from old timers who showed up at my library presentations. I have met thee nicest, helpful, caring people. Gaining new information and meeting new people has spurred me on to further research about Eddie. The information I have found is adding up to me being able to possibly write another book. For instance, in regard to a play titled Playing The Numbers to be shown at the Lafayette Theater in New York, 1925: “Therefore Eddie Green who had been an Important comedian in the Apollo cast was commissioned to organize a miniature stock company that each week will present a 45 minute performance that will consist of musical numbers and burlesque comedy bits. The bits, however, will be revised by Eddie to conform to the special requirements of the neighborhood.” I knew Eddie had been a part of the play but now I’ve learned how big of a part he really played.

brendaleeIn order to not share too much of the new stuff here and also to phase out of sharing stories from the first book, I will be posting additional information on little known and sometimes well-known pioneers of the entertainment industry and/or pioneers of civic issues. Earlier this morning on a news site I saw “Today in History”. Out of 24 items listed, only 2 were about Black people. One item was: 1960 Fifteen-year-old Brenda Lee earns a #1 hit with “I’m Sorry”. As you can see she actually also recorded my father’s song! The SECOND item about a Black person was: 1995 Barack Obama’s “Dreams from My Father” is published. Yay!!

Lemuel_HaynesI am adding one more which kind of goes with today’s climate: Lemuel Haynes, first Black to serve as minister to a White congregation, born July 18 1753 to a White mother and an African-American father. At the age of five months, Lemuel Haynes was given over to indentured servitude. He was freed in 1774 when his indenture expired. Haynes was ordained in 1785 and settled at Hemlock Congregational Church in Torrington, Connecticut. He was the first African American ordained in the United States. On March 28, 1788, Haynes left his pastorate at Torrington to accept a call at the West Parish Church of Rutland, Vermont (now West Rutland’s United Church of Christ), where he served the mostly white congregation for 30 years. Fun Fact: Haynes himself was known to say that “he lived with the people of Rutland thirty years, and they were so sagacious that at the end of that time they found out that he was a (insert N-word here), and so turned on him”. (https://www.pbs.org/wgbh/aia/part2/2p29.html). Looking at this gentleman’s picture I can see how he could have been considered White. And, it seems as if he may have been trying to pass if it took 30 years for the congregation to realize he was a Black man.

Anyhow, the one thing I truly like about writing this blog is doing the research. Sharing it with others is my way of Cheering For Trailblazers. Thanks for joining me on this journey.

And thanks, for stopping by.

The Legendary, and Famous, Eddie Green

Well, it’s been two years since I published the biography on my father, Eddie Green. During the research period I searched and searched for a physical copy of this movie “What Goes Up“. Eddie wrote it, produced it, directed it and starred in it. The movie was made in Palisades, New Jersey in 1941. I am hoping to find it because, of course, it’s my father’s second movie and also because there is a member of the cast of this movie who has just celebrated her 101 years old birthday and she would love to see the movie one more time. She saw it when it first premiered in 1941 at the Apollo Theater in New York, of course, she and her mother. But not since then.

Last week I FINALLY found mention of the movie being shown at a theater in New York:

PLAZA
WILLIAM AT MONROE – Valerie Hobson THE SEA” Russell Hayden “RIDERS OF THE NORTHLAND” Serial, “OVERLAND MAIL”. Chapter 2
Also Eddie Green, Famous Colored Radio Star, in Featurette, “What Goes UpBuffalo NY Courier Express 1941

The Plaza was located near William and Monroe streets. 42 East 58th St. I believe this is in New York as the ad was in a New York newspaper. The ad itself is located way down in the bottom right hand corner of the newspaper. If you were not looking for it specifically, you probably would have missed it. Of course, sixty years later there is now a restaurant at that location. Still just the fact that I found mention of my father’s second movie being shown to an audience is FANTASTIC. And did you notice? The ad says he was “Famous”.

The fact that I have met so many people who are willing to take time out of their lives to participate in finding information about Eddie and getting that info to me is a great impetus for me to continue researching my father’s life. I was actually looking for news about the fact that Eddie was a magician before he became a comedian and a songwriter and a Old Time Radio star and a movie star. I may have to write a whole ‘nother book!!!

Thanks so much, for stopping by.

Book: Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer

 

I Stopped the Process

For those new to my blog and to refresh the memory of long time followers, I am posting a few pictures of Eddie’s entertainment life over the years. Eddie Green was my father. He died in 1950. Born in 1891. Over the years Eddie rose from poverty to prominence due to hard work, determination, talent and love for his fellow man. Eddie learned what was necessary to progress in his chosen field, starting out as a “Boy Magician”. He had a knack for comedy and he used his comedic talent to propel him along his way. And he was successful. He pulled himself up from poverty using his talents. From Vaudeville to Burlesque, to Broadway. From early radio and television to becoming the head of his own movie production studio, producing, directing, writing and starring in his own all-black cast films. From appearing in radio productions for the troops during WWII to becoming a major character on one of America’s best loved radio programs “Duffy’s Tavern“, while opening his third movie and television production studio.

While touring as a “Boy Magician” over the years Eddie added songwriting to his list of accomplishments. He wrote “A Good Man is Hard to Find” which he used in 1919 when he took his own show on tour. The show included singing, dancing girls and comedy. While in St. Louis with this show he saw an ad in the local Variety paper for a comic. Eddie sent an outstanding reply and was invited to become a part of a vaudeville show in New York. His performances here and in Burlesque working at the 125th Apollo, earned him inclusion into a hit Broadway musical Hot Chocolates by 1929.

 

 

In 1929, not only was he a part of the ensemble of Hot Chocolates, Eddie wrote all of the comedic skits for this show. His name is listed twice. The show ran for 219 performances. Two of the songs would go on to be recorded, one “Big Business” was recorded by Victor Records, and “Sending A Wire”. Sending A Wire would also be made into a Vitaphone short by Warner Bros.

 

 

 

Eventually, Eddie began appearing on the radio. Rudy Vallee introduced him to the radio audience, inviting him over and over due to audience reaction, and during the summer of 1937 Eddie was asked to join Louis Armstrong as co-hosts of the Fleischmann’s Yeast hour while Rudy was on vacation. Eddie had also appeared for a number of weeks as the featured attraction on the Sunday evening NBC “Echoes of New York” program. During the 30’s Eddie also had a “first”. He appeared as one of the very first two Black men on an RCA/NBC television broadcast-but I’m saving this for another post.

Eddie went on to become a filmmaker in 1939 making four movies Dress Rehearsal, What Goes Up, Comes Midnight and One Round Jones among other endeavors. In 1941 he joined the cast of Duffy’s Tavern where he became famous as one of America’s most beloved comedians.

When I started this blog Eddie had almost been completely forgotten. Almost. Despite his many accomplishments in the entertainment world and the business world, despite the many friends he made and how widely he became known, beside myself, there were not a lot of people remembering that old comic, Eddie Green. I have written a biography about my father. (Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer, get it on Amazon). Since I wrote the book I have had someone tell me that I stopped the process of my father being erased from history. Wow.

I mainly started the project to show my young (at the time) grandson what a person could do regardless of the obstacles life throws at us. But as I researched my father’s life I realized that his story, so full of inspirational stories, could help so many people. That his story as a Black man born in 1891 could prove to be motivational to Black people for sure, but also to anyone who feels that the odds are against them. Maybe you have someone in your family you could write about. Or you just have some inspirational stories you think might be of help  to others if they only knew about them.  You too can stop the process of someone being erased from history.

Hey, thanks, for stopping by.

Book: Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer

 

Alike – Dying in Service of Our Country

This photo absolutely suits my mood in regard to Memorial Day. I would probably rather “celebrate” Veteran’s Day seeing as I intended to write a post about my father, Eddie Green, and his experience as an African American who enlisted in WWI. Then it dawned on me that Eddie was not one who died in service. I was going to talk about how Eddie was working in a theater in Philadelphia before winding up at a Chicago Training Camp. I wanted to add information about how African Americans had to tear off a piece of their Registration Card to signify their race. After I realized I needed to re-direct my idea for a post, I stumbled across an article in the Pennsylvania York Daily Record newspaper. The article was posted on this date May 27, 2018 earlier in the morning. So I have chosen to share this information instead, as it will do nicely to get my point across.

York County Afro-American veteran George A. Wood was killed in action September 29th 1918 during World War I. Private First-Class Wood is honored on the bronze memorial tablets flanking Gate 4 at the York Fairgrounds. His surname is incorrectly spelled “Woods” among the 197 York Countians honored on the World War I panels, fronting four columns, at the York County Administration Center, located at 28 East Market Street in York, PA. (Stephen H. Smith, York Daily Record, May 27, 2018.)

It seems to me that we don’t really hear enough about our Black soldiers who died defending this country. But while they were serving we sure made it clear they were not White. Even though they too died. Has anything changed?

Thanx, for stopping by.

And thank you Stephen H. Smith; York Daily Record for allowing sharing of your research efforts.

