And Then There’s Maude!

Anything but tranquilizing, Right On, Maude! Hi there, well folks, I have begun writing my third book. I am awe struck that I have come this far as I only wanted to write one little book. I knew I could write one book. Today I am finishing my second book on The Jeffersons and I have started researching a third. I imagine that some of you beautiful people out there remember the 1970s tv sitcom, Maude. Maybe you watched it back then or you have seen reruns. I watched it, I liked Bea Arthur as Maude and Bill Macy as her husband, Walter. The reality of my life in the 70s though was that I was “doing my thing”. Remember “It’s Your Thing, Do What You Wanna Do”? Well I was partying hardy so even though I watched tv I barely remember most of the Maude episodes so I will be watching a lot of videos and I get to interview people who worked with the show.  I do remember the theme song which, I just found out about a month ago, was recorded by the famous Donnie Hathaway!

I know this is too interesting, but I just want to go back a bit to the beginning of my book writing online journey. I think it is amazing and right that the biography that I wrote about my father has a continuous connection to my second and third books. As if I am supposed to be writing these books. I started out by writing about my father who found his fame appearing as Eddie the waiter on the Duffy’s Tavern Radio Program from 1941-1950. They began taping in New York, moved to L. A. and then to Puerto Rico during these years. Duffy’s Tavern was a comedy and each episode (almost every one of them) a different guest appeared and became a part of the shenanigans. Way too many to list here, but a few were Bing Crosby, Dinah Shore, Billie Burke, Adolph Monjou, Charles Coburn, Boris Karloff, Larry Storch, Peggy Lee, Mickey Rooney, Ed Wynn and on and on. Ed Gardner, Jr. was the Bartender and Charles Cantor was the resident oddball guy who hung out at Duffy’s, by the name of Finnegan.

In 1945 Duffy’s Tavern with made into a movie by Paramount. In the movie they used almost every star on the Paramount lot, plus Ed, Eddie and Charlie. Bing Crosby was in this movie as you can see from this poster. Eddie’s picture is no where on this poster. Maybe he wasn’t famous enough yet. But after being in the entertainment business since about 1901 he was gettin’ there. Anywho, since I have written the book I have received pictures from fans of Eddie. Pictures that are treasures of theirs and now of mine.

 

Sometime in the early 40s this picture was taken. This is an old copy from the internet. I now have an original in hand. This is typed on the back of the picture: Produced by the Armed Forces Radio Service. Program: Jubilee. Bing Crosby and Eddie Green  “All Armed Forces Radio Service programs are stamped on flexible plastic transcription discs. In addition the the land-based broadcasting outlets ships of the United States Navy and Coast Guard in all oceans will receive the transcription of this show, which is not heard in the United States except in Army and Navy hospitals serving returned casualties.” Need I say more?

Going on to my second book. While writing The Jeffersons I discovered that a friend of Eddie’s, Lillian Randolph, had appeared in a Jeffersons episode as Mother Jefferson’s sister. Lillian and Eddie had appeared together on The Great Gildersleeves Radio Program and also on the Amos n Andy Radio Program. Lillian’s real life sister was Amanda Randolph who had stared in Eddie’s third movie Comes Midnight. Lillian is the woman who donated her dee-vorce money in It’s a Wonderful Life.

Back to Maude. I started researching my third book about the Maude tv sitcom about a month ago. I have had the great benefit of being able to call on writers who wrote for Maude and who also wrote  for The Jeffersons. (Mr. Moriarty was one writer who wrote 68 episodes according to Fandom). I’ve posted about this before but Mr. Bob Schiller and Mr. Bob Weiskopf not only wrote for Maude, they also wrote for All In The Family of which The Jeffersons was a spin-off and they wrote for Duffy’s Tavern Radio Show where it is quite possible they knew my father. It is all connected.

I was watching one of the Maude episodes, “The Kiss” when I realized Maude and Walter were so loud! I had found a newspaper article where the complaint about The Jeffersons in 1975 was that they were too loud. Well, this must have been a Norman Lear thing (I read that somewhere) because the characters in Maude talked really loud also. In “The Kiss” Walter tried to BS Maude about why she found him kissing the next door neighbor, Maude’s best friend. I wonder what I get to say about these episodes in my book? You’ll notice I said BS.

There is no set in stone title at this point. I’m wavering. Maybe God’ll get you for that, Walter or Right On Maude! (the 70s babee). I’ve got a year to figure it out. I love what I am doing. I love writing and research. I can get totally involved in it. My experience in this writing journey has far exceeded my imaginings.

I got an itch to do something and I did it and it has blossomed. I suggest to anyone else if you have something you think you can do or you have something you want to say, do it, put it down on paper, the sky’s is the limit but you gotta start the flight. And help will find you along the way.

Hey, thanks, for stopping by 🙂

But Was it Funny?

eddies laugh jamboree - green goodHello out there! What a lucky girl am I. I have started researching a third book. Just writing those words down makes me have to stop and ponder. I’ve never considered writing 3 books. Just the one-about my father- a rags-to-riches biography about the legendary Eddie Green, Old Time Radio icon (Duffy’s Tavern once a week radio show and others), composer, filmmaker, singer, dancer magician, TV star. A Black American who made it big despite the travails of Blacks in the early 1900s.

I never thought I would write a second book about a 70s TV sitcom, The Jeffersons, which I am working on finishing as I begin work on my new book about another 70s TV sitcom, Maude. Remarkable.

The first choice was mine, the next 2 were my publisher’s idea. Imagine that. And, it’s been a blast. I love research. I love reading. I started reading when I was four years old. My father left me a set of classics and a set of encyclopedias. I love words. Also, I have met the nicest people, period.

What these books have in common is that they are about Comedians and comedy. My father was into producing, he owned a string of restaurants, he wrote music, but he was first and foremost a comedian, he made his fame as Eddie the waiter, on the Duffy’s Tavern radio program in the 40s. The TV programs, The Jeffersons and Maude were comedic, while managing to focus on social controversial issues, such as abortion, politics and racism. But they made people laugh.

I was struck by a thought one day (probably because of the civil unrest these days) that most of the writers on each of these shows were White. Even on the almost all Black show The Jeffersons. One of the White writers on the Jeffersons was once asked by a Black person how he, a White man, could write for Black people. Basically his answer was a question: Did you laugh?

duffyscastonstageDuffy’s Tavern was on the air for ten years. It was funny. Especially Eddie the waiter’s lines. Apart from a very few, the weekly guests were White. The cast was White. The announcer was White. Eddie was the only Black cast member on that show. And he was hilarious.

The Jeffersons had very few Black writers. But the show was funny. It ran from 1975-1985.

I thought Maude was funny. Most of the writers were White. And I’m Black.

I think it sucks that Black writers, good Black writers, have to work at getting into script writing. Or that when they do get in, the public does not hear about it. I’ve spoken with a Black writer that wrote for a White TV show (had one Black cast member that I can think of) and that TV show made a mint for everybody thanks to that Black writer. Because people thought it was funny.

Maybe its just about being funny.

7109066004r (2)My father made a movie titled Mr. Adam’s Bomb (1949).  His idea was to show the world how regular every day Black people reacted to the use of the Atom Bomb. It was a horrible episode in our country. Eddie, as an ex vaudevillian and as a comedian chose to include humor and singing and dancing as in this movie as he had in his first four movies.

From the reviews I have read over the past ten years, some Black people don’t get it. They don’t get the dancing. The audience singing. And of course the comedy is way old time. But it was the only way Eddie knew to express himself as an entertainer. A Black comedic filmmaker, who liked using chorus girls in his movies, taking on the aftermath of the Atom Bomb through his people for his people and by his people.  But like I said above, some Black people today don’t get a Black man’s sense of humor from 1949. Eddie always wanted to look at the “up” side of life.

Anywho, maybe it doesn’t matter the color of the comedy writer. Maybe it’s just about being funny. Or silly. Some of the Walter and Maude lines cracked me up. Florence playing a old timey Black maid and shouting “Oh lawd” and throwing her hands up was too funny. Eddie in Duffy’s Tavern laughing out loud because someone called to make a reservation was hilarious.

The bobsSchillerandWeiskophNow here’s a Fun fact: Mr. Bob Schiller and Mr. Bob Weiskoph (both gone now) wrote for Maude. The two Bobs also wrote for Duffy’s Tavern and probably knew my father. I love their picture.

I hope you can find something to make you laugh out loud or to make you smile.

Thanks, for stopping by.

 

 

 

courage

Baltimore1890horsedrawnambulance
Baltimore 1890 Horsedrawn Ambulance-courtesy Google Images

It’s not always easy to figure out how to begin a post. Especially if my brain wants to think about something else, like going to the store to buy cookies (I just discovered Biscoff Lotus cookies). Or if my brain simply doesn’t want to work at all. But since the pandemic has blown up again it’s good for me to sit here and share. Between this latest virus and the riots across the world I fear for us (people). It’s difficult to see a future of joy and happiness. However, I know that we, as human beings are capable of having such a future. In life today though it seems that Blacks still have to fight the hardest to be happy. It seems that more and more Black men are being shot by police. Can this change for the better? Judging by the past I think that it can, however, it will be a mighty long process. When my father was born, 1891 and as he performed as a comedian through the Southern states of America, Blacks were  being lynched on a constant basis.

As far as pandemics go, when he was a small child in East Baltimore he lived with typhus due to the fact that there was no sewage system, especially in the poor neighborhoods. By 1890 Baltimore Harbor was a national joke. While other cities in Europe and in the United States had installed sewers Baltimore had not. Outbreaks of cholera, typhoid or other diseases occurred fairly often. City code required indoor toilets, but it was up to individual property owners to build cesspools, cisterns, or gutters. These emptied into an unfortunate stream called the Jones Falls; its polluted course ran from the wealthier to the poorer areas of town and finally into the harbor. As Eddie’s family were desperately poor this was one reason he left home at nine years old-he wanted to find a better life for himself.

Perrybradford-1200x1200-croppedI have been asked to do an essay on a Mr. Perry Bradford. Perry was born in 1893. As a vaudeville performer and composer and songwriter, he too worked in theater circuits throughout the South and into the North. I imagine that he had the same worries as every other Black man in the South at that time. But he had a goal in mind. Bradford persevered in getting the recording industry to value recordings of African-American artists. In 1957, Little Richard had a hit with Bradford’s “Keep A-Knockin'”. In 1965 he wrote his autobiography Born With the Blues. Later in 1994 his song “Crazy Blues” was inducted into the Grammy Hall of Fame. Perry lived a long time, too. He died in 1970.

ArlandoSmithMore recently, there was Arlando Smith, born 1952. Arlando came up during the Civil Rights era, police with hoses and dogs and batons. He worked at becoming successful. Arlando was a TV writer and director. During my research for my book on The Jeffersons I learned about this gentleman. He worked on What’s Happening Now, All In The Family, Silver Spoons, 227, The Richard Pryor Show, She’s The Sheriff, The Robert Guillaume Show. The Jeffersons (2 episodes) and Malcolm and Eddie. He was the stage manager for All in the Family, 51st Annual Academy Awards, The Richard Pryor Show, What’s Happening, Sanford and Son, That’s My Mama, Good Times, and The Jeffersons (48 episodes). In 2015 when Arlando Cooper Smith died The San Pedro Sun reported that: “Smith was an award-winning director who directed the first episode of La Isla Bonita Telenovela. He also contributed to several American television series, Arlando Cooper Smith made the Isla Bonita his home, has selflessly supported the island in ways too numerous to count for many years. He will be missed by all those who knew and loved him.”

These gentlemen became successful in their fields despite the Race issue, despite lynchings, typhus, and lack of money. Despite hard times. You don’t hear too much about these men. Until I wrote the book about my father few people knew of his many contributions to the entertainment industry. These men were either forgotten or overshadowed. Or simply not known about because of their positions in the background as opposed to being a principal character on a program. Because of who they were-their character-and because of their courage they achieved success, friendship and love.

May we all have courage.

 

 

 

 

Super Fans “Like” 1900s Entertainer Eddie Green

When I began this blog in 2014 I was still in the process of doing the research for the biography I wrote about my father. I had lots and lots of news articles about Eddie, I had pictures of Eddie that I didn’t even know existed before 2014 and I was finding more and more information about my father than I even suspected. As an entertainer in the early 1900s Eddie was busy. And his doings were routinely printed up in the local newspapers. Mostly the Black newspapers, but also in Billboard (which is still in business today). In the beginning they were just one-liners (Eddie Green at the Gayety), and then as time went by the articles became longer. Then interviews were printed as Eddie got more famous. Five yeas before Eddie died he was featured in the Paramount movie “Ed Gardner’s Duffy’s Tavern” (1945). The popularity of the Duffy’s Tavern radio program seemed like a good idea for a full-length movie in which the principal characters of the radio show were signed to play their same parts in the movie,  Ed Gardner as Archie, Charles Cantor as Finnegan, Eddie Green as Eddie the Waiter, and Ann Thomas as Miss Duffy. Paramount used almost their whole roster of stars in this movie:

Bing Crosby as himself; Betty Hutton as herself; Paulette Goddard as herself; Alan Ladd as himself; Dorothy Lamour as herself; Eddie Bracken as himself; Brian Donlevy as himself; Sonny Tufts as himself; Veronica Lake as herself; Arturo de Córdova as himself; Barry Fitzgerald as Bing Crosby’s Father; Cass Daley as herself; Diana Lynn as herself; Victor Moore as Michael O’Malley; Marjorie Reynolds as Peggy O’Malley; Barry Sullivan as Danny Murphy; Robert Benchley as himself. If you look this movie up on the Internet you can see a color poster of the whole cast, except for Eddie. But the longer I spent researching the book, the more I found. The photo at the top of this post (I hope it’s there), is a black and white version and Eddie is pictured at the bottom in the left hand corner, the only Black person in the cast. Being signed for a part in this movie was a good thing actually, for Eddie. Publicity-wise and money-wise.

Since publishing my father’s biography what I have discovered is that there exists much more information about my father that I did not find, but others have. Fans of my father have sent me pictures, articles and cd’s of Eddie’s radio shows. My publisher told me early on that I would probably find more information and that I should save it up for a second book about Eddie. Well, he was right. Even today 2020 in the past week I have been contacted by someone who has a couple of pictures and a Duffy’s Tavern (DT) beer mug from the 1948-49 season. I didn’t even know DT beer mugs existed. A Twitter friend sent me dozens of articles he found while doing some research. He said in his first email: “It’s been so interesting tracing Eddie’s career – he was really well-known, and liked.” This is so remarkable to me that these people have taken the time to trace Eddie’s career and have held on to items related to Eddie. If you are an old movie fan you will recognize the name Adolphe Menjou in the Lincoln Theatre ad. He was famous! And there’s Eddie Green appearing at the same theater.

Of course, I could go on and on about my father. Since I don’t really remember him, writing about and talking about him brings me a type of peace. Something that makes me feel good always. This is my Black History. This man though born in 1891 chose to drag himself out of his childhood poverty, taught himself to read and chose a path that he liked and was good at and became quite successful in the field of entertainment. Plus, he was a nice guy while doing so. He became well-known and “liked”.

Thanx, for stopping by and for new people to my blog: Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer is the name of my book. 🙂

Forget Amos ‘n’ Andy?

Gosden, Correll, Green, (?), Wade

Welcome! The one thing I have found over the last few years is that writing about and/or researching my father, Eddie Green, always makes me feel good, even if I am feeling low, focusing on Eddie makes me feel better. Writing his biography gave me a chance to “meet” him, since I was so young when he died. And I still love what I have found out about him as a man, a performer, a friend, a good husband to my mom, and a loving father to me. My shining example.

Eddie came from p o v e r t y. He chose to be an entertainer, and because he liked what he did and was good at what he did, he entertained when and where he could. He rolled with the times and he became successful. Circumstances in the early 1900s propelled him into action. And his outgoing, good guy personality made him a pleasure to work with, and helped bring him to fame.

In the late 1930s and early 1940s Eddie was on the Amos n Andy radio program. His role started out as LaGuardia Stonewall Jackson, but after the well-loved ex-Mayor of New York, Fiorello LaGuardia died, the name was shortened to Stonewall Jackson. The radio program featured two White men as Amos n Andy. Freeman Gosden was Amos and Charles Correll was Andy. The fact that Eddie, a Black man, had a role on this program was a big deal. Ernestine Wade, pictured above, was eventually hired to play Sapphire and would go on to have the same role on the TV program. The radio program became awesomely popular. The listening audience was estimated at over 40 million, almost one-third of Americans living at that time. Eddie had also begun “Duffy’s Tavern” and the money was coming in.

 

S. Williams and T. Moore

Not everyone was crazy about the fact that Gosden and Correll chose to use a “Negro dialect”, or that they seemed to appear as “lazy” and “shiftless” Black men. And when the program went to TV in 1951, the NAACP were not happy to see this played out on the screen. Even though the TV program used only Black actors. Spencer Williams played Andy and Tim Moore played George “Kingfish” Stevens. (These men actually took lessons from a White person on how to talk in “Negro dialect”). Due to protests the TV program was cancelled in 1953, putting some good actors out of work, but reruns were shown until 1966.

When asked if I would think about writing an article on “Should we forget Amos n Andy?” I did begin to think about it. This is a precursor.

In doing the research for my second book about The Jeffersons TV sitcom, I ran across a quote from Sherman Hemsley, he said he did not pay attention to racial discrimination and he said that: “I used to like ‘Amos and Andy.’ I loved them. I don’t see anything embarrassing about that show. Some people have to hide from things. I remember when people used to hide from kinky hair and things like that. “Everybody you talk to is a reflection of yourself—you’ve got to learn to see yourself in everybody.”

As for myself as a child I thought the Amos n Andy show was funny. It was always on TV at our house. So was the Mickey Mouse Club (I totally had a Mouseketeer hat), and Boxing and probably Ed Sullivan. I even had a Daniel Boone hat with the long tail. It was all about being entertained. Frankly, I believe that everything we lay eyes on and/or hear will always be in our memory banks. I give props to all of those people who choose to do what they love, bypassing the bad criticism and contributing some good to this life.

Hey, thanks, for stopping by.

I MUST Be a Genius

Thank Goodness for rough drafts. One is SUPPOSED to make mistakes, lose paragraphs, misspell words (though I am a spelling champ). I was so excited, no, not excited, emotional. I was so emotional last week the day I printed out my first rough draft of my second book. Such a big deal! Then I realized I had left out a good 10,000 words. And of course I had to figure out where they needed to be inserted. Then I realized “red” does not print because I only have a Black ink cartridge. Then I ran out of Black ink. And of course I have no money so I have to wait until next week to get more ink. But, 2 weeks before this I was on the phone with my daughter crying about my inability to do justice to a second book.  Anyhow, I wound up with copy paper here, there and everywhere, making insertion notes, and adding in additional pages I was able to print out.

But that’s okay because evidently this is what geniuses do. We are messy. So getting messy with a rough draft is perfect. Thinking of myself as a creative genius will keep me from stressing out. Because I know I am a good writer, otherwise I would have never attempted that first book. I also believe that there are many good writers out there, otherwise how would we fill our libraries. Which is one thing that helped me realize I could write a book. Millions of people have written books. Books, songs, screenplays, scripts for TV sitcoms.

Sitcoms like The Jeffersons. The subject of my newest book. The Jeffersons was a spin-off of All In The Family. George, Louise and Lionel were introduced to the Bunkers during the early 1970s and the sitcom itself aired January 18, 1975. The idea was to annoy Archie Bunker by moving a Black family into the neighborhood. Archie wasn’t too fond of Black people and George wasn’t crazy about Whites and somehow this program was going to use these two characters to provide comedic entertainment for the TV audience. Between Carroll O’Conner and Sherman Hemsley they did just that. I love working on this book, but I do miss writing my first book about my father, Eddie Green. Another well-known and successful comedian who didn’t get the chance to work in television as he died too early.

This is me at a library in Los Angeles giving a presentation of my father’s biography. I believe I was preparing to play a cd of different people recording my father’s first song written in 1917 “A Good Man is Hard to Find”, or maybe I played “You’ve Got The Right Key, But The Wrong Keyhole”. I know we had fun that day. The cool part about this still today is that I continue to receive pictures, articles, and messages from fans of my father. I was only 3 when he died. I basically have no memory of him, maybe a shadowy lap in a dark suit. So I have only gotten to know my father after I have reached adulthood. I will probably never stop sharing about him, no matter how many other stories I write. Would you believe my daughter actually put the video of me at this library on Youtube?! Genius At Work.

Hey, thanx, for stopping by.

Reminder: My first book Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer  Check out the reviews on Amazon or just buy it and read it for yourself, you’ll be glad you did.

Doris Day-Cool; But, Remember The Mills Brothers?

Welcome!!

 

UNSPECIFIED – CIRCA 1935: Photo of Brothers Mills, The Mills Brothers signed 1935 by each of the brothers. Photo by Michael Ochs Archives/Getty Images

Today, watching Social Media, it has occurred to me that there are not many Black celebrities from back in the day remembered/celebrated for their many successes. The fact that I wrote my father’s biography was the best thing I could have done for his memory. People are so glad I wrote it! My father’s life story includes the fact that he sent one of his songs to a publisher in New York asking him to give it to the Mills Brothers or some such quartette. So I did a bit of research on the Mills Brothers. How many people remember the Mills Brothers? Probably a lot, but not as readily as they remember Doris Day. Maye it’s because no one talks about these Black giants of entertainment. And the Mills Brothers successes were phenomenal. The Mills Brothers made more than 2,000 recordings that sold more than 50 million copies and garnered at least three dozen gold records.

Pennsylvania Historical Marker

They became local radio stars and got their major break when Duke Ellington and his Orchestra played a date in Cincinnati and he was able to hook them up with Okeh records, the same company that recorded my father.

“Tiger Rag” became a number 1 hit on the charts. It sold over one million copies, and was awarded a gold disc by the Recording Industry Association of America (RIAA). They were a hit on CBS in 1930–1931, particularly when they co-starred on the popular The Fleischmann’s Yeast Hour hosted by Rudy Vallee (where my father would perform 1934-1937).

In 1934, The Mills Brothers became the first African-Americans to give a command performance before British royalty. They performed at the Regal Theatre for a special audience: King George V and Queen Mary. It was during this time that they lost their brother John, Jr. and their father took over his spot.

“I’ll Be Around” became a hit, and then a disk jockey played side B and “Paper Doll”, (written by Johnny S. Black) recorded in fifteen minutes, became a hit. It sold six million copies and became the group’s biggest hit 1943. “I’m gonna buy a Paper Doll that I can call my own”.

 

They appeared in movies in the 1930s and tv programs in the 50s (The Perry Como Show, The Tonight Show, The Dean Martin Show). 

The rise of rock and roll in the early fifties did little to decrease the Mills Brothers popularity. “Glow Worm” (Johnny Mercer version) became the 5th million selling record in 1952, they had a hit in 1958 with a cover version of “Get a Job” by The Silhouettes. Their last hit was “Cab Driver”.

In 1998 the Recording Academy recognized the Mills family’s contributions to popular music when it presented Donald, as the sole surviving member, with a Grammy Award for Lifetime Achievement.

Mills Brothers Hollywood Walk of Fame

These four gentlemen were HOT. For quite a while. And it gives me great pleasure to know that my father wrote a song that he thought might work for The Mills Brothers. Doris Day was cool, I memorized “Que Sera, Sera” as a child and have seen almost all of her movies; but I love listening to those Mills Brothers. (“Shine little glow worm, glimmer, glimmer”) – Johnny Mercer version.

 

Hey, thanx for stopping by 🙂

 

 

 

wikipedia.org/wiki/The_Mills_Brothers#References

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Interview: Guest “Staras” – Willie Tyler and Lester

Hi there you all. Well, I’ve spoken to my first person who guest starred on the tv sitcom, The Jeffersons. Mr. Willie Tyler, ventriloquist. Lester, his dummy, was not available.  I spoke with Willie for about 20 minutes via cell phone regarding this appearance. I got a big kick out of talking with him.  Willie told me he thinks of Lester as real, that way it’s easier to make him real to the audience. About Lester, according to a newspaper article I found on Fulton Postcards: “You would never know that the little fellow is not human once Willie Tyler sets the flashy little man on his knee and commences an act that has been applauded all over the world.”

Writing a book about The Jeffersons is going to give me the opportunity to talk with many more “staras” as my brother would say, and I’m loving it. I get to research these people and bring back an awareness of their works in the entertainment world. A lot of the people who worked on The Jeffersons are gone now. But not all of them.  Some are still doing their gigs to appreciative audiences. As is Willie Tyler and his buddy, Lester. Mr. Tyler is currently preparing to perform on a Cruise Ship. It’s amazing to me how this gentleman has done his ventriloquist act for more than 40 years. And he still loves doing it.

Willie Tyler and Lester appeared on The Jeffersons in 1978. I intend to share more in my book but I will tell you I found an old tv ad that reads: “George’s stockbroker is a ventriloquist, but is he a dummy? Only Louise knows the answer to that one.” Starring Isabel Sanford and Sherman Hemsley. Tarrytown NY Daily News (1978)

Willie Tyler and Lester appeared on the David Letterman show during “Ventriloquist Week” – take a gander, and, please, keep coming back.

 

ELLE VA – “She Goes”

 

1964 Elva Courier

Lately I have taken to signing my emails with my first name italicized, like this. I have also begun to use a different font from what’s used in the body of the message. Today I noticed that italicized letters give the illusion of movement. Elva. Which then reminded me of the fact that at one time the Elva racing car was quite popular. According to Wikipedia, Elva was a sports and racing car manufacturing company based in Bexhill, then Hastings and Rye, East Sussex, United Kingdom. The company was founded in 1955 by Frank G. Nichols. The name comes from the French phrase elle va (“she goes”). I have obviously started to think of myself as someone who is going forward. So my name is appropriate for this time of my life. My mother told me that my father chose my name and I always wondered how he came up with Elva. I know he took my mom to Paris once, maybe he heard it there. And I do love pairing it with a cool racing car.

This past week I had a library presentation in Los Angeles. I shared about the biography I have written about my father, Eddie Green. The book was published in 2016 and I am happy that I am still being asked to do these presentations. When I started writing the book I never even considered the possibility of appearing before a group of people to talk about the book. I just wanted to write it.

I have gone on to do presentations at libraries, Rotary Clubs, and clubs whose members are in the Entertainment business. I have done podcasts and radio interviews. Here I am at Mark Twain Library, still going, doing my thing-I think I am listening to a member of the audience. (I look just like my father!).

 

In the meantime, I have added to the process of going forward by starting the research on my second book by interviewing the producer of the tv sitcom, The Jeffersons. Yes, I had a 20 minute phone convo with Mr. Norman Lear. For those of you who don’t know, Norman Lear is an American television writer and producer who produced such 1970s sitcoms as All in the Family, Sanford and Son, One Day at a Time, The Jeffersons, Good Times, and Maude. I wrote out my questions beforehand, went to the park and made the call. The cell phone didn’t cut off and Mr. Lear was easy to talk with. My second book will be about The Jeffersons 1970s-1980’s television program.

I have started to watch all the episodes of The Jeffersons (DVD), and I have even begun to try and get a cast member to do a foreword for the book. My wonderful publisher thinks I am just right for this book writing project, so I must be! ELVASHE GOES.

Hey, thanx, for stopping by!!!

 

Black Way Back Radio

“Radio for Negroes is a very hard field to get into . . . very hard! But the returns are so great that it’s worth the try.”

This is a quote from my father, Eddie Green, the gentleman sitting in the above picture (for those of you new to my blog). This quote appeared in a 1947 newspaper article for which Eddie was interviewed. Eddie had actually started radio work back in the late 20s. He said this in an article from The Negro Digest in 1949 stating, “It was during the year 1929. I was living in New York and trying every kind of theatrical job that was available. I had already played all kinds of vaudeville, burlesque, musical comedy and a few small radio programs.”

His radio popularity started, however with the Fleishman’s Yeast Hour Rudy Vallee Show, as shown here in this line from a local newspaper The Pittsburgh Courier, the article is about Eddie’s inclusion into yet another radio program in 1935, it said, “this was nothing new to Eddie Green, who worked several seasons very successfully with Rudy Vallee, in fact, so successfully he was returned three times by popular demand.” Eddie  went on to become Eddie the waiter on the very popular Duffy’s Tavern Radio Program from 1941-1950.

When I started this blog and began writing a biography of my father, until about 2 weeks ago, it hadn’t sunk in just how rare a Black man’s performances or contributions to radio in the early 1900s were. Probably because I wasn’t coming from a Black point of view but from a personal inspirational and hopefully, motivational point of view. Using Eddie to show my grandson how one can accomplish their goals despite obstacles, and then to show the same to anyone who is doubting their abilities. I have been sharing on Old Time Radio (OTR) blogs with much success in regard to meeting people who are genuinely interested in Eddie’s OTR life. However, what dawned on me is that yes, he was on the radio, but the radio show’s themselves were White produced programs.

Duffy’s Tavern and Amos n Andy. Today these two programs are not talked about a lot on the groups I follow. These groups talk about the Gildersleeves, The Shadow, the Gildersleeves (no, this is not an error), Jack Benny, Johnny Dollar, Groucho Marx and other similar programs. While sharing about my father’s appearances on the first two programs I realized interactions with those other OTR fans is very limited because there were not many Blacks on the radio back then. Period. My brain said “as a matter of fact, how come no one ever talks about Black old time radio?” That’s when I woke up.

I began to research African-American OTR. I found a lot of articles, such as this one from J. Fred MacDonald that says: “Certainly, there were black radio performers like Eddie Anderson, Lillian and Amanda Randolph, Eddie Green, Hattie McDaniel, Ruby Dandridge, and Juano Hernandez, but their roles were either stereotypically comedic or insubstantial. And there were so many areas where African Americans never participated: No black men or women reported the news; there were no black sportscasters, no black soap operas; and no substantial black roles appeared in romances or dramas or Westerns or detective shows.

Tens of millions of citizens tuned in thousands of stations to hear news, sports, drama, comedy, and the various other formats by which broadcasters had adapted radio to aural entertainment. To staff such operations, moreover, the stations and networks employed countless numbers of writers, directors, actors, and technicians. Thus, aside from its popularity, the radio industry was a massive commercial operation. Despite its tremendous need for personnel, however, the industry in its so-called Golden Age offered only limited opportunities for black men and women to develop.”

This was borrowed from J. Fred MacDonald who died while I was writing my book in 2015 and whose archives by the end of the 20th century, were termed by the Library of Congress to be “the most important archive in private hands in the United States.”

I did find Richard Durham. Richard Durham was born September 6, 1917 in Raymond Mississippi and was raised in Chicago. He died April 24, 1984. Durham developed an interest for radio during the depression as a young dramatist with the Writers Project of the WPA. Durham studied at Northwestern University in Chicago and was the editor of the local black newspaper, The Chicago Defender. His first major radio experience came in Chicago with the series “Democracy USA”, which he wrote for the CBS station WBBM and with Here Comes Tomorrow, a black soap opera he wrote for WJJD. His radio program Destination Freedom premiered on June 27, 1948 on Chicago radio WMAQ and consisted of 91 different scripts produced solely by Richard Durham. Destination Freedom was a provocative half-hour show that showcased the lives and accomplishments of prominent African Americans. Did you notice he wrote a Black soap opera?

My father obviously knew what he was talking about when he said radio for Negroes was a very hard field to get into way back in the day. I am beginning to understand how much effort it took for my father to achieve his dream of becoming a show business personality, as a Black man. How truly difficult it was for a Black person to step into certain positions in the early 1900s in America. Eddie’s success was unusual, then. And it is still unusual for some to discuss today. This is just a reality. I am going to delve a bit more into this Black radio thing because it interests me very much.

It fits right in with my decision to become a Cheerleader for Trailblazers (this is going to be my twitter hashtag). So many people have done so much in this world that no one talks about or acknowledges. Not just Black trailblazers, though we have become more of a priority for me-but also of young trailblazers, female trailblazers, piano-playing trailblazers. Send me a trailblazing subject, I love research.

Thanks, for stopping by

Title of this post provided by Brian Beasley, my brother 🙂

My Book: Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer