Connectedness

I love connections. While considering what to write today I decided to do a bit of research on Conrad Bain. He is the actor who portrayed Arthur Harmon, Maude’s neighbor, on the TV sitcom Maude from 1972-1978. My third book is going to be on the Maude sitcom. I’ve been concentrating on Bea Arthur because she played the title character. However, I liked watching Conrad Bain in the sitcom. I thought he was a funny man. A good actor. Seems I was a big fan of shows produced by Norman Lear. I actually connected with Mr. Lear in 2019 for a short telephone interview regarding The Jeffersons, which is my second book.

I am still working on my second book about the TV sitcom The Jeffersons. Take my advice – do not get lazy during your writing venture. And maybe get some friends to help you proof your manuscript. Anywho, I discovered that Conrad Bain was in the last episode of The Fresh Prince of Bel-Air in 1996. What does this fact have to do with The Jeffersons? Well, in that episode the Banks, represented by Will Smith, sold their house to the Jeffersons, portrayed by Sherman Hemsley and Isabelle Sanford, who stopped by to view the house on the same day that Phillip Drummond, portrayed by Conrad Bain, dropped by.

My books are connected by the actors in these sitcoms. I did not set it up to be that way. I think it is just supposed to be this way because the process has been smooth and uncomplicated, mostly.

Mr. Bain also appeared in three episodes of Dark Shadows which I used to watch religiously. He was the desk clerk at the Collinsport Hotel. Funny how the mustache makes him look so different. During his acting career Mr. Bain appeared not just on TV, but on Broadway, off-Broadway, and in films, including The Anderson Tapes and Postcards from the Edge. Mr. Bain was 89 years old in 2013 when he died. I would have liked to have been able to connect with him.

Connectedness. If by no other way than by being human beings, we are all connected. I like to see that as a good thing. That way I feel less lonely. Stay safe. Wave to your neighbors.

And thanks, for stopping by.

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I Shouldn’t Have Left You

Without a Dope Beat to step to. I heard that on the radio the other day and I thought what a great title for a post. It’s a line from the song “Try Again: by Aaliyah. It’s been over a month since I wrote a post. As a matter of fact, I’ve been putting a little extra time into getting one of my father’s songs sampled or re-recorded by a more current artist. The song was “A Good Man Is Hard to Find” written by my father in 1917. In 1919 A White lady named Marion Harris, one of the first White women to sing the “Blues”, recorded the song and it sold over a million copies. They probably thought the song was a dope beat, or groovy, or, no, they thought it was Jake, Jack. Though the beat was too mellow to step to, unless you knew how to do the foxtrot. Or maybe the ukulele version lent itself to dancing. Bessie Smith version is definitely “Bluesy”. Anywho, I and my friends are working at trying to come up with a version that would be more modern. The closest I’ve found is Salt N Pepa’s Whatta Man – “‘cuz good men are hard to find”.

Now this version is a good toe-tapper: Fats Waller

Most of the other versions are a lot slower. I’m thinking of possibly having someone do a hip-hop version ft. Lil somebody: “You gotta Hug him in the mornin’, kiss him at night, give him plenty lovin, shawty, treat your man right, ’cause “a good man is hard to find” girl, I said a good man is hard to find, so work your stuff, girl, dadadadaBOOM. ” It needs a dope beat.

We need a dope beat. Something to lift us out of the low spot we’ve been in this year due to the Pandemic. Not to mention Life’s other slings and arrows. Writing about and focusing on the things my father accomplished in his life puts a smile on my face. Some of the other songs he wrote have really funny titles, like: You Can Read my Letters, but You Sure Can’t Read My Mind”, Or this one he wrote with Clarence Williams, You’ve Got the Right Key, But the Wrong Keyhole. Can you imagine someone recording The Right Key today? Comedians would have a field day. Find something that makes you smile and share it with someone.

Stay safe, find a dope beat and step to it.

And thanks, for stopping by. 😉

DESPERATE MEASURES

Theresa Harris – The Velvet Touch

I am desperate to get away from today’s news, which takes away my pleasure from finishing my latest book and pursuing information for my next book. So I decided to post about something that could perk me up. And I discovered that WordPress has reworked posting section. Let’s see if I can figure it out. Just so you know this is not a younger picture of me, though she is pretty. This is Theresa Harris. An American film actress, singer and dancer, born in 1906. I came across her while searching for something pleasant to write about.

TCM (Turner Classic Movies) had a pre-code movie showing in September and seems that this young lady played a major role in this era and after this era, but received almost no attention despite her skills. Theresa Harris attended Jefferson High School, studied at UCLA and studied also at the Zoellner’s Conservatory of Music in Los Angeles (the most celebrated musical organization in the West which devotes its energies exclusively to the highest class of chamber music) in the early 1920s before joining the Lafayette Players, an African American stock theater that performed at places like the Ebell Theater from 1928-1932.

Ms. Harris began her acting career in movies in 1931. Over her career, she appeared in at least 90 films, the last one in 1958. The pre-code years were good years for her as an actress because she played substantial roles that showcased her acting abilities. However, as time went on she was relegated to roles as a maid, or a bystander or a hat check girl.

In one of her pre-code movies, Baby Face (1933) she was Chico, friend of Barbara Stanwyck’s character. In Hold Your Man (1933) with Jean Harlow, she had a featured role as Lily Mae Crippen (uncredited). However, in 1936 she appeared as an angel (uncredited) in The Green Pastures, starring Rex Ingrahm, Eddie “Rochester” Anderson and Clarence Muse (also an angel) and Ernest Whitman. The last three gentlemen were also friends of my father, Eddie Green. In 1938 she was Zette, (credited) the maid in Jezebel with Bette Davis.

By the 40s most of her roles varied as to how important they were to the plot in how the role was listed and whether she received credit or not, but by now they were mostly maid roles, as in The Velvet Touch (1948) as Nancy (credited) with Rosalind Russell, or Miracle on 34th Street (1947-a good year) as the Walker’s maid. (uncredited), or The Big Clock (1948) as Daisy the Stroud’s maid (uncredited), with Ray Milland. Ms. Harris made over 30 movies in the 1940s. And at least 52 movies in the 1930s.

In 1950 she was Esther (credited) in The File on Thelma Jordan with Barbara Stanwyck. She continued to make more movies until 1958. Obviously, somebody liked her style. In those days, as it seems to be, still, today, if you were Black and wanted to get ahead in the profession you had to work extra hard and then some, especially if you were not willing to give up your principles. Ms. Harris was well aware that the color of her skin meant that she would not get much of a chance to rise above the level of maid in Hollywood, post pre-code. In her words: “I never had the chance to rise above the role of maid in Hollywood movies. My color was against me anyway you looked at it.”

She managed to get a few small good roles and she even appeared on television. She lasted three decades in the movie world. No scandals. No bitterness. But she knew the reality of the times she was just doing what she loved to the best of her ability. The thing that really impressed me is that during all of these years, she invested the money she made, and when she retired she was quite comfortable, thank you.

I salute her for her courage, her stick-to-it-tiveness and for being a role model of how to be successful for ones self.

I do hope this publishes correctly and does not look all willy-nilly. Thanks, for stopping by.

Stay safe & Keep Coming Back

But Was it Funny?

eddies laugh jamboree - green goodHello out there! What a lucky girl am I. I have started researching a third book. Just writing those words down makes me have to stop and ponder. I’ve never considered writing 3 books. Just the one-about my father- a rags-to-riches biography about the legendary Eddie Green, Old Time Radio icon (Duffy’s Tavern once a week radio show and others), composer, filmmaker, singer, dancer magician, TV star. A Black American who made it big despite the travails of Blacks in the early 1900s.

I never thought I would write a second book about a 70s TV sitcom, The Jeffersons, which I am working on finishing as I begin work on my new book about another 70s TV sitcom, Maude. Remarkable.

The first choice was mine, the next 2 were my publisher’s idea. Imagine that. And, it’s been a blast. I love research. I love reading. I started reading when I was four years old. My father left me a set of classics and a set of encyclopedias. I love words. Also, I have met the nicest people, period.

What these books have in common is that they are about Comedians and comedy. My father was into producing, he owned a string of restaurants, he wrote music, but he was first and foremost a comedian, he made his fame as Eddie the waiter, on the Duffy’s Tavern radio program in the 40s. The TV programs, The Jeffersons and Maude were comedic, while managing to focus on social controversial issues, such as abortion, politics and racism. But they made people laugh.

I was struck by a thought one day (probably because of the civil unrest these days) that most of the writers on each of these shows were White. Even on the almost all Black show The Jeffersons. One of the White writers on the Jeffersons was once asked by a Black person how he, a White man, could write for Black people. Basically his answer was a question: Did you laugh?

duffyscastonstageDuffy’s Tavern was on the air for ten years. It was funny. Especially Eddie the waiter’s lines. Apart from a very few, the weekly guests were White. The cast was White. The announcer was White. Eddie was the only Black cast member on that show. And he was hilarious.

The Jeffersons had very few Black writers. But the show was funny. It ran from 1975-1985.

I thought Maude was funny. Most of the writers were White. And I’m Black.

I think it sucks that Black writers, good Black writers, have to work at getting into script writing. Or that when they do get in, the public does not hear about it. I’ve spoken with a Black writer that wrote for a White TV show (had one Black cast member that I can think of) and that TV show made a mint for everybody thanks to that Black writer. Because people thought it was funny.

Maybe its just about being funny.

7109066004r (2)My father made a movie titled Mr. Adam’s Bomb (1949).  His idea was to show the world how regular every day Black people reacted to the use of the Atom Bomb. It was a horrible episode in our country. Eddie, as an ex vaudevillian and as a comedian chose to include humor and singing and dancing as in this movie as he had in his first four movies.

From the reviews I have read over the past ten years, some Black people don’t get it. They don’t get the dancing. The audience singing. And of course the comedy is way old time. But it was the only way Eddie knew to express himself as an entertainer. A Black comedic filmmaker, who liked using chorus girls in his movies, taking on the aftermath of the Atom Bomb through his people for his people and by his people.  But like I said above, some Black people today don’t get a Black man’s sense of humor from 1949. Eddie always wanted to look at the “up” side of life.

Anywho, maybe it doesn’t matter the color of the comedy writer. Maybe it’s just about being funny. Or silly. Some of the Walter and Maude lines cracked me up. Florence playing a old timey Black maid and shouting “Oh lawd” and throwing her hands up was too funny. Eddie in Duffy’s Tavern laughing out loud because someone called to make a reservation was hilarious.

The bobsSchillerandWeiskophNow here’s a Fun fact: Mr. Bob Schiller and Mr. Bob Weiskoph (both gone now) wrote for Maude. The two Bobs also wrote for Duffy’s Tavern and probably knew my father. I love their picture.

I hope you can find something to make you laugh out loud or to make you smile.

Thanks, for stopping by.

 

 

 

courage

Baltimore1890horsedrawnambulance
Baltimore 1890 Horsedrawn Ambulance-courtesy Google Images

It’s not always easy to figure out how to begin a post. Especially if my brain wants to think about something else, like going to the store to buy cookies (I just discovered Biscoff Lotus cookies). Or if my brain simply doesn’t want to work at all. But since the pandemic has blown up again it’s good for me to sit here and share. Between this latest virus and the riots across the world I fear for us (people). It’s difficult to see a future of joy and happiness. However, I know that we, as human beings are capable of having such a future. In life today though it seems that Blacks still have to fight the hardest to be happy. It seems that more and more Black men are being shot by police. Can this change for the better? Judging by the past I think that it can, however, it will be a mighty long process. When my father was born, 1891 and as he performed as a comedian through the Southern states of America, Blacks were  being lynched on a constant basis.

As far as pandemics go, when he was a small child in East Baltimore he lived with typhus due to the fact that there was no sewage system, especially in the poor neighborhoods. By 1890 Baltimore Harbor was a national joke. While other cities in Europe and in the United States had installed sewers Baltimore had not. Outbreaks of cholera, typhoid or other diseases occurred fairly often. City code required indoor toilets, but it was up to individual property owners to build cesspools, cisterns, or gutters. These emptied into an unfortunate stream called the Jones Falls; its polluted course ran from the wealthier to the poorer areas of town and finally into the harbor. As Eddie’s family were desperately poor this was one reason he left home at nine years old-he wanted to find a better life for himself.

Perrybradford-1200x1200-croppedI have been asked to do an essay on a Mr. Perry Bradford. Perry was born in 1893. As a vaudeville performer and composer and songwriter, he too worked in theater circuits throughout the South and into the North. I imagine that he had the same worries as every other Black man in the South at that time. But he had a goal in mind. Bradford persevered in getting the recording industry to value recordings of African-American artists. In 1957, Little Richard had a hit with Bradford’s “Keep A-Knockin'”. In 1965 he wrote his autobiography Born With the Blues. Later in 1994 his song “Crazy Blues” was inducted into the Grammy Hall of Fame. Perry lived a long time, too. He died in 1970.

ArlandoSmithMore recently, there was Arlando Smith, born 1952. Arlando came up during the Civil Rights era, police with hoses and dogs and batons. He worked at becoming successful. Arlando was a TV writer and director. During my research for my book on The Jeffersons I learned about this gentleman. He worked on What’s Happening Now, All In The Family, Silver Spoons, 227, The Richard Pryor Show, She’s The Sheriff, The Robert Guillaume Show. The Jeffersons (2 episodes) and Malcolm and Eddie. He was the stage manager for All in the Family, 51st Annual Academy Awards, The Richard Pryor Show, What’s Happening, Sanford and Son, That’s My Mama, Good Times, and The Jeffersons (48 episodes). In 2015 when Arlando Cooper Smith died The San Pedro Sun reported that: “Smith was an award-winning director who directed the first episode of La Isla Bonita Telenovela. He also contributed to several American television series, Arlando Cooper Smith made the Isla Bonita his home, has selflessly supported the island in ways too numerous to count for many years. He will be missed by all those who knew and loved him.”

These gentlemen became successful in their fields despite the Race issue, despite lynchings, typhus, and lack of money. Despite hard times. You don’t hear too much about these men. Until I wrote the book about my father few people knew of his many contributions to the entertainment industry. These men were either forgotten or overshadowed. Or simply not known about because of their positions in the background as opposed to being a principal character on a program. Because of who they were-their character-and because of their courage they achieved success, friendship and love.

May we all have courage.

 

 

 

 

I LOVE YOU MAN!

Quote from Nelson Mandella:

No one is born hating another person because of the color of his skin, or his background, or his religion. People must learn to hate, and if they can learn to hate, they can be taught to love, for love comes more naturally to the human heart than its opposite.”

― Nelson Mandela, Long Walk to Freedom

I have been wracking my brain to figure out how I could discuss the subject of police procedures if I have yet to offer any kind of solution. Talking about how heart wrenching it is to watch a person being held down with a knee till dead or being shot is just that, talk. So what can we do?

Los Angeles Mayor Eric Garcetti says the city will have a moratorium on adding new names to the statewide gang member database; Los Angeles Police Commission President Eileen Decker said the department will also review the process governing use of force reviews, and will include accelerated efforts to train officers in de-escalation and crowd control; The commission will support the use of an independent prosecutor to oversee police misconduct cases, and She said the city will also support legislation for increased juvenile diversion programs. Okay gang database, use of force reviews, crowd control, overseeing police misconduct cases and legislation for increased juvenile diversion programs.  Why talk about our juveniles right now? And crowd control? what about the Knee on the Neck Issue which has led to a Black man’s death?

At least California Governor Newsome has ordered carotid hold be removed from state police training materials. Ok, this is good, hopefully it will be enforced.  However will all police forces adhere to this?

I found the Minneapolis Police Policy online which defines Neck Restraint: and Chokeholds as two separate things:  USE OF NECK RESTRAINTS AND CHOKE HOLDS

Choke Hold: Deadly force option. Defined as applying direct pressure on a person’s trachea or airway (front of the neck), blocking or obstructing the airway

Neck Restraint: Non-deadly force option. Defined as compressing one or both sides of a person’s neck with an arm or leg, without applying direct pressure to the trachea or airway (front of the neck). Only sworn employees who have received training from the MPD Training Unit are authorized to use neck restraints. The MPD authorizes two types of neck restraints: Conscious Neck Restraint and Unconscious Neck Restraint.

Conscious Neck Restraint: The subject is placed in a neck restraint with intent to control, and not to render the subject unconscious, by only applying light to moderate pressure. (04/16/12)

Unconscious Neck Restraint: The subject is placed in a neck restraint with the intention of rendering the person unconscious by applying adequate pressure. (04/16/1

Steve Karnowski of the Associated Press reported: “Minneapolis agreed Friday to ban chokeholds (my bolding) by police and to require officers to try to stop any other officers they see using improper force, in the first concrete steps to remake the city’s police department”. So, technically, this may not stop Minneapolis police from using neck restraint, in my opinion.

Why not consider teaching our old timer police officers and our new inductees how to love? Human Beings are not born with Hate. Hate grows in us. But Love is more natural to the Human soul. I have known a young man who was brought up to hate Black people, period. But at the age of about 21 he wound up with having to become familiar with a group that included Black people. He told me, and I could see it on his face, that his hatred had become uncomfortable. His upbringing had been all wrong. His feelings of hate had changed. To Love. Just plain and simple love for people, period.

No, I don’t visualize police going around hugging people. But we could institute Attitude Adjustment training. I’ve written to two presidents regarding war and the killing of Black men. I will write to Heads of Police Departments regarding police training. I imagine I will be the subject of many jokes. Hahah! Attitude Adjustment! She must be crazy!

Through no fault of my own, I have had unpleasant dealings with the police. Their approach is usually intimidating-“What are you doing in this neighborhood”?; “Let me see your pupils”!, “Get out of the car”! “What do ya mean you don’t know where he lives?!”. There is no “Good afternoon, how are you”? or “How Can I help you”? Or, can you help us? To Protect and Serve is just something painted on their cars. When I was little we used to wave at the police when they drove by. Police Mens mean business today. And they carry Power.

In the beginning humans are like the little boy in this post. They really love each other. We can help others find that within themselves again. Preserve law and order, by all means, protect citizens, but lose the battalion-like attitude.

Love and Peace, ya’ll and thanks, for stopping by.

Elva

FUNNY IN TIMES OF CRISIS

I’ve been doing what I like to do best-researching. I saw a story online about the 1918 Spanish Flu and it dawned on me that my father was alive back then. As a matter of fact, he was married to his first wife, had his first daughter, had signed up for WWI, had written a song and was on the road traveling down south with his “Deluxe Players”. The 1918 pandemic lasted from, I think, August of 1918 through December of 1920. Eddie began his first on stage vaudeville work in 1920. He was a comedian. The 1918 flu was targeting young adults. About half of the deaths were in the 20-40 range. Eddie was about 29. He had already experienced diseases and poverty being born in 1891 in Baltimore during a time of no indoor plumbing and rampant Leukemia in the East Baltimore slums. It’s one of the reasons he left home at nine years old and worked as a boy magician until someone suggested that he was so funny he really didn’t need a lot of props to entertain people. It seems that Eddie never got sick. Vaudeville and Burlesque were pulling people in. Eddie was performing in Tampa, Fla., in 1919 with his Deluxe Players when he applied for and got a job as a comedian in New York in 1920. The flu had hit Haskell County, Kansas In January 1918.

Thinking about it now, I never really thought about the chaos that was going on in the world during those years.

How did people continue to think up gags and write songs that weren’t sad and forlorn. Eddie wrote “A Good Man is Hard to Find” in 1917. In my book I wrote that maybe he was actually talking about the fact that the armed services were drafting men to fight in WWI.  In 1920 he wrote “Don’t Let No One Man Worry Your Mind”, but this was probably for lovers. Anyhow, the flu was still raging and Eddie still had to entertain if he was going to earn money.

I read that in order to maintain morale, World War I censors minimized early reports of illness and mortality in Germany, the United Kingdom, France, and the United States, which may have contributed to the spread. However, papers were free to report the epidemic’s effects in neutral Spain, such as the grave illness of King Alfonso XIII, and these stories created a false impression of Spain as especially hard hit, and may have given rise to the name “Spanish” Flu.

Military pathologists eventually reported the onset of a new disease with high mortality that they later recognized as the flu. Their overcrowded camps and hospitals were an ideal site for the spreading of a respiratory virus. When soldiers were sent home there was a second wave of flu victims in 1918.

It was discovered that what we now call social distancing was paramount in surviving that flu. The French colony of New Caledonia  succeeded in preventing even a single death from influenza through effective quarantines. And the world went on. And got better.

The “Roaring Twenties”. Booze and parties. Eddie was appearing onstage in “All In Fun”, dancing and singing now along with his comedy. I read he and his partner were encored many times. So everyone must have been having a good time. Duke Ellington was coming along. Eddie opened a publishing business, a movie studio and wrote “King Tut’s Blues” because of the discovery of the tomb in 1923. And better things were yet to come. Even so, there was also the fact that in those early 1900 years racism was also a death sentence for Blacks. And Eddie was touring the country with Burlesque shows. In Blackface. And he was a hit everywhere he went. Fascinating when you think about it.

I believe I inherited my father’s ability to see the better side of life-to be able to focus on positivity and to help others to experience joy. Yes, tragedy and despair and horror exist, I know-but I refuse to let it take me all the way down. As Miss Celie said: “This life be over soon” anyhow. And as my brother, Lance, used to say “You only go around once, so you might as well do it with Gusto”. (Yes, he stole it from a beer commercial-LOL).

Brian, Lance, Brad

Hey, Love you all, please, keep coming back.

 

 

 

 

1939 “NO KITCHEN DOOR FOR ME”


Gee Gee James Refuses To Bow To St. Louis Jim-Crow ‘NO KITCHEN DOOR FOR ME” So said she after being told she had to enter a nightclub through the back door.  In 1939, after being invited to see a play by the general manager of the Whites-Only Club Plantation in St Louis, Gee Gee was unpleasantly surprised to find when she got there that she would have to go in through the back door and through the kitchen.  She said that she “did not see why she should not be allowed to go through the front door like all the other paying guests.” She also said she “just can’t quite get used to prejudice and jim crowism.”

Apparently the Club Plantation was a hot spot in 1939 and was considered one of the outstanding spots In the nation and one of the most pleasing places for Black artists and entertainers to work, however Blacks were not allowed in to see the shows. Gee Gee was invited in because she was in vogue at the time as an actress, but they still would not let her arrive through the front door.

Never having experienced this I tend to forget that Black entertainers of the early 1900s faced blatant racism constantly. Maybe even daily. It had to have been a constant stressor. Yet, actors like Gee Gee and my father, Eddie Green, lit up a room when they walked in.  They were gracious off stage and dedicated to their craft on stage. These trailblazers have, because of their fortitude, become my heroes. I chose to write about Gee Gee James today because she and my father were once comedic partners. But like Eddie before I wrote my book, Gee Gee has pretty much been forgotten or over-looked. In this extremely bad copy you can see her from 1937:  “Luis Russell, Eddie Green, Gee Gee James and Louie Armstrong, who on Friday night, over station WJZ, under the sponsorship of the Fleischman Yeast Company, made show world history.”—Photo by Continental News 1937

I found this wonderful article by Billy Rowe, a well-known Black journalist of the Pittsburgh Courier (1937):

ROWE NEW YORK, April 15,—”A packed house, a wildly enthusiastic audience, an atmosphere of intense joy. A leader with a captivating personality, directing a band, which like himself, knew how to swing . . . Standing before the ears of the nation awaiting the signal to commence *the first all-colored coast to coast radio program. Yes, it was a great achievement, and a personal triumph for all connected with the presentation of Louie Armstrong and his orchestra, Gee Gee James and Eddie Green, for they were the feature players making history in the world of colored show business.”

Barrymore Theatre (1931)
Exterior
Property of Shubert Archive

Gee Gee had been in show business a few years before appearing on the radio program. She and her husband, actor Ernest Whitman, who also performed with my father, were featured in an Old Time Radio program “The Gibsons“. She was also a singer, a dancer and a Broadway star.

As a matter of fact, Gee Gee was performing on Broadway when she got the invite to the Club Plantation.  The play was No Time for Comedy at the Barrymore Theatre in 1939, and ran for 179 performances. The cast included Laurence Olivier as Gaylord Esterbrook and Katharine Cornell. Gee Gee was cast as “Clementine” and “has been received in millions of American homes via the airwaves and who is savoring success after success.”

Gee Gee James refused to be treated as less than any other human being just because she happened to be Black. In 1939. And she was successful. She helped pave the way for other Black people, other minorities, and other women to be treated with respect and dignity. I believe we must remember and uphold these trailblazers, and not let them fade out of view. Because though they are no longer here, they are still role-models and worthy of continued attention.

Well, after writing this I feel like I have just made a speech. So I will bow and say thank you, for stopping by.

Check me out on Facebook, too.

And thanx greg at dejawho

Propelling Pioneers and Trailblazers

eddiegreenblogbannerI’m mortified. I have not posted for almost two weeks. Periodically, my depression gets the better of me, plus it’s been as high as 117 degrees where I live, so, I have isolated. When up I have focused on gaining followers to my other social media sites. This month it has been two years since the biography I wrote about my father, Eddie Green, was published. Approximately one year since I won the Foreword INDIES 2016 Bronze Book Award for the book. I set up this blog in 2014 for the specific purpose of chronicling my book writing journey and to have a “platform” as those in the know suggested.

Lafayette-Theatre-Macbeth-1936-2I began the research for the book in the late 1990s. It has all been worth it. And then some. Since the book was published I have begun getting all sorts of new information about Eddie. People have sent me never before seen pictures of Eddie. They have sent me new newspaper articles. I have heard new stories from old timers who showed up at my library presentations. I have met thee nicest, helpful, caring people. Gaining new information and meeting new people has spurred me on to further research about Eddie. The information I have found is adding up to me being able to possibly write another book. For instance, in regard to a play titled Playing The Numbers to be shown at the Lafayette Theater in New York, 1925: “Therefore Eddie Green who had been an Important comedian in the Apollo cast was commissioned to organize a miniature stock company that each week will present a 45 minute performance that will consist of musical numbers and burlesque comedy bits. The bits, however, will be revised by Eddie to conform to the special requirements of the neighborhood.” I knew Eddie had been a part of the play but now I’ve learned how big of a part he really played.

brendaleeIn order to not share too much of the new stuff here and also to phase out of sharing stories from the first book, I will be posting additional information on little known and sometimes well-known pioneers of the entertainment industry and/or pioneers of civic issues. Earlier this morning on a news site I saw “Today in History”. Out of 24 items listed, only 2 were about Black people. One item was: 1960 Fifteen-year-old Brenda Lee earns a #1 hit with “I’m Sorry”. As you can see she actually also recorded my father’s song! The SECOND item about a Black person was: 1995 Barack Obama’s “Dreams from My Father” is published. Yay!!

Lemuel_HaynesI am adding one more which kind of goes with today’s climate: Lemuel Haynes, first Black to serve as minister to a White congregation, born July 18 1753 to a White mother and an African-American father. At the age of five months, Lemuel Haynes was given over to indentured servitude. He was freed in 1774 when his indenture expired. Haynes was ordained in 1785 and settled at Hemlock Congregational Church in Torrington, Connecticut. He was the first African American ordained in the United States. On March 28, 1788, Haynes left his pastorate at Torrington to accept a call at the West Parish Church of Rutland, Vermont (now West Rutland’s United Church of Christ), where he served the mostly white congregation for 30 years. Fun Fact: Haynes himself was known to say that “he lived with the people of Rutland thirty years, and they were so sagacious that at the end of that time they found out that he was a (insert N-word here), and so turned on him”. (https://www.pbs.org/wgbh/aia/part2/2p29.html). Looking at this gentleman’s picture I can see how he could have been considered White. And, it seems as if he may have been trying to pass if it took 30 years for the congregation to realize he was a Black man.

Anyhow, the one thing I truly like about writing this blog is doing the research. Sharing it with others is my way of Cheering For Trailblazers. Thanks for joining me on this journey.

And thanks, for stopping by.

I Stopped the Process

For those new to my blog and to refresh the memory of long time followers, I am posting a few pictures of Eddie’s entertainment life over the years. Eddie Green was my father. He died in 1950. Born in 1891. Over the years Eddie rose from poverty to prominence due to hard work, determination, talent and love for his fellow man. Eddie learned what was necessary to progress in his chosen field, starting out as a “Boy Magician”. He had a knack for comedy and he used his comedic talent to propel him along his way. And he was successful. He pulled himself up from poverty using his talents. From Vaudeville to Burlesque, to Broadway. From early radio and television to becoming the head of his own movie production studio, producing, directing, writing and starring in his own all-black cast films. From appearing in radio productions for the troops during WWII to becoming a major character on one of America’s best loved radio programs “Duffy’s Tavern“, while opening his third movie and television production studio.

While touring as a “Boy Magician” over the years Eddie added songwriting to his list of accomplishments. He wrote “A Good Man is Hard to Find” which he used in 1919 when he took his own show on tour. The show included singing, dancing girls and comedy. While in St. Louis with this show he saw an ad in the local Variety paper for a comic. Eddie sent an outstanding reply and was invited to become a part of a vaudeville show in New York. His performances here and in Burlesque working at the 125th Apollo, earned him inclusion into a hit Broadway musical Hot Chocolates by 1929.

 

 

In 1929, not only was he a part of the ensemble of Hot Chocolates, Eddie wrote all of the comedic skits for this show. His name is listed twice. The show ran for 219 performances. Two of the songs would go on to be recorded, one “Big Business” was recorded by Victor Records, and “Sending A Wire”. Sending A Wire would also be made into a Vitaphone short by Warner Bros.

 

 

 

Eventually, Eddie began appearing on the radio. Rudy Vallee introduced him to the radio audience, inviting him over and over due to audience reaction, and during the summer of 1937 Eddie was asked to join Louis Armstrong as co-hosts of the Fleischmann’s Yeast hour while Rudy was on vacation. Eddie had also appeared for a number of weeks as the featured attraction on the Sunday evening NBC “Echoes of New York” program. During the 30’s Eddie also had a “first”. He appeared as one of the very first two Black men on an RCA/NBC television broadcast-but I’m saving this for another post.

Eddie went on to become a filmmaker in 1939 making four movies Dress Rehearsal, What Goes Up, Comes Midnight and One Round Jones among other endeavors. In 1941 he joined the cast of Duffy’s Tavern where he became famous as one of America’s most beloved comedians.

When I started this blog Eddie had almost been completely forgotten. Almost. Despite his many accomplishments in the entertainment world and the business world, despite the many friends he made and how widely he became known, beside myself, there were not a lot of people remembering that old comic, Eddie Green. I have written a biography about my father. (Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer, get it on Amazon). Since I wrote the book I have had someone tell me that I stopped the process of my father being erased from history. Wow.

I mainly started the project to show my young (at the time) grandson what a person could do regardless of the obstacles life throws at us. But as I researched my father’s life I realized that his story, so full of inspirational stories, could help so many people. That his story as a Black man born in 1891 could prove to be motivational to Black people for sure, but also to anyone who feels that the odds are against them. Maybe you have someone in your family you could write about. Or you just have some inspirational stories you think might be of help  to others if they only knew about them.  You too can stop the process of someone being erased from history.

Hey, thanks, for stopping by.

Book: Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer