I will not be a “Droopy” Dog

lf

Okay, I’ve had enough. I am tired of reading words such as divisive, feud, and slur when reading about current political events. I do not want to buy into the idea that I should now be fearful of the future of my country or the world for that matter.

I will not look forward to “Doomsday.” I will not live my life by a “Doomsday Clock.” And the Doomsday Clock is trending on Facebook. A New York Times op-ed piece stated the members of the Chicago based bulletin of the Atomic Scientists have moved the Doomsday clock closer to midnight than ever before. They site nuclear weapons, climate change and certain statements of a single person. (Guess who.) We, people, got the idea for this clock back in 1947. A symbolic clock face representing a countdown to disaster. When I opened a page on Facebook I saw an atomic bomb mushroom cloud. What the?

I know there is doom and gloom upon the land, but that does not mean I must give up all hope. Maybe I get this outlook from my father. Who, after living through the dropping of the Atom Bomb decided to make a movie about it from his own frame of mind. Eddie liked to see people laugh. So in 1949 he decided to write, produce, direct and star in a movie that depicts a Black family’s reaction post-bomb but with humor and entertainment thrown in.

The movie begins with the husband and the maid dancing to the latest jive record that they intend to play that evening for the daughter’s coming-out party. Mom comes out and after making hubby sit down they start to discuss their upstairs boarder’s comings and goings. They have a suspicion he is building a bomb because he sneaks in and out and keeps to himself. So they invite a detective (Eddie) to their party that night and ask him to check out Uncle Adam. There is a comedy skit and a chorus line at the party and Margaret Westfield sings a song Eddie wrote titled “You Can Always Believe Your Heart” while the detective investigates Mr. Adam’s room. In the end everything turns out hunky-dorey with a kind of sappy closing shot of Eddie

Most recently in 2008 I found this review of the song Eddie wrote “The audience  is asked to get excited about the daughter singing a boring romantic ballad that could easily have come out of a white sing-along movie of the time (1949.” Well!! I also found another review that contained these words “the avuncular old man (played by the only person in this movie who can actually act!)” Well!!! This same person said the main plot was for people to hear the daughter sing the song. Wrong!

Eddie’s original title for this movie was Mr. Atom’s Bomb. He had to copyright it as Mr. Adam’s Bomb. But he, like so many other people, was deeply affected by past events of the war and being an artist and a comedian he made this movie in reference to how Black people were feeling about the use of the atom bomb and as a way to stay positive. Even “Uncle Sam” gets a positive mention. The movie also starred Gene Ware and Jessica Grayson, both veteran actors. Ms. Grayson also appeared in a Bette Davis movie, The Little Foxes. I think Eddie used up all of his money making this last movie.

I am trying to figure out a way to stay positive today. I am planning to find some way to contribute to a more positive community outlook. Yesterday I went to the VA hospital where I used to work and I visited Bldg. 99 where the older veterans live. There was live music in the hall. The veterans are wheeled out or escorted and lunch is served while the musicians play. I actually saw a couple of familiar faces. So between the hugs and the smiles and conversations with the veteran’s and the music “Honeysuckle Rose”, by Fats Waller, and marching music, I felt pretty good when I left.

When I was little my favorite cartoon character was “Droopy”. He always walked around saying “Woe is me, woe is me”. I though he was funny. But I don’t want to be him.

Thanks, for stopping by. KCB

 

 

 

 

YES, you can.

yesyoucan2Inspire someone today. I chose to write a book “Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer” to inspire my grandson. He was six when I came up with the idea, he is twenty-six today and the book just published in July of this year.

My very first post talked about the words “I can’t” because I heard that from my grandson a lot when he was little. Just so happens my father, who died when I was three, found success through talent and determination to escape the poverty he was born into. I figured his story would show my grandson that “you can” despite seeming obstacles.

Eddie’s rise from poverty played out mostly in the world of entertainment, with offshoots into the restaurant business. And the book became not only a book to inspire my grandson but a book about the entertainment business in the 1900s. Because Eddie was Black the book is also filled with information about other Blacks prominent in show business back in the day. It became sort of a Black Entertainment history book. So it became a book  about a Black man in America, as well as an inspirational book. People have told me the book should be required reading for young people in schools. So could also be seen as educational. My main group has proven to be people who follow entertainment nostalgia. Old time Hollywood, Old Time Radio shows, old all-black cast movies. A wide variety of folks, young and not so young.

yesyoucanMy desire to inspire my grandson with his great-grandfather’s story morphed into wanting to inspire any person who thinks “they can’t .” So I was blown away with the interest generated by this book in the Nostalgia field. I have discovered that a lot of people knew about, remembered and have actually seen my father perform. I have been made aware of the fact that there are young people  who are fascinated with success stories from the 1900s, for the very reason I wrote the book, inspiration. Also, I have happily realized the interest this book can garner in the Black community as a success story of a Black man, both personally and professionally, in a time of great racial discord.

I am going to put more energy also into sharing Eddie’s rags-to-riches story with as many people as possible, such as The young adult (YA) age group, or teen-group.  Because they are the future. They need to have access to stories that will give them hope. I hope to make this book available to younger children although it doesn’t have any colorful pictures. I also want to market to Black Ancestry sites because genealogy is a big deal today.

Sure, I want to sell a million books. My father’s first song sold a million copies in one year in 1919 (A Good Man is Hard to Find), and people are still recording it, imagine that! But this book began out of love for my grandson and grew into something I could share with people everywhere which makes me happy. And if I make lots of money I will be able to say that I am self-supporting through my own contributions.

In the late 1930s my father told a reporter that in his opinion “radio was a very, very difficult field for Negroes to get into, but the benefits were worth the try.” If he could see how effort has worked toward America having it’s first black President, I know he would be very proud.

Thanks, for stopping by.

 

 

Find Something You Like To Do & Spread The Love

dowhatyoulike

I like to gather knowledge. I like to read. I like to go to the Library. So the next phase of my book writing venture should bring me pleasure. I will be contacting libraries in Cali to inquire about whether they would be interested in having me visit their library to discuss my book with their patrons and/or if they would allow me to post my brochures, bio or bookmarks at their facility. My publisher says do California first then if I want branch out to other states. I must spread the word about the biography I have written on my father “Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer.” I am also currently in the process of arranging some kind of presentation here in California at a local museum.

The research I have done has shown me how knowledge provides a real connection to other people and places. I have recently discovered two people, miles apart, who found what they liked to do and did it the best they knew how which enabled them to find success and happiness in life. And both of these people connect directly back to me socially. The first person is a woman by the name of Mayme Clayton, the second is a man named Charles I. D. Loof. Hopefully Worpress will work with me and leave my pictures where I place them, if not I am sure the reader will be able to tell who’s who. (the photo at the top of this post is a copy of an album cover from Taio Cruz from 2015, I love the red.)

Mayme A. Clayton, Ph.D. (1923-2006) founded MCLM in 1975 as the Western States Black Research Center (WSBRC). Dr. Clayton, a university librarian, collector, and historian, believed that preserving and sharing the scattered and often neglected history of Americans of African descent was vitally important for current and future generations.

220px-mayme_agnew_clayton

Dr. Clayton liked collecting African-America memorabilia. The collection was initially housed in a renovated three-room garage at the rear of Dr. Clayton’s home, located in the Los Angeles community of West Adams. Over time the collection began to outgrow the garage.

Today The Mayme A. Clayton Library & Museum (MCLM) is home to the Mayme Agnew Clayton Collection of African-American History and Culture. The collection contains over two million rare books, films, documents, photographs, artifacts, and works of art related to the history and culture of African Americans in the United States, with a special focus on Southern California and the American West. The collection is one of the most important collections chronicling the history and culture of Americans of African descent in the United States of America. I discovered a 1938 autographed photo of my father at this museum in 2015. Hopefully, I will do a presentation about my father’s filmmaking, at this facility. Dr. Mayme Clayton achieved success in the pursuit of what she liked to do. And provided me pleasure.

Charles I. D. Looff was an American master carver and builder of hand-carved carousels who was born in Denmark in 1852 and emigrated to the United States in 1870. After working in a furniture factory all day, he took scraps of wood home to his apartment and began carving them into carousel animals. Young Looff assembled his wooden horses and animals onto a circular platform and created his first merry-go-round. In 1876, he installed his ride at Lucy Vandeveer’s Bathing Pavilion at West Sixth Street and Surf Avenue. This was Coney Island’s first carousel and first amusement ride. charles_i-_d-_looff

In 1909, Charles I. D. Looff built a beautiful carousel with 54 horses and presented it to his daughter, Emma, as a wedding present, when she married Louis Vogel. The ride was installed at Natatorium Park in Spokane, Washington. This ride has been restored and operates today at Riverfront Park in Spokane. When I went to Spokane to visit my brother’s family on November 16th of this year, they took me on a mini-tour and I saw this carousel. I decided to research Charles Loof.

Imagine my surprise when I discovered that in 1916, Looff with his son, Arthur, came to California and designed and built Looff’s Santa Monica Pier along the south side of the city’s long, narrow, municipal pier. They constructed a large Byzantine-Moorish style “Hippodrome” building to house one of their ornate carousels, now known as the Santa Monica Looff Hippodrome. The Looffs also erected the Blue Streak Racer wooden roller coaster on their new pleasure pier, along with The Whip and the Aeroscope thrill ride.

In addition to Santa Monica and the Pike, Looff built and operated amusement parks and carousels at Ocean Park, Redondo Beach, Venice Beach, and Santa Cruz, as well as Griffith Park in Los Angeles (still in operation)
Did I used to go to the Pike back in the day and the Santa Monica Pier? Have I been on the Santa Monica carousel? You bet I have. Did I used to Love to go on the Griffith Park carousel and try to grab the golden ring? You bet I did!
Mr. Loof liked to work with wood. He liked making wooden animals for his carousels. He was the best he could be at what he liked to do and he became a successful man. He provided me with hours of pleasure as a child when my mom would take me to Griffith Park.
The search for knowledge provided me with a new, relevant connection in Los Angeles, a loving visit in Spokane (with tour) and connected me back to happy memories in Los Angeles. Strangers, relatives and friends blending together. I love it!
Thank you so much, for stopping by.

 

 

 

A WONderful Event!

familygathering

This is the beginning of a new phase of publishing a book. For those new to my blog, I have written a book about my father. The title is Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer which has been published by BearManorMedia, and can be found at their website or on Amazon.

I have now had my first book signing event. It was at Book Soup in West Hollywood, California. Of course my fambly were there to support me. Brad Beasley (my brother), Tanisha Beasley Harrison (my neice), Brian Beasley (my brother), and Melony Green (my lovely daughter). Plus friends and fans showed up. Unfortunately, the person to whom I dedicated this book, Edward Nathaniel Green, my grandson, was unable to attend the event as he is currently hard at work in Reno, Nevada. With his beautiful lady and their cat.  I am too proud. Of my family. And, of myself.

Since this was a first book signing I brought snacks (too much) and we had a raffle (my brother Brian won!).

I was surprised and delighted when a gentleman by the name of Miles Kreuger introduced himself to me as a long time fan of my father. Mr. Kreuger was actually in the audience as a child of five when my father was on stage performing as Koko in the Mike Todd production of Hot Mikado at the 1939 World’s Fair. He told me he had been interested in Eddie ever since. Mr. Kreuger is an aficionado on American musicals, and owns a vast amount of memorabilia, some of which he brought with him to show me. Such as an original playbill from Hot Mikado. He is going to share a recording of my father singing “Titwillow” from the 1939 stage play as soon as I correct an error I made on my business card-no phone number. He specifically said he would call me. Actually today I sent him my telephone number in a Thank you note.

Meanwhile I have been trying to set up my site here to include reviews I have received on the book, but I have not gotten very far. I have to read WP instructions over and over, then when I add something to my menu I cannot remember how I did it! I will continue to post on my activities in regard to writing this book and any other articles I write, and I will begin to incorporate other subjects that I feel are relevant to a theme of positivity in human progress. And I will probably begin to include more of my own observations on the state of this world! Just kidding. But I am sure some of my opinions will show up here. This blog and my book venture have opened up a whole new world to me. I have met many cool people and have learned to express myself as I really am.

Here is the last line I read at my book signing event: When Eddie was questioned about his recipe for success, he said “The best recipe for success that he has, is to find something you like to do, and do that the best you know how.”

Thanx, for stopping by. KCB

 

BOOK REVIEWS: YESTERDAYUSA

yesterdayusa

In September of 2016 I was interviewed on Walden and Patricia’s Open House on the above named internet radio program. Patricia sent me an email after the interview and following is a portion:

QUOTE FROM PATRICIA (Walden and Patricia’s Open House) INTERVIEWER FOR YESTERDAYUSA INTERNET RADIO, SEPTEMBER, 2016:
“We have had calls and emails from listeners telling us how much they enjoyed you and were feeling so good about learning about your father, his work, the culture at the time, the people in the entertainment industry who would otherwise be forgotten So from them, too, thank you.

I tried to explain to Walden (her husband) – and probably didn’t do a very good job of it – what a remarkable and seamless blend of personal thoughts and feelings you captured (which added such warmth and life to the book) while at the same time maintaining an objective distance that made the book impartial and educational and Eddie Green captivating. I will add my comments on the Amazon site this week.

I have a hard time helping people grasp how much I love and appreciate American history, overt and obscure, but most especially the stories and experiences we would never know about except for people like you who put in the time and love to share it. What you share in your book is more than a gift for all of us.”
It is so good to receive messages such as this one and I want to thank Patricia and Walden again for having me on their program.
Thanks for stopping by and may you be inspired.

 

 

SPREAD THE INSPIRATION

6765541_1_lThis movie, written, directed and produced by my father, Eddie Green, in which he also starred, prompted one journalist to refer to Eddie as the “comic movie making mogul”, because the movie proved to be quite popular.

Dress Rehearsal (1939) was Eddie’s first movie that was released under Sepia-Art Pictures Co. (which Eddie owned) at the 125th Street Apollo in New York on October 21, 1939. The film was also shown in the Lichtman chain of theaters in the South. Eddie’s sales manager reported that after the first showing of the movie the “White as well as the Black audiences grabbed at it greedily.” And that due to this unexpected phenomenon “the entire plant had to be reorganized.” The “plant” being Eddie’s movie studio in Palisades, New Jersey.

The next “first” for Eddie is that in December of 1939 the National Broadcasting Company (NBC) picked Dress Rehearsal for broadcast over their television station in New York, making this movie the first Black (Negro in those days) motion picture to be sent out over the air.

Unfortunately, I have yet to locate copies of this film, although I do have copies of a script. The original script is kept in the Margaret Herrick Museum which is a non-circulating reference and research collection devoted to the history and development of the motion picture.

Today, I am looking forward to my first “First,” my upcoming book signing event. On November 9, 2016 at 7:00PM PST I will be at Book Soup in Los Angeles signing Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer. When I started this book writing venture I concentrated only on research and writing. I intended to present this book to my grandson as inspiration to go forward with his life. It turns out that my father’s story has provided inspiration for me and a lot of other people who have read the book or seen this blog. During this process, however, it never dawned on me that I would have book signings.

To paraphrase Norma Desmond, after this book signing there will be another one and another one! I already have two invites. This first one though has become a sort of celebration for me so I am having snacks, and a comedy clip and a reading and a raffle. And of course my marketing continues. I have become a part of a couple of social media sites and I am beginning to be a bit more outgoing in regard to “selling” the book.

One thing I know is that if I have a desire to do something, I can. And if the something I want to do gives me pleasure I will take the necessary steps to get it done. My father was a good example of that. Anyone can do the same. I appreciate my followers on this site because they help me to keep writing.  I hope you will mention this blog to others so that we can spread the inspiration.

Thanks, for stopping by and KCB.

 

Book Reviews – so far so good

importfromphonejuly-151
L to R: My mom, Atty. Walter Gordon, Jr., Kay Seeley, Eddie, Mrs. William Dickerson, unidentified guest, Rev. Adam Clayton Powell, Jr., Rev. Clayton Russell and Rev. George Garner (oh, and I am in the middle!)

When I began this post I got a little teary eyed, and I think it is because it is just beginning to soak in that I have actually had a book published. Me. A book about my father (with a chapter on my mom). People have read the book and have posted reviews in newsletters, online and have sent their thoughts through email. So far the reviews are good.

For those new to this blog I have written a rags-to-riches biography about my father, the legendary Eddie Green, filmmaker, movie and Broadway star, old time radio icon and composer, who died when I was three.  Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer. The idea occurred to me back in 1996. With help from my mom, a lot of research and determination and love, the book was published in July, 2016.

Below is a excerpt from an email I received from Patricia, the lady that interviewed me during my second appearance on the YesterdayUSA internet radio program:

What a remarkable and seamless blend of personal thoughts and feelings you captured (which added such warmth and life to the book) while at the same time maintaining an objective distance that made the book impartial and educational and Eddie Green captivating.

Kudos are marvelous, darling! So I am trying with this post to learn a bit more about setting up a site that includes more than just my posts. I am attempting to have Category pages, for instance: Reviews, Book Info, Events.

When I started out my idea of writing a book was small. With time the idea and my realizations grew.

Maybe Eddie was thinking about the future of his daughter as he looked at me at my christening. He looks very contemplative. Bet he never thought I would grow up and write a book about his life that would bring him from out of the shadows back into the light of acknowledgement he deserves.

Book reviews were not something I considered during this book writing process, but, boy and I glad to see them, so far. But even if I only get one star instead of five stars, this journey continues to lift my spirits. I hope you are inspired, uplifted and encouraged to soar.

Thanks, for stopping by.

 

 

NOSTALGIA PIECE

eddiegreenandgrandmanorma

I am feeling nostalgic today. With my first book signing for the biography I wrote about my father, Eddie Green, coming up on November, I have, of course, been thinking about Eddie and my mom, Norma. Through a second marriage Norma is also the mom of my three brothers and one sister, Nathaniel Lance (who has passed on), Brad, Brian and Donna. Through them (and me) she was also grandma Norma and great-grandma Norma. Mom passed away this month in  2010. Her birthday month is November. My brother Brad’s birthday is in October. So, I think I just figured out why I am nostalgic. Plus, November is BIG for me in another anonymous way but I’ll save that for another post.

Back to mom. I showed my youngest brother Brian this picture of Eddie and mom and he did not recognize the lady in that fur. Our family does not have a lot of pictures from 1946, and mom didn’t talk to much about those years. As you can see, those years were pretty good for Eddie and Norma.

While doing my research for the book I found an article in the Los Angeles California Eagle newspaper by J. T. Gipson in her “Notes from a Newsgirl” column, that “Eddie (Duffy’s Tavern) Green and wife, nee Norma Amato, are vacationing in the East. Norma plans to relieve New York of some of their latest creations”.

Such as this ensemble or these hats from 1946: womensfashion1940hats

In those days mom was always in the news. Before she married Eddie she had aspired to become an opera star. Here is what was printed in  another article in a 1944 Los Angeles California Eagle newspaper: “Keep your ears on Norma Amato’s delightful thrushing…she has the kind of voice you hear only in a dream”.

dreamscometrue

Together, she and Eddie liked to entertain at home. Jessie Mae Brown of the Los Angeles California Eagle reported in her column “What’s Doing in the Social Set” that “Television with all its newness will be the incentive for an exclusive soiree at the Eddie Green’s Second avenue home. After waiting several years in suspense for television, I look forward to this party with keen interest as well as pleasure.”

I found a picture of a 1946 television set. I don’t know if this was the same one or even the same day, but mom told me that Eddie cut a hole in the wall between the kitchen and the dining room and set the tv in the hole, leaving the ugly back of the set sticking out into the kitchen.tv1946

Eddie did not start out in life this way. He was born in an alley house in Baltimore (no sewage system and disease) to struggling parents. He ran away from home when he was nine and by the time he was seventeen he was working but still lived in an alley house on Ten Pin Alley (an actual alley listed on a map).

svf_b_streets_biddle_alley

Eddie worked his way up. He taught himself to read. He discovered what he liked to do and he determined to do it the best he knew how. My father was thirty years older than mom. By the time she met Eddie it was all about traveling, nightclubs, parties, dinners, she did not talk much about what she knew of Eddie’s early life. He took her to Baltimore to show her his old living situation. She met his daughter from a previous marriage. But it was necessary for me to do extensive research in order to write the biography Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer. And thank goodness I did because my father’s story radiated inspiration for me. I’ve heard that others have felt the same after reading the book.

My next post will be from my new, updated blog which will feature news of the book, purchasing and what not, and it will also feature reviews I have received (all wonderful so far!). Thank you so much for being a part of my journey here on this blog.

And thank you, for stopping by.

 

Keeping my eye on the Beauty of the World

millicent-and-eddie
Millicent Roberts receiving award from Eddie; with Miss Futter and Miss Graves.

Article in the Norfolk Journal and Guide: Some of Harlem’s most beautiful girls turned out for Eddie Green’s Second Annual “Night of Glamour”, last Thursday night at the Renaissance Casino when the popular comedian offered valuable prizes plus a movie contract with his Sepia Art Pictures Company. Eddie is standing next to the winner Millicent Roberts Miss Glamour.

 

As well as being a filmmaker, stage star, old time radio icon and composer, Eddie was also well-known for holding beauty contests, usually in Harlem, that featured beautiful Black women. He even put together the Miss Sepia America contest which was held at the 1939-40 World’s Fair in New York. There was a pavilion at the fair that showcased exhibits for and about Black people (though today it is difficult to find mention of this). 5814421775_46ea0e10b6_b

As I have mentioned in former posts Millicent (Miss Glamour) is still with us. She is a living testament to the fact of Black beauty contests. I don’t think we have those anymore.

My father believed in promoting Black people. Through beauty contests or in his movie studio and in his office. His letterhead from his movie studio read “Producing the best in Moving Pictures, of, by and with Negroes.” (We were negroes back in Eddie’s day and proud of it.)

Eddie possessed the ability to get along with people though, be they Black or White, men or women. It’s what helped propel him through his career as a comedian. It helped him work at the Apollo drilling white chorus girls for 45 weeks, and this was such a big deal it was written about in the local newspaper.

Lately, I have found it difficult to write upbeat posts because of the recent shootings of Black men. Eddie must have been extremely upset though back in the early 1900s. But he focused on the goals he wanted to achieve. He was a good husband to my mom. He was all-business when he was supposed to be. And he was a funny, if droll, comedian. People liked to see him coming. Eddie lived a good life through hellish times for Black people. Eddie lived through the depression, hellish times for everybody. And he just kept going.

I feel for all those who are losing loved ones to violence. And I know that positivity exists.

Thanx for stopping by and don’t forget to check out my book Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer

http://www.bearmanormedia.com

 

 

Scene 2 – Little Miss Fresh Mouth

h3257-l74549107

During the process of researching information on my father’s life for the biography I have written, I began to realize that not only would I learn interesting facts about my father during this research but that I would also learn new and interesting facts about those with whom he worked. As this writing process went on I found that the more I discovered, the more I discovered. And somehow the discoveries made in the latter part of my research matched up with the earlier discoveries.

For instance, in a 1940 Baltimore newspaper article, my father says that an important point in the making of any motion picture, but particularly in photographing Black actors, is an experienced cameraman, because of the wide variety of skin colors and tints to be found in the Black race. The article noted that Eddie said the cameraman he used most of the time was Dan Malcomes, a veteran when it comes to cameras.

In order to use this information in my book I began to research Dan Malcomes. I started this research in 2014. In 2015 I learned that a Don Malkames had worked as a cameraman back in 1939 for a Mr. Joseph Seiden of Seiden Cinema, located in Fort Lee, New Jersey, which is where movie-making was done before there was Hollywood. Mr. Malkames was the cinematographer on the movie Paradise In Harlem (1939) which was directed by Joseph Seiden.

My father, Eddie, also made a movie  that year (wrote, directed, produced and starred in) titled What Goes Up, in his movie studio in Fort Lee, New Jersey, Sepia Art Pictures.   Through more research I discovered that the cameraman that Eddie worked with for his promotional photos was in fact, Don Malkames, miss-printed in the newspaper as Dan Malcomes. A search on the Internet today will show a listing of the different spelling versions.

Two of the stars in Eddie’s movie What Goes Up were Bebe Mathews and Sydney Easton. Two of the performers in Paradise in Harlem were Bebe Mathews and Sydney Easton. What I find unsettling is that the Paradise movie can be found on the internet, but Eddie’s movie has disappeared.

That What Goes Up has not been found is unfortunate too, because in 2015 as some of you may know from an earlier post, I received an email from the granddaughter of a woman who was an actress in the movie. The actress’s name is Millicent Roberts and she is now ninety-nine years of age. She is one of the ladies who was picked up by a chauffer and driven to the set in New Jersey to rehearse and perform her part as “little miss fresh mouth.” She told her granddaughter that she remembers the White cameraman who took her promotional bathing suit pictures on the set. (Eddie’s movie set was all-black except for Don, on purpose.) Millicent says that the pictures “were glamourous, just like Hollywood photos.”

The one thing that Millicent, who lives on the East Coast, would like is to see the movie What Goes Up again. A few of our friends are endeavoring to discover the whereabouts of the physical copy of this movie.  Maybe you beautiful people out there could keep an eye out, also. The movie premiered at the Apollo in New York in 1939.

Millicent has seen the photographs that were taken of her but was never given copies. Thanks to the internet I found out Mr. Malkames’ relative Rick Malkames has followed in Don’s footsteps and currently is head of The Malkames Collection.  I was able to send an email but they have nothing in their archives.

Millicent and Eddie
Millicent and Eddie

Now that I have written Eddie’s biography, Millicent’s granddaughter has bought the book and reads portions of the book to her. She says her grandmother “is just beside herself(lol!!!)”.

I am going to end with this quote from Millicent’s granddaughter in regard to the book because I never expected to receive such a powerful response or such a wonderful compliment. Very positive!

“It (the book) is also an inside look at the resilience and fortitude of our brothers (Black Men) like Eddie -who were clearly brilliant, talented, and resourceful in a time when we (Blacks) were considered to be nothing of the sort! This book should be required reading in African American History courses in every College and University!”