With this post I have unintentionally gone way off topic. But I needed something to strike me funny today. My intention was to type a post using a phrase stolen from my publisher: The necessity of yesterday. We were discussing the difficulty of getting today’s younger people interested in reading about the entertainers of the 20s, 30s, 40s.
I want to figure out a way to show progress not just in cars or technology but in people, most especially in Black people who still experience difficulty in progressing in America. I believe that seeing from whence they came will enable Blacks to recognize their own progress and see how the past has contributed in a good way. And Black people have progressed, do progress and are progressing in entertainment.
So I went online to get ideas for where we were yesterday and where we are today. The necessity of yesterday. So I looked up “the good ol days” as a way to get ideas of “yesterday”. Well, I found a few fond memories of yesterday, but not a lot. I found more “the good ol days sucked” images. And, the really sad part is that I found very few “good ol days images” featuring Black people. The images I found with Black people in them “truly sucked”. And I felt sadder than when I started this post.
I want to be able to show the younger Black people of today that the images some Black actors chose to portray back in the day contributed immensely to what Black actors can do today. Had there been no “yesterday”, (the 20s, 30s, 40s) Black actors suffering the slings and arrows of life in the entertainment industry, (and in life in general) there could not be the many, many successful Black people on the screens today.
Somehow I would up looking at weird advertisements from those days, cocaine cough syrup, Bourbon toothpaste. Then I saw the “new kind of hat” that grows hair!! And I burst out laughing or as they say to I LOL’d. Whenever I laugh I know that all is not lost. Life is still laugh out loud funny. I mean, look at that hat! Would you wear that hat? But I guess somebody had to try it first.
Hey, thanx for stopping by and may something make you LOL.
Lizzie Miles version of my father’s song. I love this version.
One hundred years ago in August my father, Eddie Green, would have been 27 years old. On June 5, 1917 he signed up for WWI. In the same year he copyrighted his first song “A Good Man is Hard to Find”. Twenty-eight years later when he was 55 he married my mom who was 22 at the time. After a long and fruitful career as an entertainer and entrepreneur Eddie died in 1950. If he were still alive in August he would have been 127 years old.
I have since written a book about Eddie, had the book published, done a few interviews, had an article written about myself and the book; won an award-WooHoo!!! Winner, winner, winner! And I am looking forward to more interviews and writing an article on my father which will garner more exposure.
I did a presentation at a local library and when I mentioned the title of Eddie’s first song the ladies in the room began to talk out loud: “It’s still like that today!” “You better believe it.” My brother, who was in the room, kind of cringed and the ladies apologized but they were all laughing.
This incident and the fact that this song was used in a 2014 Woody Allen movie, the HBO movie “Bessie”, and the award, show me that my father is still relevant today, 127 years after he was born.
Bestselling author, Dean Koontz said, “I really believe that everyone has a talent, ability or skill that he can mine to support himself and to succeed in life.”
I permanently posted this quote onto my blog, and I said in my first blog post from November 12, 2014:
“I found this quote while doing some research for a book I will eventually complete. I began my research in about 1998 because my then small grandson’s favorite words seemed to be “I can’t”. Usually in regard to why he did not finish his homework. His homework was always too hard. I came up with the bright idea to enlighten him on what a person can accomplish by telling him about, and by writing a book for him about my father, his grandfather, who was a black man born in poverty in 1896 and who rose to prominence despite many obstacles. What I hoped to impart to my grandson morphed into a desire to share inspiration to any person who feels they “can’t”. A desire to talk about what motivates people, about determination and about how much work actually goes into achieving one’s goals, and how that work can be extremely rewarding.” Or maybe even Awarding.
Well, the book has been completed. Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer was published in July of 2016. On June 24, 2017 I and my book became the 2016 Foreword INDIES WINNER in the Performing Arts & Music (Adult Nonfiction) category!! Me!!
Mr. Howard Loy, Executive Editor said in a congratulatory article: These were the publishers and authors enabling alternative voices. Many in publishing might disagree with me, but I believe there is no such thing as too much information. Stories, true stories, need to be written down and preserved for many reasons.” He says to me, “Congrats Elva on being a winner!” Me!
For those of you considering writing a book. When I learned I was a winner, I was excited and I wanted everyone to learn about it right away. Of course, things take time. You’re waiting for a personal email, a personal tweet with a picture of your book and your name in big letters. But the convention at which the awards were held was 3 days long. The awards were held on the 2nd day. And there were a lot of awards.
Saturday and Sunday passed. I went from being excited, to being amazed. The research I did, the many public transportation trips I made, all the time I spent on the net and at museums, all of the people that were involved, the fact that people thought my book was worthy of an award was and is mind-blowing.
On Monday I crashed. I cried Monday night, Tuesday morning. I slept all day. I watched old detective shows and fell asleep and woke up and went to bed. Slept late Wednesday, Thursday got up to pay the rent, buy some chili fries and an Orange Bang (large) and I slept. I could not blog until today. I think this may happen to a lot of writers. I tend to think of myself as a person who wrote a book, period. But as my brother Brad keeps telling me, I am a writer. Me.
So, I am finally sharing my GOOD NEWS. I am a WINNER, WINNER, WINNER. You have all helped me in one way or another. You have definitely helped me keep going. And this is only the beginning. Today I heard from the Award committee and my publisher will send out a press release in July. Stay tuned!! I am totally thanking the Universe today. And if you feel so inclined, write a book and tell us about your journey.
Thanx, for stopping by.
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This is not a political article, though I have been influenced in part by the fact that our 44th President, Mr. Barack Obama was a proponent of the use of personal initiative. There is a belief in some circles that personal initiative and hard work is enough to overcome obstacles confronting young black men. Others pooh-pooh the “bootstrap” approach. They believe that better living conditions, better education opportunities are also necessary to help a young man achieve his potential. Both are good points.
There is also a modern day belief that Black men born into poverty are good candidates for being drawn into a life of crime other than a life of legitimate success. Some modern day beliefs are that “soundbites” in the news contribute to the mindset that Black men (when arrested in t-shirts and low-cut jeans) are seen as a threat. (Blacks in the News: television, modern racism and cultural change By Robert M. Entman-journalism quarterly, pg 35.)
In 1910, when my father was coming of age Blacks made up only thirteen percent of the population but twenty-seven percent of those were in prison. In the South in 1910, Blacks comprised 30 percent of the population yet made up 60 percent of those incarcerated (US Census Report 1910).
This racial incarceration gap could have had many causes, including discrimination in arrest and sentencing, differences in family background, lack of job opportunities for blacks, higher urbanization rates of blacks, and differences in educational attainment. (Access to Schooling and the Black-White Crime Gap in the Early 20th Century US South: Evidence from Rosenwald Schools. Katherine Eriksson December 31, 2014.)
When my father, Eddie Green, left home at the age of nine in 1900, the presence of structural racism, the after effects of slavery, the lack of education for Black people, and the lack of healthcare was not a problem for him. The constant objections of White Americans to African-Americans was, evidently, not a problem to him. The lack of job opportunities and differences in family backgrounds was not an issue. He had discovered he could thrive on his own without resorting to criminal acts but through his own talents and his ability to take care of business. He had been raised right. HE HAD ACQUIRED PERSONAL INITIATIVE-THE ABILITY TO ACT AND OVERCOME DIFFICULTIES.
For a child born into poverty that life-style is normal. An infant does not realize poverty. I believe Eddie’s mother provided his early nurturing. Eddie did not have a close connection with his father. I hold the idea that Eddie received love and attention mostly from his mother. Eddie had a love for his mother that he spoke of to my mother.
He learned his work ethics from watching his mother washing countless loads of other people’s clothes and he was hurt by this. He saw that no matter how hard his father worked nothing got any better. But he also knew hard work was necessary to survive.
He learned confidence in his ability to take care of himself, he acquired fearlessness, otherwise how could he have gone out into the mean streets alone. His situation at home prepared him for the streets because what could be worse.
Emotionally, he became the “comedian.” With his comedic talent eventually tending dry humor. He would later become known as a “droll” comedian. Drollery according to the dictionary is a natural aptitude for using words and ideas in a quick and inventive way to create humor.” Evidently Eddie tapped into this natural aptitude early enough to boost his rise to success.
Eddie taught himself to read and discovered books on magic. He found that he liked performing magic tricks and that he was good at it. It was a way to take a person out of the mundane and into a world of fantasy and wonder. He had also determined that he could thrive by traveling through the city offering to perform as a “Boy Magician”.
More than likely Eddie would have read about or heard about successful Black magicians such as William Carl, who in 1890 was billed as the King of the Magicians with a minstrel troupe called Boston’s Merry Musicians, or Alonzo Moore (c.1870-c.1914) who joined Billy Kersands’ Minstrels in 1904.
Eddie had grown up, also, during the time of great African American role models. Men like W. E. B. Dubois, a Black historian and sociologist, who was at the forefront of the civil rights movement, or Frederick Douglass who was also born in Maryland, a slave and who became a social reformer and statesman.
When Eddie left home at the age of nine, he was a good, self-confident, eager, willing, forward-looking, honest and talented young person. He left with the love of his mother cradling him. His circumstances had not made him angry but became a source of determination to have a better, happy life. When money permitted he moved his mother into Gotham City to be close to him. Over the years he would become successful as a Broadway and movie star, a filmmaker, a composer and as an Old Time Radio icon. By the time of his death he had risen to become one of America’s most beloved comedians.
As a testament to his feelings about being Black, this is what Eddie wrote to a radio program titled “The Negro Hour” in 1938 regarding their theme music: “Or you might even pick a suitable stanza from the pen of our poets (Dunbar and others), set it to music. Brilliant forceful music, and thus have a theme song that tells the world, “Here comes an upright, fearless, man”
As a testament to his early learning which I am certain came from his mother, he told the radio announcers this: You must remember that you are gentlemen addressing ladies and gentlemen and if for no other reason than that, a gentleman never raises his voice”.
This is the first lady that I heard sing my father’s song “A Good Man is Hard to Find” on a Los Angeles Jazz radio station in 1988. A friend recorded it to a cassette for me. The song I have placed in this post is different but connected. See, I started to write this post about the difficulty in getting today’s public interested in radio artists from the 20s, 30s, and 40s, unless they are older people or people who are into entertainment nostalgia. And how difficult it has been to get today’s Black people interested in Black entertainers from the same era. Because there are people today (like my younger brother Brian) who have contempt for the “Rochesters” or “Fettchits”. Those slow-talking, yes, sah Blacks, thus making it harder to market the biography I have written about my father who was successful during the early 1900s. They are not proud of these old timers. But I think the fact that these entertainers persevered and succeeded during a time of great hardship for Americans and particularly Black people makes a powerful statement of tenacity that ought to be passed on and on. For instance, our kids today are listening to songs that contain profanity and outright sexual lyrics. But guess what? They need to know that this is not new, they are simply re-stating the same ideas that began back in the 20s with songs like the one below from youtube. Only a bit more subtle.
Yes, Alberta Hunter! 1895-1984. We now have the internet and cable and smartphones and no longer sit around the radio waiting for Amos n Andy or The Hit Parade or Duffy’s Tavern (with Eddie Green as Eddie, the waiter), or The Shadow, but we ought to remember these pioneers and their determination to follow and achieve their dreams. Black or White.
Then, this morning, my focus for this post began to include Racism. I read an article. On March 31, 2017 someone left a noose in the National Museum of African-American History and Culture in Washington, D. C. The world may have moved on technology-wise, but racism and hatred are still with us. For my Black brothers and sisters this may very well prove to be a reason for not wanting to look back at what some see as negative Black images from the 20s, 30s or 40s. Or maybe they see these as simply by-gone days. But remember, these Black entertainers who came before us witnessed lynchings and still chose to pursue their entertainment dreams. Through courage and determination these old timers left legacies of courage and success. They prove that perseverance, love of life and the desire to provide happiness to others can and will stop negativity from overtaking this world, that the desire to harm others can be lessened and a greater desire to help others can be achieved.
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Due to a recent podcast I realized I needed to gain a greater degree of knowledge in regard to how my father, Eddie Green, got into the field of radio. In his words: “Radio for Negroes is a very hard field to get into . . . very hard! But the returns are so great that it’s worth the try.” Eddie was a living example of how one gets ahead in life. He stayed busy, he knew his talents and dedicated himself to making them pay off. His biggest break was in 1929.
I found an article from about 1928, by Chappy Gardner, “Along the Rialto”, in the Pittsburgh Courier: “ Eddie Green, well-known songwriter, electrician, motion picture operator, famed comedian, opened on the Burlesquewheel this season. Played at Newark last week in A Perfect 36. Eddie appeared with the regular cast, being the only race performer, but was at his best in his single that wowed the customers”.
It took him a minute to realize his popularity. In his own words “In the meantime, I was so busy working here and there and doing a bit of writing on the side that I did not notice my own advancement. One indication of the change, I should have noticed, was the fact that I could see my name very frequently in the various trade papers”. Then along came George Immerman and opened a show called Hot Chocolates. I became the featured comic in this show. It turned out that none of the various scenes written for the show were good enough, so I was engaged to write the scenes”.
Hot Chocolates was a musical revue that opened at the Hudson Theater in New York on June 20, 1929. The show was staged and directed by Leonard Harper, with songs byand Thomas “Fats” Waller and Harry Brooks and book by Andy Razaf. The revue was touted as being fast, funny and frank. Hot Chocolates had a run of 219 performances.
Eddie double as a performer in the show along with these two gentlemen
Louis Armstrong Ensemble (Armstrong made his Broadway debut with his role in the ensemble as part of the pit band for the show)
Jimmie Baskette Ensemble (Baskette later became well-known as the zip-a-dee-doo-da man, Uncle Remus, in Walt Disney’s movie “Song of the South” (1946)
A big hit from Hot Chocolates was “Big Business” written by Eddie. It was a “talking song,” with Eddie, Billy Higgins and Company, and “Fats” Waller on piano.
Then there was the record that was produced from one of Eddie’s skits titled “Sending A Wire” on the Okeh record label:
And the Warner Bros Vitaphone film “Sending A Wire” (directed by Murray Roth) (courtesy IMDB) that featured synchronized sound. It was said to be the funniestVitaphone comedy act “which has yet been produced,”, and that it “kept thousands shaking with laughter.”
At about the same time in another part of town, Gannett Newspapers decided to put together a stellar list of entertainers to perform over radio stations WGY and WHAM, to be broadcast to “Little America” for the enjoyment of Commander Richard E. Byrd, an America Naval Officer, and his explorers, who had set up the “Little America” base camp on the Ross Ice Shelf. Radio remained a primitive and exciting medium in 1929, and when the stations contacted Little America directly and spoke with Byrd or Hanson, it caused a worldwide sensation. They chose Eddie to be added to the broadcast to perform his “Sending a Wire” skit.
The Brooklyn Daily Eagle said: “The whole town is talking about Eddie Green, prime colored comic, who will put on one of the funniest skits on the stage”. The “whole town” (New York) was talking about my father!! He was Big Time! Of course the radio people wanted him. He was Hot!! The “stellar” cast in this radio show also included: Gov. Franklin D. Roosevelt, Rudy Vallee one of the first modern pop stars and Ted Healy, the creator of the Three Stooges.
Eddie had to perform in both of these venues on the same night. Problem was he had to be on stage at the Hudson at almost the same time the radio broadcast would begin. This was a predicament. In his words this is what happened: “The Police Department solved the problem by giving me a motorcycle escort from the theater to the National Broadcasting Company (NBC) studio”. He said that they went up Broadway on the wrong side of the street with the police sirens screaming. Can’t you just picture it? The police escorting Eddie through traffic trying not to hit the theater crowd, zigging and zagging!! Just to get him on that radio program so Commander Byrd could laugh his head off and forget about the cold in Antarctica!! I salute the New York Police Department!
Eddie was Hot!! They had to have him! If he were alive today he’d be on Ellen, Oprah, Steve, National Public Radio (NPR), Twitter, Internet. Because he was one of the best comedians of his time. THAT is how Eddie got into radio.
How does one progress through trial and tribulation?
Since the writing of the biography of my father I have been honored by people wanting to interview me. I have found that people are very interested in discovering how “racism” affected Eddie’s progress in his career. My initial reasoning for writing the book was to provide inspiration to those people who think they “can’t” become successful. So I am having to adapt.
However, I believe that Eddie did not waste his energy focusing on racism. Eddie focused on finding what he liked to do and doing it the best he knew how so that he would not have to continue to live the life of poverty into which he was born. It took him a little while to get started but once he did he was on his way.
One hundred years ago my father, Eddie Green, at age 26, was drafted for World War I.
Because he was a Black man (or African as it says on his registration card) he was asked to tear off the bottom portion of the card. Along with the world, he was introduced to a world at war. And this is when he wrote his first song.
Eddie wrote his first song in 1917. “A Good Man is Hard to Find”. Perhaps President Hoover’s volunteer predicament prompted Eddie to do some writing that would become his first and biggest hit song. When America went to war interest was not high, men were not volunteering. Good men were hard to find. President Hoover decided to inaugurate the draft. The song had nothing to do with war, but the title was relevant, and the song was written as a blues song, the type of music that was becoming popular.
Life in America in 1917 for Black also included lynchings, and jim crow laws. There were deadly riots in 1917. But Eddie and other Blacks like him persevered. Through the hardship and prejudice of the Jim Crow era, several black entertainers and literary figures gained broad popularity, such as Bill “Bojangles” Robinson, with whom Eddie worked, and Hattie McDaniel, the first Black woman to win the Best Supporting Actress Oscar, with whom Eddie also worked. They struggled, but they did it. They got work where and how they could. They practiced. They improved their craft.
By 1927 Eddie was appearing at Ciro’s in The Creole Follies(1927) August in Michigan per the Daily Globe, ‘Creole Follies Co.’ At the Ironwood”, as a dancer and singer. He had also begun performing as a comedian. He was funny. He was really funny.
In 1936 you could hear this voice saying: with Milton J. Cross making the following announcement: “Good afternoon, ladies and gentlemen, I am very delighted to be allowed to participate in this demonstration on television. For your dedication, we draw on that droll comic, Eddie Green and his partner, George Wiltshire, offering a little philosophical erudition.
By 1937 Eddie was on the radio co-hosting a show with Louis Armstrong: Mr. Bob Hayes of The Chicago Defender, in his column “Here and There,” began his May 22, 1937 column, thus:, “It was like turning back the pages of yesteryear when we were greeted by our life-long pal, Eddie Green, NBC artist now being featured with Louis Armstrong and his Hot Harlem Review.” His craft was propelling him into bigger things.
Standard Brands Inc. (Fleischmann Yeast) through J . Walter Thompson Co. announced the full talent line-up of its all-negro show which will make its debut over 30 NBC-Blue network stations, April 9 at 9-9: 30 p.m. Eddie Green and Gee Gee James, a comedy team, with Louis Armstrong and his orchestra will be the regular talent. Program will also feature negro guest stars. Octavus Roy Cohen, well known writer of negro fiction, will do the script. Radio Daily April 1937.
Also in 1937 Eddie left Harlem with his (3rd) wife, in August of 1937, to join the Show Boat cast in Hollywood, according to the California Eagle newspaper. Hollywood!
In 1947 the California Eagle did a piece on Eddie in their “Trail Blazers” column. The article spoke of Eddie’s twenty-three years in show business, fifteen years of before-the-mike experience, and thirty years of technical radio knowledge. It mentioned his beginnings with “Fats” Waller in the 1920s and his progress to Duffy’s Tavern. It also spoke a little about his days as a “Boy Magician,”, and of how Eddie began to be booked on all types of radio shows. This article also mentioned the fact that Eddie was a 32ndnd degree Mason and that he had spent the last year working actively with the NAACP.
Born in Baltimore in 1891 to extreme poverty he propelled himself, through talent, determination and willingness into a successful career as an entertainer because he wanted a better life for himself. And along the way he was able to provide laughs with his comedy, entertainment with his dancing and acting, and employment through his production companies and movies. When his career ended at the time of his death in 1950 he was a beloved comedian on one of the most popular radio programs of that era. He had no enemies. He was known as a funny man, a good businessman and a regular guy by everyone he met.
Racism may be a reality, but it can be overcome.
Thanks, for stopping by.
Please check out my book Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer
This Easter I have been thinking a lot about my mom. When she and my father got married in 1945, he was fifty-four and she was twenty-two. Eddie was her first husband. She had finished her Catholic college-prep high school, was still living with her Mother and had a job as an Assistant Highway Surveying Engineer when they married and she moved into the house he bought on 2nd Avenue in Los Angeles, California.
Mom was a nice Catholic girl. She attended and graduated from the Ramona Catholic college-prep high school for girls in Alhambra, California. Ramona was, according to their website, the only Southern California member of an international network of schools sponsored by the Sisters of the Holy Names of Jesus and Mary. a strong sisterhood with continuing friendships for more than 7,000 alumnae, of which mom was one.
Over the years mom’s connection with the Catholic ties became less and less. She did try to send me to Catholic School but it became too expensive. She gave me my first Bible when I was eight years old and even at that age I was shocked because by then she never went to church, Catholic or otherwise. I didn’t get it. Of course, I still have the Bible though it is a little beat up.
However, mom did keep certain Easter rituals. One was buying lilies. She always bought white lilies. According to a site on the internet some Catholic nations regard white lilies as the symbol of the purity and divinity of Jesus Christ and dedicate them to his mother, Virgin Mary. Now, the fact that mom bought these particular flowers seemed odd to me because she told me that when in school she was the young lady who argued with the nuns at Ramona about Mary being a virgin.
Also, she always bought a ham for Easter. We had to go to that store on La Brea in Los Angeles. Which meant I would have to go with her and stand in this long line and I would probably get a little sample of potato salad while there. There is still a mystery as to why we ate ham at Easter but evidently it was a tradition that meant something to my mom. (I’ve found out since those hams were expensive!) But there was still the fact that she had stopped going to church completely unless I dragged her on special occasions.
Then, in 2005 mom asked me to go to Easter Sunrise Service with her at the Hollywood Bowl. First time I learned she even thought about going to Easter Sunrise Service. Now, the thought of having to get up at 3:00a.m. to get to the Bowl in time did not thrill me. Sitting on those hard slabs looking at a bunch of sleepy people was not much fun. The experience of being in the bowl with so many people waking up to the sunrise was powerful. I experienced a sense of love, tolerance and forgiveness.
My mother never talked much about the meaning of Easter. I have since realized there must have been some meaning in it for her. Her religious viewpoint was more focused on why suffering existed in the world. That’s what she talked about. Believing was difficult for her. But she had her own kind of faith. And it was really more optimistic than she would admit to.
Thanks to my mom I have a faith in which I believe and I have a sense of tradition. I believe in love, tolerance and forgiveness. Mom died in 2010. I haven’t had one of those Easter Hams since. However, for some reason last week I bought a ham slice. And I have noticed those lilies all over the supermarkets. Yesterday I spent the whole day listening to old time gospel music. Happy Easter, mom.
I wish a sense of love and tolerance and forgiveness for our world today. Happy Easter, and thanks, for stopping by.
Eddie Green Biography Named 2016 Foreword INDIES Finalist
‘Eddie Green: The Rise of an Early 1900s Black American Entertainment Pioneer’ about legendary Black composer, actor, and filmmaker is recognized by independent publishing book award
Spread the Word
ALBANY, Ga. – March 29, 2017 — BearManor Media is pleased to announce that Eddie Green: The Rise of an Early 1900s Black American Entertainment Pioneer by Elva Diane Green is a 2016 Foreword INDIES Book of the Year Awards finalist in the Biography (Adult Nonfiction) and Performing Arts & Music (Adult Nonfiction) categories.
Eddie Green: The Rise of an Early 1900s Black American Entertainment Pioneer by daughter Elva Diane Green tells the rags-to-riches story of Green’s determination to rise above and triumph against all odds to become a pioneering Black filmmaker, and renowned songwriter, composer, radio icon, and movie actor.
“As soon as I heard [Elva] was working on this book, I sought her out to be her publisher,” said Ben Ohmart, President of BearManor Media. “It’s an important story that deserves telling, and I was determined to be a part of that.”
In an era when Black entertainers struggled to gain a foothold in show business, Eddie Green rose from poverty to prominence. Green wrote Roaring Twenties blues standard “A Good Man is Hard to Find,” which was recorded by Sophie Tucker, Bessie Smith, Louis Prima, Frank Sinatra, and many others; starred in multiple Vitaphone short films and in 1939 Broadway musical The Hot Mikado; headlined at The Apollo; appeared memorably in two of America’s most popular long-running radio series, Amos ‘n’ Andy and Duffy’s Tavern, and rivaled Oscar Micheaux for honors as a pioneering Black filmmaker.
Talent and desire propelled Eddie on stage, over the air, and into films with Louis Armstrong, Lena Horne, Hattie McDaniel, Thomas “Fats” Waller, Jackie “Moms” Mabley, and James Baskette (Uncle Remus in Walt Disney’s Song of the South), Eddie “Rochester” Anderson, and Louise Beavers.
Foreword INDIES winners will be announced during the 2017 American Library Association Annual Conference in Chicago on June 24, 2017.
Eddie Green: The Rise of an Early 1900s Black American Entertainment Pioneer ($31.95, 204 pages, 6″ x 9″, hardcover, ISBN: 978-1593939670 / $21.95, 204 pages, 6″ x 9″, paperback, ISBN: 978-1593939663) is available via Amazon, Barnes & Noble, and BearManor Media.
Elva Diane Green is the daughter and biographer of Black filmmaking pioneer and legendary songwriter and composer Eddie Green. She wrote Eddie Green: The Rise of an Early 1900s Black American Entertainment Pioneer to prove to her grandson that a person can succeed no matter the obstacles. Elva currently resides in Los Angeles. BearManor Media is the award-winning and Pulitzer-nominated press publishes cutting-edge entertainment books, audio books, e-books, CDs, and DVDs on movies, television, radio, theater, animation, and more. Founded in 2001 by Publisher Ben Ohmart, the BearManor Media catalog now features more than 900 outstanding subjects from the obscure to the eminent.
Eddie Green’s All-Colored Flicker Telecast By Nat’l Broadcasting Co (NBC). Well-Known Radio and Stage Comedian Adds Another Television “First” As Dress Rehearsal Shows.
NEW YORK, Dec. 21., 1939—History was made here Saturday afternoon, Dec. 16, when the National Broadcasting Company (NBC) picked the Sepia-Art Pictures Company’s featurette, Dress Rehearsal, featuring Eddie Green, to broadcast over their television station here in New York City. Not only is Dress Rehearsal the first ever Negro motion picture to be broadcast by television but it is to its credit that this picture was written and produced in its entirety by Negroes. Eddie Green was the first negro performer to appear on television. This first official broadcast took place July 7, 1936. Mr. Green breaks precedent by starring in the first film of this kind to be sent over the air. The Pittsburgh Courier Theatrical News section
Hi there. The above article from 1939 mentions Sepia Art Pictures Company which is the movie production company my father owned in what was then known as Palisades, New Jersey. Eddie was among the very few Black people to own his own movie production company. As it says in the article, back then his “flickers” were all-colored or Negro. In order to be up-to-date I used Black in the photo caption. No matter the word used Eddie was a Pioneer of the entertainmet industry. This particular movie opened at the Apollo Theater in New York and was immensely popular. Hence the NBC television broadcast.
Like Eddie I have my own “First”. I am now an INDIES Award Nominee for 2017. This deserves it’s own post, so stay tuned for more.