Emmett “Babe” Wallace NOT Vern Smith

I made a Major Boo-Boo on this my last post.  First of all Mr. Vern Smith, an announcer for Jubilee Radio Program was not a Black man. Second, the announcer on this particular video is not Vern Smith as I claimed-he is Emmett “Babe” Wallace. As you read on you will see that I refer to the announcer at the beginning of this video as Mr. Vern Smith. WRONG!

A friend of mine on Facebook, named Bill, sent me the link to this Jubilee Radio Program from 1944 because I sent him a picture of Ernie Whitman, Lena Horne and my father Eddie Green. He could not find a copy of a video with my father so he sent this one with Eddie “Rochester” Anderson (who was actually a good friend of our family). And he introduced me to the announcer at the beginning of this video as Mr. Vern Smith. WRONG!!

The announcer at the beginning of this video was in fact Emmett “Babe” Wallace. According to Jimy Bleu an IMDB biographer, “as an actor, Babe is among the early pioneers of Black Cinema, starring in numerous films alongside some of the finest names in the industry. His career took flight, when in 1943 he co-starred in the 20th Century Fox classic Stormy Weather with Lena Horne and Bill Robinson. He went on to perform in stage musicals such as Anna Lucasta  in London during 1947,  Les Folies Bergere  in Paris during 1952 (appearing as the first Black male star), and Guys and Dolls on Broadway during 1976, with Robert Guillaume and James Randolph. In 1989, he was presented the prestigious Paul Robeson Award by the Black American Cinema Society, along with Marla Gibbs.

Babe is a prolific songwriter, poet and novelist, who has some of his works included in the Schomburg Research Center for Black Culture. Of his thousands of songs, some have been recorded by Benny Goodman, Ella Fitzgerald and Cab Calloway. In 1999, Burger King franchise featured one of his songs “A Chicken Ain’t Nothin But A Bird” in their TV/radio ad campaign.”

Babe Wallace died in 2006.

I did find a Vernon Smith who announced the Ozzie and Harriet radio and television show, who also announced some of the Jubilee Radio Programs.

I claim to believe in finding something out about people I write about, however, in this instance I did not. I wrote about something of which I had no knowledge. I apologize for this and I will make sure to properly research next time.

AFRS Jubilee Radio Program was a show that was an all-Black broadcast of music and comedy skits sent to the Black American forces serving in WWII.  Here’s a visual record of the opening of Jubilee.….You’ll see and hear (first) Vern Smith (NO you won’t, you’ll hear Emmett “Babe” Wallace) then Ernie Whitman………and two other familiar folks. I hope you like “Rochester”‘s singing!! Thanx for stopping by 🙂

Smiling & Twirling & Laughing & Caring

I like to think I am like my father. He was a happy man. He had a great smile. He loved to make people laugh. He was a good friend, with a helpful attitude. And he liked people, period. He was a family man, too. He was married 4 times. Had two daughters, one in 1911 and then me in the 40s. He told the Brooklyn Eagle in 1939 that “the depression doesn’t worry him. He’s happily married (3rd wife), Daughter Hilda is grown up and starting to follow him in show business. He’s got his work, his radio to tinker with and he’s the proud possessor of the first television set in Harlem.” At the time of this interview he was appearing in Mike Todd’s Hot Mikado. As Koko he sang “Titwillow” (Stars Over Broadway, Star Tone (M) ST 214 (Eddie Green with orchestra conducted by William Parson) The Brooklyn Eagle article said he had a “perpetual beaming smile.”

In a 1939 Press Sheet it was said that “Eddie Green still remains one of the greatest of all funny men. He has an irresistible sense of humor and he can squeeze a laugh from the sourest puss in the country!” When making his movies Eddie said that he builds his stories around incidents that are interesting, never offensive. He also said that when working on the radio show Duffy’s Tavern, “It’s grand, working with this show. The informality of it, the tavern setting and the lines which I never have to worry about, turns work into play.”

The Billboard spoke about him in a 1920 article in regard to having a helpful attitude: Eddie sent a note to The Billboard letting them know that if “the boys playing this town (New York) and having a hard time getting rooms they could stop at the Hotel Francis directly opposite the New York City Depot.” The Billboard said his not was an illustration of the many services to one another that actors may accomplish through their news page.

He and my mother were only married for five years and of that marriage I never heard any bad things about my father from my mother. She seemed to have been proud to have been married to him. Eddie was a comedian and as I grew up I always told my mother (whenever I thought I had said something funny) that I was my father’s daughter.  I find that most people  just want to be happy.  And they want to be acknowledged. I like to acknowledge people. It makes me smile to see another person realize they have been heard.

I am a family person, also. My siblings are like parts of my person. This past week I had the chance to see a nephew that I had not seen in over 10 years. He’s not little anymore. He’s grown up (about 6′ 5″, maybe more-so tall!!!). He’s a grown man. I cannot believe how happy it made me to see him. He visited from New Mexico. I have family all over the United States. Some of us have never met in person. I am “working on” putting together a family calendar. I wish I could hug them all at the same time. I LOVE my family. They totally make me smile.

I am working very hard on paying attention to what makes my happy, what makes me smile. There are so many unhappy people in the world today. So many reasons to be unhappy. So much unrest. I am going to try and take how I felt about seeing my nephew (I felt like twirling around in the restaurant!!!) and spread it around.

Thanx for stopping by and for helping to keep a smile on my face. 🙂

 

Sitting While Black

Joseph Bologne, Chevalier de Saint-Georges (December 25, 1745 – June 10, 1799) was a champion fencer, classical composer, virtuoso violinist, and conductor of the leading symphony orchestra in Paris. Born in Guadeloupe, he was the son of George Bologne de Saint-Georges, a wealthy planter, and Nanon, his African slave. During the French Revolution, Saint-Georges was colonel of the Légion St.-Georges, the first all-black regiment in Europe, fighting on the side of the Republic. Today the Chevalier de Saint-Georges is best remembered as the first classical composer of African ancestry.

How many people know about this man. In regard to classical music somehow I learned about Mozart, Beethoven, (bugs bunny cartoons, Disney movies, documentaries.) But not this guy. Some scholars call him the Black Mozart, except that he was born 10 years before Mozart and after they met Mozart was said to have echoed a few of Joseph’s bars.

When I went to school I learned a lot about White inventors, musicians (we sang Oklahoma in Glee Club), presidents, television stars. But very little about important Blacks. Well, there was George Washington Carver. But all we learned was that he had something to do with peanuts. We did not learn about the numerous honors he won for his work or that in an era of very high racial polarization, his fame reached beyond the black community.

Seems we heard a lot about Nat Turner though, the guy who led that slave rebellion. According to some scholars, the stereotype of African Americans males as criminals was first constructed as a tool to “discipline” and control slaves during the time of slavery in the United States. More recently , a study examining the news reports from The New York Times, The Washington Post, The Wall Street Journal and USA Today covering the effects of Hurricane Katrina showed that in 80% of the time black evacuees were portrayed in photographs, the word “looting” was mentioned in the captions, suggesting that the black evacuees were criminals. In America we have had the good actions of White people and the emphasis on bad actions of Blacks ingrained into our psyche. Blacks were not celebrated in our education. So I don’t believe in unconscious bias. That we make snap judgments about people and situations based on who we are, how we live, and how we were raised, yes, but it’s not unconscious.  I believe we act from ingrained teachings.

The idea that Black men are dangerous exists today. Still. Sitting While Black is the hashtag on Twitter.

It’s sad that this is happening in 2018. My father lived during the early 1900s when Blacks were still being lynched in large numbers. One of the bloodiest race riots in the nation’s history took place in East St. Louis. A Congressional committee reported that 40 to 200 people were killed, hundreds more injured, and 6,000 driven from their home. Fifty-three black Americans are known to have been lynched in 1920. Eddie was in St. Louis in 1919-1920. He performed at the Booker Washington Theatre (a Black vaudeville house) with his Deluxe Players, he had been called back by popular demand. In those days he sang his own songs, danced and told “side-splitting” jokes. I’m sure he saw his share of horrors.

By the 1940s Eddie was appearing in the radio program Duffy’s Tavern. Things in America had progressed enough that The Library of Congress placed Duffy’s Tavern on the Honor Role of Race Relations, because they did not have Eddie resort to stereotypical “Black” language. They said “Green clicks as a waiter, not because he’s a Negro, but because he’s a good comedian.” So, it is clear in this instance that changing how Blacks were treated was a priority.

I wonder what he would think about two Black men being arrested because they were sitting in a Starbucks and asked to use the restroom but didn’t buy anything and wouldn’t leave because they were waiting for a third party. I mean we have not gone back to lynching but it certainly seems that we have at least gone back to the 50s or 60s. Some people today still see Black men as trouble-makers. I don’t think that providing unconscious bias training is going to change that mind set. I think something has to change within the person. Maybe as more time goes by people will be able to just see each other as fellow human beings, floating around in space on a friggin’ planet.

Hey, thank you so much for stopping by. Peace and Love

Check out my Book: Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer.