I Stopped the Process

For those new to my blog and to refresh the memory of long time followers, I am posting a few pictures of Eddie’s entertainment life over the years. Eddie Green was my father. He died in 1950. Born in 1891. Over the years Eddie rose from poverty to prominence due to hard work, determination, talent and love for his fellow man. Eddie learned what was necessary to progress in his chosen field, starting out as a “Boy Magician”. He had a knack for comedy and he used his comedic talent to propel him along his way. And he was successful. He pulled himself up from poverty using his talents. From Vaudeville to Burlesque, to Broadway. From early radio and television to becoming the head of his own movie production studio, producing, directing, writing and starring in his own all-black cast films. From appearing in radio productions for the troops during WWII to becoming a major character on one of America’s best loved radio programs “Duffy’s Tavern“, while opening his third movie and television production studio.

While touring as a “Boy Magician” over the years Eddie added songwriting to his list of accomplishments. He wrote “A Good Man is Hard to Find” which he used in 1919 when he took his own show on tour. The show included singing, dancing girls and comedy. While in St. Louis with this show he saw an ad in the local Variety paper for a comic. Eddie sent an outstanding reply and was invited to become a part of a vaudeville show in New York. His performances here and in Burlesque working at the 125th Apollo, earned him inclusion into a hit Broadway musical Hot Chocolates by 1929.

 

 

In 1929, not only was he a part of the ensemble of Hot Chocolates, Eddie wrote all of the comedic skits for this show. His name is listed twice. The show ran for 219 performances. Two of the songs would go on to be recorded, one “Big Business” was recorded by Victor Records, and “Sending A Wire”. Sending A Wire would also be made into a Vitaphone short by Warner Bros.

 

 

 

Eventually, Eddie began appearing on the radio. Rudy Vallee introduced him to the radio audience, inviting him over and over due to audience reaction, and during the summer of 1937 Eddie was asked to join Louis Armstrong as co-hosts of the Fleischmann’s Yeast hour while Rudy was on vacation. Eddie had also appeared for a number of weeks as the featured attraction on the Sunday evening NBC “Echoes of New York” program. During the 30’s Eddie also had a “first”. He appeared as one of the very first two Black men on an RCA/NBC television broadcast-but I’m saving this for another post.

Eddie went on to become a filmmaker in 1939 making four movies Dress Rehearsal, What Goes Up, Comes Midnight and One Round Jones among other endeavors. In 1941 he joined the cast of Duffy’s Tavern where he became famous as one of America’s most beloved comedians.

When I started this blog Eddie had almost been completely forgotten. Almost. Despite his many accomplishments in the entertainment world and the business world, despite the many friends he made and how widely he became known, beside myself, there were not a lot of people remembering that old comic, Eddie Green. I have written a biography about my father. (Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer, get it on Amazon). Since I wrote the book I have had someone tell me that I stopped the process of my father being erased from history. Wow.

I mainly started the project to show my young (at the time) grandson what a person could do regardless of the obstacles life throws at us. But as I researched my father’s life I realized that his story, so full of inspirational stories, could help so many people. That his story as a Black man born in 1891 could prove to be motivational to Black people for sure, but also to anyone who feels that the odds are against them. Maybe you have someone in your family you could write about. Or you just have some inspirational stories you think might be of help  to others if they only knew about them.  You too can stop the process of someone being erased from history.

Hey, thanks, for stopping by.

Book: Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer

 

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Alike – Dying in Service of Our Country

This photo absolutely suits my mood in regard to Memorial Day. I would probably rather “celebrate” Veteran’s Day seeing as I intended to write a post about my father, Eddie Green, and his experience as an African American who enlisted in WWI. Then it dawned on me that Eddie was not one who died in service. I was going to talk about how Eddie was working in a theater in Philadelphia before winding up at a Chicago Training Camp. I wanted to add information about how African Americans had to tear off a piece of their Registration Card to signify their race. After I realized I needed to re-direct my idea for a post, I stumbled across an article in the Pennsylvania York Daily Record newspaper. The article was posted on this date May 27, 2018 earlier in the morning. So I have chosen to share this information instead, as it will do nicely to get my point across.

York County Afro-American veteran George A. Wood was killed in action September 29th 1918 during World War I. Private First-Class Wood is honored on the bronze memorial tablets flanking Gate 4 at the York Fairgrounds. His surname is incorrectly spelled “Woods” among the 197 York Countians honored on the World War I panels, fronting four columns, at the York County Administration Center, located at 28 East Market Street in York, PA. (Stephen H. Smith, York Daily Record, May 27, 2018.)

It seems to me that we don’t really hear enough about our Black soldiers who died defending this country. But while they were serving we sure made it clear they were not White. Even though they too died. Has anything changed?

Thanx, for stopping by.

And thank you Stephen H. Smith; York Daily Record for allowing sharing of your research efforts.

Emmett “Babe” Wallace NOT Vern Smith

I made a Major Boo-Boo on this my last post.  First of all Mr. Vern Smith, an announcer for Jubilee Radio Program was not a Black man. Second, the announcer on this particular video is not Vern Smith as I claimed-he is Emmett “Babe” Wallace. As you read on you will see that I refer to the announcer at the beginning of this video as Mr. Vern Smith. WRONG!

A friend of mine on Facebook, named Bill, sent me the link to this Jubilee Radio Program from 1944 because I sent him a picture of Ernie Whitman, Lena Horne and my father Eddie Green. He could not find a copy of a video with my father so he sent this one with Eddie “Rochester” Anderson (who was actually a good friend of our family). And he introduced me to the announcer at the beginning of this video as Mr. Vern Smith. WRONG!!

The announcer at the beginning of this video was in fact Emmett “Babe” Wallace. According to Jimy Bleu an IMDB biographer, “as an actor, Babe is among the early pioneers of Black Cinema, starring in numerous films alongside some of the finest names in the industry. His career took flight, when in 1943 he co-starred in the 20th Century Fox classic Stormy Weather with Lena Horne and Bill Robinson. He went on to perform in stage musicals such as Anna Lucasta  in London during 1947,  Les Folies Bergere  in Paris during 1952 (appearing as the first Black male star), and Guys and Dolls on Broadway during 1976, with Robert Guillaume and James Randolph. In 1989, he was presented the prestigious Paul Robeson Award by the Black American Cinema Society, along with Marla Gibbs.

Babe is a prolific songwriter, poet and novelist, who has some of his works included in the Schomburg Research Center for Black Culture. Of his thousands of songs, some have been recorded by Benny Goodman, Ella Fitzgerald and Cab Calloway. In 1999, Burger King franchise featured one of his songs “A Chicken Ain’t Nothin But A Bird” in their TV/radio ad campaign.”

Babe Wallace died in 2006.

I did find a Vernon Smith who announced the Ozzie and Harriet radio and television show, who also announced some of the Jubilee Radio Programs.

I claim to believe in finding something out about people I write about, however, in this instance I did not. I wrote about something of which I had no knowledge. I apologize for this and I will make sure to properly research next time.

AFRS Jubilee Radio Program was a show that was an all-Black broadcast of music and comedy skits sent to the Black American forces serving in WWII.  Here’s a visual record of the opening of Jubilee.….You’ll see and hear (first) Vern Smith (NO you won’t, you’ll hear Emmett “Babe” Wallace) then Ernie Whitman………and two other familiar folks. I hope you like “Rochester”‘s singing!! Thanx for stopping by 🙂

Smiling & Twirling & Laughing & Caring

I like to think I am like my father. He was a happy man. He had a great smile. He loved to make people laugh. He was a good friend, with a helpful attitude. And he liked people, period. He was a family man, too. He was married 4 times. Had two daughters, one in 1911 and then me in the 40s. He told the Brooklyn Eagle in 1939 that “the depression doesn’t worry him. He’s happily married (3rd wife), Daughter Hilda is grown up and starting to follow him in show business. He’s got his work, his radio to tinker with and he’s the proud possessor of the first television set in Harlem.” At the time of this interview he was appearing in Mike Todd’s Hot Mikado. As Koko he sang “Titwillow” (Stars Over Broadway, Star Tone (M) ST 214 (Eddie Green with orchestra conducted by William Parson) The Brooklyn Eagle article said he had a “perpetual beaming smile.”

In a 1939 Press Sheet it was said that “Eddie Green still remains one of the greatest of all funny men. He has an irresistible sense of humor and he can squeeze a laugh from the sourest puss in the country!” When making his movies Eddie said that he builds his stories around incidents that are interesting, never offensive. He also said that when working on the radio show Duffy’s Tavern, “It’s grand, working with this show. The informality of it, the tavern setting and the lines which I never have to worry about, turns work into play.”

The Billboard spoke about him in a 1920 article in regard to having a helpful attitude: Eddie sent a note to The Billboard letting them know that if “the boys playing this town (New York) and having a hard time getting rooms they could stop at the Hotel Francis directly opposite the New York City Depot.” The Billboard said his not was an illustration of the many services to one another that actors may accomplish through their news page.

He and my mother were only married for five years and of that marriage I never heard any bad things about my father from my mother. She seemed to have been proud to have been married to him. Eddie was a comedian and as I grew up I always told my mother (whenever I thought I had said something funny) that I was my father’s daughter.  I find that most people  just want to be happy.  And they want to be acknowledged. I like to acknowledge people. It makes me smile to see another person realize they have been heard.

I am a family person, also. My siblings are like parts of my person. This past week I had the chance to see a nephew that I had not seen in over 10 years. He’s not little anymore. He’s grown up (about 6′ 5″, maybe more-so tall!!!). He’s a grown man. I cannot believe how happy it made me to see him. He visited from New Mexico. I have family all over the United States. Some of us have never met in person. I am “working on” putting together a family calendar. I wish I could hug them all at the same time. I LOVE my family. They totally make me smile.

I am working very hard on paying attention to what makes my happy, what makes me smile. There are so many unhappy people in the world today. So many reasons to be unhappy. So much unrest. I am going to try and take how I felt about seeing my nephew (I felt like twirling around in the restaurant!!!) and spread it around.

Thanx for stopping by and for helping to keep a smile on my face. 🙂

 

We Are, Each One, Absolutely Unique

Ralph Wilhelm Cooper, 1908-1992. Actor, dancer, screen writer, emcee, choreographer (Shirley Temple-Poor Little Rich Girl). Ralph Cooper spent five years acting and directing in Hollywood and while there folks began calling him the “Dark Gable” because of his “handsome, rugged good looks and his charm and wit”. * I would like to say instead of giving him a nickname that reminds people of a White man, can we just say that this man was Ralph Cooper, a handsome, charming Black man who was very active in the world of entertainment in the 1920s, 30s and 40s. And beyond.

 

Like my father, Eddie Green, Cooper was also a filmmaker. Meaning he wrote, directed and starred in his own movies. In the late 1930s he was making movies during Oscar Micheaux’s filmmaking time (Micheaux began making films in 1915). He wrote, directed, produced or starred in at least fifteen films. My father began making his films in 1939, right about the time Cooper left filmmaking. In 1937, Cooper formed Million Dollar Productions with black actor George Randol and white producers Harry Popkin and his brother Leo Popkin to produce race films.

And that’s not all. Ralph Cooper was a founder and emcee of the legendary Amateur Night at the Apollo Theatre in 1935. ** He worked as a human rights arbitrator under New York Governor Nelson Rockefeller in the ’60s. And in 1984 was a consultant on the movie The Cotton Club, with Gregory Hines and Richard Gere.

Ralph and my father appeared on the same bill during those early days; their names are kind of close to the bottom of the ad as they had not “blown up” yet. But they must have met backstage. Maybe Eddie talked to him about making movies someday. Both Eddie and Ralph were successful in their chosen pursuits. Through their own talent and hard work. When it was truly a struggle for a Black man to get ahead. I salute my father and Ralph Cooper and their own special uniqueness in bringing a little entertainment into the lives of others.

 

 

 

I am looking forward to using my blog as a place to be a cheerleader for the trailblazers who deserve to be remembered for their unique contributions to Life.

Thank you so much, for stopping by.

*MsLadySoul  **Margot Miflin, 1990

My Book: Eddie Green, The Rise of an Early 1900s Black American Entertainment Pioneer

Sitting While Black

Joseph Bologne, Chevalier de Saint-Georges (December 25, 1745 – June 10, 1799) was a champion fencer, classical composer, virtuoso violinist, and conductor of the leading symphony orchestra in Paris. Born in Guadeloupe, he was the son of George Bologne de Saint-Georges, a wealthy planter, and Nanon, his African slave. During the French Revolution, Saint-Georges was colonel of the Légion St.-Georges, the first all-black regiment in Europe, fighting on the side of the Republic. Today the Chevalier de Saint-Georges is best remembered as the first classical composer of African ancestry.

How many people know about this man. In regard to classical music somehow I learned about Mozart, Beethoven, (bugs bunny cartoons, Disney movies, documentaries.) But not this guy. Some scholars call him the Black Mozart, except that he was born 10 years before Mozart and after they met Mozart was said to have echoed a few of Joseph’s bars.

When I went to school I learned a lot about White inventors, musicians (we sang Oklahoma in Glee Club), presidents, television stars. But very little about important Blacks. Well, there was George Washington Carver. But all we learned was that he had something to do with peanuts. We did not learn about the numerous honors he won for his work or that in an era of very high racial polarization, his fame reached beyond the black community.

Seems we heard a lot about Nat Turner though, the guy who led that slave rebellion. According to some scholars, the stereotype of African Americans males as criminals was first constructed as a tool to “discipline” and control slaves during the time of slavery in the United States. More recently , a study examining the news reports from The New York Times, The Washington Post, The Wall Street Journal and USA Today covering the effects of Hurricane Katrina showed that in 80% of the time black evacuees were portrayed in photographs, the word “looting” was mentioned in the captions, suggesting that the black evacuees were criminals. In America we have had the good actions of White people and the emphasis on bad actions of Blacks ingrained into our psyche. Blacks were not celebrated in our education. So I don’t believe in unconscious bias. That we make snap judgments about people and situations based on who we are, how we live, and how we were raised, yes, but it’s not unconscious.  I believe we act from ingrained teachings.

The idea that Black men are dangerous exists today. Still. Sitting While Black is the hashtag on Twitter.

It’s sad that this is happening in 2018. My father lived during the early 1900s when Blacks were still being lynched in large numbers. One of the bloodiest race riots in the nation’s history took place in East St. Louis. A Congressional committee reported that 40 to 200 people were killed, hundreds more injured, and 6,000 driven from their home. Fifty-three black Americans are known to have been lynched in 1920. Eddie was in St. Louis in 1919-1920. He performed at the Booker Washington Theatre (a Black vaudeville house) with his Deluxe Players, he had been called back by popular demand. In those days he sang his own songs, danced and told “side-splitting” jokes. I’m sure he saw his share of horrors.

By the 1940s Eddie was appearing in the radio program Duffy’s Tavern. Things in America had progressed enough that The Library of Congress placed Duffy’s Tavern on the Honor Role of Race Relations, because they did not have Eddie resort to stereotypical “Black” language. They said “Green clicks as a waiter, not because he’s a Negro, but because he’s a good comedian.” So, it is clear in this instance that changing how Blacks were treated was a priority.

I wonder what he would think about two Black men being arrested because they were sitting in a Starbucks and asked to use the restroom but didn’t buy anything and wouldn’t leave because they were waiting for a third party. I mean we have not gone back to lynching but it certainly seems that we have at least gone back to the 50s or 60s. Some people today still see Black men as trouble-makers. I don’t think that providing unconscious bias training is going to change that mind set. I think something has to change within the person. Maybe as more time goes by people will be able to just see each other as fellow human beings, floating around in space on a friggin’ planet.

Hey, thank you so much for stopping by. Peace and Love

Check out my Book: Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer.

 

Sharing Space with Dr. Martin Luther King, Jr.

The “Big Six” Civil Rights Leaders (l to r) John Lewis, Whitney Young Jr., A. Philip Randolph, Martin Luther King, Jr., James Farmer Jr., and Roy Wilkins. Hulton Archive/Getty Images

Martin Luther King, Jr. was born in 1929. My father, Eddie Green was born in 1891 and by 1929 was writing songs, doing small radio appearances and working in burlesque with Billy Minsky. When King graduated from Morehouse College in 1948, Eddie had reached Old Time Radio (OTR) fame, and by the time King had graduated from Crozer Theological Seminary in 1950, Eddie had died. So Eddie probably was not cognizant of the fact that King existed. He did not know that one day Martin Luther King, Jr. would be instrumental in making the lives of Black people a bit easier.

Through the process of doing research on my father for his biography I came across a couple of articles that mentioned Eddie’s involvement with Negro Organizations. The California Eagle did a piece on Eddie in their “Trail Blazers” column in 1947.
The article spoke of Eddie’s 23 years in show business with 15 years of before-the-mike experience and 30 years of technical radio knowledge. It mentioned his beginnings with the late Fats Waller in the 20s and his progress to Duffy’s Tavern. There is mention of Eddie being a 32nd degree Mason and that he had spent the last year working actively with the NAACP.

In 1949 there was an  Omega Smoker gathering given in Mr. Paul R. Williams house in Los Angeles, for the then Governor of the Virgin Islands. Among the guests present were Dr. Ralph Bunche, Eddie Green of Duffy’s Tavern and Amos ‘N Andy shows, Jack Dempsey, and Roy Wilkins of the NAACP. Eddie took over the party by telling some of his “grandfather jokes.” Seems that Eddie couldn’t resist being the funny guy, but clearly he had hobnobbed with well-known leaders of the times.

One of the goals of the NAACP was to remove all barriers of racial discrimination through democratic processes. Dr. Martin Luther King Jr. is considered the formative figure in the modern fight for civil rights, and his legacy looms large in the work of all those who follow him in his cause. Dr. King’s involvement with the NAACP dates back to his position on the executive committee of the NAACP Montgomery Branch in the 1950’s, through his leadership in the various boycotts, marches and rallies of the 1960’s, and up until his assassination in 1968. (www.naacp.org/oldest-and-boldest/dr-martin-luther-king-jr-mw/)

King, representing the SCLC, was among the leaders of the “Big Six” civil rights organizations who were instrumental in the organization of the March on Washington for Jobs and Freedom, which took place on August 28, 1963. Among the other leaders and organizations comprising the Big Six was Roy Wilkins from the NAACP. (Wikimedia)

During Eddie’s voting years some people “engaged in egregious voting discrimination”. Making it difficult if not impossible for people of color to vote. Jim Crow laws were enacted. A typical news article read: Stepin Fetchit is in Johnstown experiencing what is was like to deal with “Jim Crow.” Paul Robeson was stopping the “Show Boat” in Angel City. Pittsburgh Courier, May 1940.

From past articles I have read and according to my mom, Eddie was usually upbeat; he did not like violence of any kind, he did not even like to see comedians booed off the stage.

Being a 32nd degree Mason means that the Master Mason is involved in charitable work. Work to do good. You are to have good moral values. When you go beyond 32nd you go into the “Shrine” or what most people know as The Shriner’s. It is generally known that the Shriner’s help burn victims and children by providing hospitals and medical care all free. But what is not commonly known is that each of the branches also provide services for underprivileged children. Eddie provided food to the poor while he owned his bar-b-q restaurants. As a 32nd degree Mason and Shriner, Eddie was given a Shriner’s Parade down Adams Boulevard in 1950 when he died.

In the 1950s, the Civil Rights Movement increased pressure on the federal government to protect the voting rights of racial minorities. Dr. Martin Luther King, Jr. was advancing civil rights through non-violence. He won the Nobel Peace Prize. He was concerned about how we treat our neighbors. He believed in the Spirit of Love.

I haven’t thought too much about Eddie’s experience with voting as a Black person but my thought process is beginning to take a different path. I do believe that if Eddie had lived to see the growth of Dr. Martin Luther King, Jr. as a leader and civil rights activist he would have been proud to have been able to share space on this earth with Dr. King, who paved the way for the 1965 Voting Rights Act. Dr. King believed in loving our fellows and promoting non-violence. Something we can all work on.

Hey, thanx for stopping by. Peace.

Black Way Back Radio

“Radio for Negroes is a very hard field to get into . . . very hard! But the returns are so great that it’s worth the try.”

This is a quote from my father, Eddie Green, the gentleman sitting in the above picture (for those of you new to my blog). This quote appeared in a 1947 newspaper article for which Eddie was interviewed. Eddie had actually started radio work back in the late 20s. He said this in an article from The Negro Digest in 1949 stating, “It was during the year 1929. I was living in New York and trying every kind of theatrical job that was available. I had already played all kinds of vaudeville, burlesque, musical comedy and a few small radio programs.”

His radio popularity started, however with the Fleishman’s Yeast Hour Rudy Vallee Show, as shown here in this line from a local newspaper The Pittsburgh Courier, the article is about Eddie’s inclusion into yet another radio program in 1935, it said, “this was nothing new to Eddie Green, who worked several seasons very successfully with Rudy Vallee, in fact, so successfully he was returned three times by popular demand.” Eddie  went on to become Eddie the waiter on the very popular Duffy’s Tavern Radio Program from 1941-1950.

When I started this blog and began writing a biography of my father, until about 2 weeks ago, it hadn’t sunk in just how rare a Black man’s performances or contributions to radio in the early 1900s were. Probably because I wasn’t coming from a Black point of view but from a personal inspirational and hopefully, motivational point of view. Using Eddie to show my grandson how one can accomplish their goals despite obstacles, and then to show the same to anyone who is doubting their abilities. I have been sharing on Old Time Radio (OTR) blogs with much success in regard to meeting people who are genuinely interested in Eddie’s OTR life. However, what dawned on me is that yes, he was on the radio, but the radio show’s themselves were White produced programs.

Duffy’s Tavern and Amos n Andy. Today these two programs are not talked about a lot on the groups I follow. These groups talk about the Gildersleeves, The Shadow, the Gildersleeves (no, this is not an error), Jack Benny, Johnny Dollar, Groucho Marx and other similar programs. While sharing about my father’s appearances on the first two programs I realized interactions with those other OTR fans is very limited because there were not many Blacks on the radio back then. Period. My brain said “as a matter of fact, how come no one ever talks about Black old time radio?” That’s when I woke up.

I began to research African-American OTR. I found a lot of articles, such as this one from J. Fred MacDonald that says: “Certainly, there were black radio performers like Eddie Anderson, Lillian and Amanda Randolph, Eddie Green, Hattie McDaniel, Ruby Dandridge, and Juano Hernandez, but their roles were either stereotypically comedic or insubstantial. And there were so many areas where African Americans never participated: No black men or women reported the news; there were no black sportscasters, no black soap operas; and no substantial black roles appeared in romances or dramas or Westerns or detective shows.

Tens of millions of citizens tuned in thousands of stations to hear news, sports, drama, comedy, and the various other formats by which broadcasters had adapted radio to aural entertainment. To staff such operations, moreover, the stations and networks employed countless numbers of writers, directors, actors, and technicians. Thus, aside from its popularity, the radio industry was a massive commercial operation. Despite its tremendous need for personnel, however, the industry in its so-called Golden Age offered only limited opportunities for black men and women to develop.”

This was borrowed from J. Fred MacDonald who died while I was writing my book in 2015 and whose archives by the end of the 20th century, were termed by the Library of Congress to be “the most important archive in private hands in the United States.”

I did find Richard Durham. Richard Durham was born September 6, 1917 in Raymond Mississippi and was raised in Chicago. He died April 24, 1984. Durham developed an interest for radio during the depression as a young dramatist with the Writers Project of the WPA. Durham studied at Northwestern University in Chicago and was the editor of the local black newspaper, The Chicago Defender. His first major radio experience came in Chicago with the series “Democracy USA”, which he wrote for the CBS station WBBM and with Here Comes Tomorrow, a black soap opera he wrote for WJJD. His radio program Destination Freedom premiered on June 27, 1948 on Chicago radio WMAQ and consisted of 91 different scripts produced solely by Richard Durham. Destination Freedom was a provocative half-hour show that showcased the lives and accomplishments of prominent African Americans. Did you notice he wrote a Black soap opera?

My father obviously knew what he was talking about when he said radio for Negroes was a very hard field to get into way back in the day. I am beginning to understand how much effort it took for my father to achieve his dream of becoming a show business personality, as a Black man. How truly difficult it was for a Black person to step into certain positions in the early 1900s in America. Eddie’s success was unusual, then. And it is still unusual for some to discuss today. This is just a reality. I am going to delve a bit more into this Black radio thing because it interests me very much.

It fits right in with my decision to become a Cheerleader for Trailblazers (this is going to be my twitter hashtag). So many people have done so much in this world that no one talks about or acknowledges. Not just Black trailblazers, though we have become more of a priority for me-but also of young trailblazers, female trailblazers, piano-playing trailblazers. Send me a trailblazing subject, I love research.

Thanks, for stopping by

Title of this post provided by Brian Beasley, my brother 🙂

My Book: Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer

 

 

 

“The Whole Town is Talking About Eddie Green”

According to today’s news, a new Black female movie director who has just finished directing Madeleine L’Engle’s “A Wrinkle In Time”, has been chosen to direct Jack Kirby’s “New Gods” for Warner Bros. I have been following her rise, and when I read the words Warner Bros., my father flashed into my mind because he did a Warner Bros. Vitaphone Film.

The film is titled Sending A Wire. I felt that here is a connection (if somewhat remote) I can use to help make Eddie relevant to today. You know, Eddie was Black, he was a director, he worked with Warner Bros. and he was a Trailblazer.

I also communicate via Twitter. So I tweeted this information to the female director, yes, hoping for some type of acknowledgement. I am still in the process of promoting the biography I have written about my father and I am trying every way I can think of to get his story seen. I read somewhere that I should “do the same thing everyone else does, but do it differently”. Huh?? So I’m just doing what I think this advice is saying. I want to bring Eddie back to the fore of people’s minds. Because he was a trailblazer who was the best at what he did. His story can provide that pin-in-the-tush type of motivation for others.

Sending A Wire started out as a skit in a play titled Hot Chocolates and went on to become quite popular. From my book:

There was also “Sending A Wire”, written by Eddie, featuring Eddie and Jimmy Baskette, as a customer and clerk, respectively, in a telegraph office. The New York Age called Sending A Wire “riotously funny”. Evidently, Eddie was “knocking them ga-ga” in his telegraph skit at the Hudson.

James “Jimmie” Baskette, born February 16, 1904, would later become best known as “Uncle Remus” singing the song “Zip-A-Dee-Do-Dah” in the 1946 Disney feature film, Song of the South.
Connie’s Hot Chocolates was hailed by critics and was touted as being fast, funny and frank. Hot Chocolates would go on to have 219 performances. The closing date was December 14, 1929.

The skit from “Connie’s Hot Chocolates”, “Sending A Wire”, became a Warner Brother’s Vitaphone film that was said to be the funniest Vitaphone comedy act “which has yet been produced”, and that it “kept thousands shaking with laughter.” The film is registered in the Library of Congress as Sending A Wire, Eddie Green and Co. New York Age February 1, 1930.

“Sending A Wire”, would go on to be shown at Loew’s Main St. New Rochelle Theater, December 7, 8 and 9, billed as “Eddie Green & Co.”, featured between the Hearst Metrotone News and Irene Franklin, and, at the Strand Theater on the same program with a Mickey Mouse cartoon called The Jazz Fool.

Okeh Records would record the song “Sending A Wire” with Eddie Green and Company (which can be found at the Library of Congress under Black Films: Paper Print Collection.)


At the time, Commander Richard E. Byrd, an America Naval Officer had started an expedition to the Antarctic, and had set up a base camp named “Little America” in the Antarctic on the Ross Ice Shelf. The Gannet Newspapers, which at the time included the Albany News and The Knickerbocker Press, decided to put together a stellar list of entertainers to perform over radio stations WGY and WHAM to be broadcast to “Little America”, for the enjoyment of the explorers. Commander Byrd would receive the short wave and the broadcast wave lengths to all broadcast listeners in the United States. Amsterdam Evening Recorder: “Tonight’s radio program for Commander Byrd-Radio entertainment, originating in three different cities will be broadcast by WGY and its short wave stations to Commander Richard Byrd and his men in Little America.

Eddie was added to the program specifically to do his “Telegraph Skit” which was said to be “one of the funniest skits on the stage.” Eddie would perform along with Ralph Rainger, the composer of “Moanin’ Low”, who was also invited. Some of the other stellar performers included Rudy Vallee, Fred Allen and comedian Ted Healy. At the end of the program letters and messages from the men’s families were read over the air.

Regarding Eddie Green’s performance on the radio program, The Brooklyn Daily Eagle said “The whole town is talking about Eddie Green, prime colored comic, who will put on one of the funniest skits on the stage. He will dash from the Hudson Theater immediately after the final curtain to the National Broadcasting Company where he will re-enact his side-splitting “Telegraph Office” skit for Commander Byrd and his crew.”  (Brooklyn Daily Eagle July 18, 1929).

“The whole town is talking about Eddie Green.” What a wonderful line to read about one’s father in the newspaper.

Thank you so much, for stopping by.

Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer-BearManor Media publisher

A Cheerleader for TrailBlazers!!

On March 7th I had the best time doing a book talk at a local library here in Los Angeles. There was a nice group of people, snacks and tea and I was prepared. But, I was a bit nervous. I think I was worried about how “cute” I was, or not. I said “uh” a lot. After I shared the Toastmaster tips I was not following I got a laugh and I felt more at ease. I spoke for almost an hour. I passed photos around. One thing I have noticed is that once the audience begins to hear my father’s rags-to-riches story they become truly interested. They are amazed in some instances and sad in others. And they laugh. His story is inspiring. I love it. I have begun to want to be a Cheerleader for Trailblazers, not only Eddie, but others. I find that keeping in mind those that paved the way is a motivating factor for future endeavors. One of the things I talked about was that Eddie wrote the song “A Good Man is Hard to Find” way back in 1917. During the early 1920s Sophie Tucker loved this song so much she sang it in her nightclub act every night for ten weeks.

Depending on who was talking about it, the song was listed as a Blues song or a Fox Trot or as Jazz. Sophie did a Blues version. As you can see by this poster she was a red hot mamma, so you can imagine how she must have sang that song. After my talk at the library, a few of the people stayed around to talk with me. One of them was a gentleman who just happened to be a big Sophie Tucker fan and an Eddie Green fan. When I got home he had posted this message on my Facebook Book Page: “Dear Miss Green, I attended your talk at Memorial Library yesterday afternoon and enjoyed it very much. I am going to order the book from Amazon and look forward to reading it. Good luck to you and thank you for bringing Eddie Green back to life.” Now, of course, he did not know it but basically this is exactly what I was hoping to do with my book. Bring Eddie back to the fore of the public’s mind because of his many achievements during his lifetime which people have forgotten. What a treat to have spoken with this man.

The gentleman also told me a story I had never heard before about Sophie Tucker and Alberta Hunter. Alberta Hunter was an American jazz singer and songwriter who had a successful career from the early 1920s to the late 1950s. He saw Alberta Hunter on a late night talk show probably in the 60s or 70s. She was discussing the night she decided to sing “Sophie’s” song-A Good Man is Hard to Find-on stage. And so she did. With Sophie Tucker sitting right there in the audience. So there!! They each participated in making the song a big hit. The gentleman who told me this story also said he looked and looked for a Sophie Tucker recorded version and finally found it just by happenstance. And here he was now talking to the daughter of the man who wrote the song. This is one of the reasons I love doing these talks. I get to meet and connect with people who know about my father or want to know. Since Eddie died when I was three this is so special for me.

Eddie wrote the song in 1917 and sold it in 1918. He was pretty poor back then and I’m sure needed the money. He didn’t know the song was going to become a mega best-seller and that people today, still, are recording and performing his song over 100 years later. Impresses the heck outta me.

I do request that you ask for the book at your local library so that they will stock it. Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer. And tell your friends.

Thanks, for stopping by.