I am deep into writing my book about my father, Eddie Green, and his life as a star of Stage, Screen and Radio, and how he has become literally wiped from most people’s memory, I believe, because he died in 1950, and when he died his works were put aside by those who knew him, and life moved on. Now, for me as an adult with a grandson, I am trying to document Eddie’s time on this earth because Eddie contributed much to society, despite the poverty of his family, and the segregation of his time. As I began to discover, through my research, what my father had accomplished, I was rather upset that even though Eddie worked with some of the greats of the 30s and 40s, he is not remembered as they are remembered. So I am trying to change that with my book.
Unfortunately, I wind up putting my posting aside. I know there is no one I need to apologize to for not posting more often, but I also know had I not started this blog, I may not have started actually writing my book. The research began some years ago, and, for someone who may be contemplating book-writing, research is on-going.
Over the past month I have discovered a Paramount Contract Eddie had in 1945, I have read scripts from some of his movies (I will get to those later), and I have found about fifteen original photos from the sets of Eddie’s movies. It’s fascinating and absolutely unexpected.
But before I get to that part of Eddie’s life, I will share with you what I found today. I have been searching the World Wide Web for just the right thing to share and lo and behold, I came across the best picture.
Eddie lived in New York for a large part of his career. He lived in Manhattan and worked in Harlem. He was called “The Harlem Funster”. In 1937 Rudy Vallee had a Radio Program on NBC-Blue Network and when Mr. Vallee went on his summer vacation, he convinced his sponsor, Fleischman’s Yeast, to hire Louie Armstrong to host the show for the summer. In 1937, at Vallée’s insistence, Louis Armstrong hosted the show during Vallée’s summer vacation. This made Armstrong the first African American to host a national network program. Guess who shared billing with Mr. Armstrong as one of the shows comedians.
According to BALLSTON SPA DAILY JOURNAL, BALLSTON SPA, NEW YORK, FRIDAY, APRIL 9, 1937:
A new variety show, an all-negro revue, makes its debut on* WJZ-NBC revue, at 9 p.m. Based on the hot rhythm of Harlem as dispensed by Louis Armstrong’s orchestra, together with his trumpet, it will present Eddie Green and Gee Gee James, comedy team, and guest artists. The script is being put together by Octavus Roy Cohen.
Below is the picture I mentioned, celebrating this huge event.
RECEIVE CONGRATULATIONS FROM COAST-TO-COAST
APRIL 17, 1937
T h e Pitttburgh Courier
The first time I have ever seen this picture. It’s too bad Mr. Armstrong is difficult to see, but it’s an old picture and I have a cheap printer. Anyhow, there they are. Making history. But who remembers Eddie Green? Well, I guess I do and I am sharing him with the world of today, not just because Eddie became “somebody”, despite the obstacles, but because there are still people who believe they cannot achieve their goals because of seeming obstacles.
Of course, we have to put in the work, acquire as much knowledge as we can about our pursuits, and if we have a talent, put it out there. I read that my father said that talent is respected in his business, and you have to keep at it because all the work and practice and time you put in pays off in the end.
Speaking of work. Right after the ending of the Fleischman Yeast’s Summer Program, Eddie was off to Hollywood where he appeared on “Showboat” a radio program which I talked about on my previous post. But before he left New York, Eddie had another bit of business to attend to, per the Pittsburgh Courier “Eddie Green, the radio comic, has gone Into the restaurant bis. He’s now the proud owner of a Bar-Bee-Q eatery off 139th” street on Seventh avenue. .”
Busy, the man was busy.
Thanks for stopping by.
6 thoughts on “FROM NEW YORK TO HOLLYWOOD”
Elva, this is so great that you are doing this. I became aware of your dad via Duffy’s Tavern. I looked high and low for information about him but came up empty. I look forward to your postings, and eventually your book.
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Thank you, so much.
I replied to this once but I think WordPress is doing its own thing, so I am replying again, Thank you, so much.
I don’t know if you’re aware, but *A Good Man Is Hard To Find* was used twice in the recent HBO movie *Bessie*, starring Queen Latifah. The first time they used the Fats Waller version; in the second instance, a young girl was singing it to Bessie Smith.
I’ve admired your father’s music for years, and am extremely pleased to learn about the man behind the music. I can’t wait for the book!
Thanks, and take care, Jerry Kelly
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You know, I wanted to watch “Bessie”, but I don’t get HBO on my cable – I figured someone would sing it, because I know Bessie recorded the song. Woody Allen also used it in “Blue Jasmine”. Thanx for your comment, the book is getting closer to a first draft completion, thanks in part to people like you who are waiting. I think my timing is going to be on point!