
Hello again, I’m finally paying attention to my WordPress world. I’m wrestling with my 3rd book on the TV Sitcom Maude, which means I have not been able to share much here. When I wrote my first book about my father I did not know as much about him as I did after I wrote the book. But he was my father, and over the course of his life a lot was written about him in the newspapers because he was a rising star in Entertainment and people liked him as a person. I learned about his personal character through articles and of course, through my mom. In writing about Maude I am wanting to get to know more about the person who played the character, Bea Arthur, to understand how Arthur was able to so completely BE Maude.
In an article in the Nyak New York Journal, 1974, titled “No, I’m Not Maude”, she stated: “Although I can rant and rave as much as Maude does when the need arises. I don’t have her persistence. If someone calls my bluff and yells back at me. I usually back down. In all honesty. I’m afraid the tiger in my tank is really a pussycat. And I can’t identify too closely with the women’s lib movement, either, because I’ve always felt liberated.” Arthur, when she is at home, likes browsing in antique shops, watching old movies on TV, and doing family activities, dogs and all.

In a way, I identify with Bea Arthur. Because as I’ve listened to her interviews and talked with people who met her she does seem rather complex. I came across a 1968 article that was written while Arthur and her husband Gene Sax were making a movie titled “A Mother’s Kisses,” she was urged to accept the
leading role. She said yes — if her husband could direct. “After all,” she says in her familiar tones of authoritative femininity, “I’m the power behind the throne.” So it seems that though she is a pussycat, she also has an authoritative side, according to the person who witnessed her “authoritative femininity.”
Bea Arthur as Maude was Maude to her viewers, she received many letters attesting to that fact. After reading her statement in that 1974 article I believe she knew that maybe a bit of her own personality was injected into her character, this is what she was quoted as saying: “You see, it was my intention from the beginning of the series to show that there is a soft spot or two in Maude’s armor of steel, and its’ gratifying to know that viewers see her as I do.”
I could see these two personality traits when Cousin Maude was introduced into All in the Family. She was asked by Edith to come and help with the family as they were all down with the flu. Archie did not like Cousin Maude and sent her a letter telling her not to come. She came. At the beginning of the episode, while comforting Edith, she looks at Archie with a scathing look and says: “MAUdie is here.” Towards the end of the episode, she has a sweet smile on her face while assuring Archie that “Maudie is here.”


Bea Arthur, a consummate actor. She brought her all to Maude. Looks like I am going to have to bring my all to the writing of my take on the sitcom. Thanks for hanging in here with me. You are all a part of my “becoming” a writer.
Thanks, for stopping by 🙂





I know this is too interesting, but I just want to go back a bit to the beginning of my book writing online journey. I think it is amazing and right that the biography that I wrote about my father has a continuous connection to my second and third books. As if I am supposed to be writing these books. I started out by writing about my father who found his fame appearing as Eddie the waiter on the Duffy’s Tavern Radio Program from 1941-1950. They began taping in New York, moved to L. A. and then to Puerto Rico during these years. Duffy’s Tavern was a comedy and each episode (almost every one of them) a different guest appeared and became a part of the shenanigans. Way too many to list here, but a few were Bing Crosby, Dinah Shore, Billie Burke, Adolph Monjou, Charles Coburn, Boris Karloff, Larry Storch, Peggy Lee, Mickey Rooney, Ed Wynn and on and on. Ed Gardner, Jr. was the Bartender and Charles Cantor was the resident oddball guy who hung out at Duffy’s, by the name of Finnegan.
In 1945 Duffy’s Tavern with made into a movie by Paramount. In the movie they used almost every star on the Paramount lot, plus Ed, Eddie and Charlie. Bing Crosby was in this movie as you can see from this poster. Eddie’s picture is no where on this poster. Maybe he wasn’t famous enough yet. But after being in the entertainment business since about 1901 he was gettin’ there. Anywho, since I have written the book I have received pictures from fans of Eddie. Pictures that are treasures of theirs and now of mine.
Sometime in the early 40s this picture was taken. This is an old copy from the internet. I now have an original in hand. This is typed on the back of the picture: Produced by the Armed Forces Radio Service. Program: Jubilee. Bing Crosby and Eddie Green “All Armed Forces Radio Service programs are stamped on flexible plastic transcription discs. In addition the the land-based broadcasting outlets ships of the United States Navy and Coast Guard in all oceans will receive the transcription of this show, which is not heard in the United States except in Army and Navy hospitals serving returned casualties.” Need I say more?
Going on to my second book. While writing The Jeffersons I discovered that a friend of Eddie’s, Lillian Randolph, had appeared in a Jeffersons episode as Mother Jefferson’s sister. Lillian and Eddie had appeared together on The Great Gildersleeves Radio Program and also on the Amos n Andy Radio Program. Lillian’s real life sister was Amanda Randolph who had stared in Eddie’s third movie Comes Midnight. Lillian is the woman who donated her dee-vorce money in It’s a Wonderful Life.
This past week I had a library presentation in Los Angeles. I shared about the biography I have written about my father, Eddie Green. The book was published in 2016 and I am happy that I am still being asked to do these presentations. When I started writing the book I never even considered the possibility of appearing before a group of people to talk about the book. I just wanted to write it.
In the meantime, I have added to the process of going forward by starting the research on my second book by interviewing the producer of the tv sitcom, The Jeffersons. Yes, I had a 20 minute phone convo with Mr. Norman Lear. For those of you who don’t know, Norman Lear is an American television writer and producer who produced such 1970s sitcoms as All in the Family, Sanford and Son, One Day at a Time, The Jeffersons, Good Times, and Maude. I wrote out my questions beforehand, went to the park and made the call. The cell phone didn’t cut off and Mr. Lear was easy to talk with. My second book will be about The Jeffersons 1970s-1980’s television program.