success

elvagreen123

courage

Baltimore1890horsedrawnambulance
Baltimore 1890 Horsedrawn Ambulance-courtesy Google Images

It’s not always easy to figure out how to begin a post. Especially if my brain wants to think about something else, like going to the store to buy cookies (I just discovered Biscoff Lotus cookies). Or if my brain simply doesn’t want to work at all. But since the pandemic has blown up again it’s good for me to sit here and share. Between this latest virus and the riots across the world I fear for us (people). It’s difficult to see a future of joy and happiness. However, I know that we, as human beings are capable of having such a future. In life today though it seems that Blacks still have to fight the hardest to be happy. It seems that more and more Black men are being shot by police. Can this change for the better? Judging by the past I think that it can, however, it will be a mighty long process. When my father was born, 1891 and as he performed as a comedian through the Southern states of America, Blacks were  being lynched on a constant basis.

As far as pandemics go, when he was a small child in East Baltimore he lived with typhus due to the fact that there was no sewage system, especially in the poor neighborhoods. By 1890 Baltimore Harbor was a national joke. While other cities in Europe and in the United States had installed sewers Baltimore had not. Outbreaks of cholera, typhoid or other diseases occurred fairly often. City code required indoor toilets, but it was up to individual property owners to build cesspools, cisterns, or gutters. These emptied into an unfortunate stream called the Jones Falls; its polluted course ran from the wealthier to the poorer areas of town and finally into the harbor. As Eddie’s family were desperately poor this was one reason he left home at nine years old-he wanted to find a better life for himself.

Perrybradford-1200x1200-croppedI have been asked to do an essay on a Mr. Perry Bradford. Perry was born in 1893. As a vaudeville performer and composer and songwriter, he too worked in theater circuits throughout the South and into the North. I imagine that he had the same worries as every other Black man in the South at that time. But he had a goal in mind. Bradford persevered in getting the recording industry to value recordings of African-American artists. In 1957, Little Richard had a hit with Bradford’s “Keep A-Knockin'”. In 1965 he wrote his autobiography Born With the Blues. Later in 1994 his song “Crazy Blues” was inducted into the Grammy Hall of Fame. Perry lived a long time, too. He died in 1970.

ArlandoSmithMore recently, there was Arlando Smith, born 1952. Arlando came up during the Civil Rights era, police with hoses and dogs and batons. He worked at becoming successful. Arlando was a TV writer and director. During my research for my book on The Jeffersons I learned about this gentleman. He worked on What’s Happening Now, All In The Family, Silver Spoons, 227, The Richard Pryor Show, She’s The Sheriff, The Robert Guillaume Show. The Jeffersons (2 episodes) and Malcolm and Eddie. He was the stage manager for All in the Family, 51st Annual Academy Awards, The Richard Pryor Show, What’s Happening, Sanford and Son, That’s My Mama, Good Times, and The Jeffersons (48 episodes). In 2015 when Arlando Cooper Smith died The San Pedro Sun reported that: “Smith was an award-winning director who directed the first episode of La Isla Bonita Telenovela. He also contributed to several American television series, Arlando Cooper Smith made the Isla Bonita his home, has selflessly supported the island in ways too numerous to count for many years. He will be missed by all those who knew and loved him.”

These gentlemen became successful in their fields despite the Race issue, despite lynchings, typhus, and lack of money. Despite hard times. You don’t hear too much about these men. Until I wrote the book about my father few people knew of his many contributions to the entertainment industry. These men were either forgotten or overshadowed. Or simply not known about because of their positions in the background as opposed to being a principal character on a program. Because of who they were-their character-and because of their courage they achieved success, friendship and love.

May we all have courage.

 

 

 

 

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FUNNY IN TIMES OF CRISIS

I’ve been doing what I like to do best-researching. I saw a story online about the 1918 Spanish Flu and it dawned on me that my father was alive back then. As a matter of fact, he was married to his first wife, had his first daughter, had signed up for WWI, had written a song and was on the road traveling down south with his “Deluxe Players”. The 1918 pandemic lasted from, I think, August of 1918 through December of 1920. Eddie began his first on stage vaudeville work in 1920. He was a comedian. The 1918 flu was targeting young adults. About half of the deaths were in the 20-40 range. Eddie was about 29. He had already experienced diseases and poverty being born in 1891 in Baltimore during a time of no indoor plumbing and rampant Leukemia in the East Baltimore slums. It’s one of the reasons he left home at nine years old and worked as a boy magician until someone suggested that he was so funny he really didn’t need a lot of props to entertain people. It seems that Eddie never got sick. Vaudeville and Burlesque were pulling people in. Eddie was performing in Tampa, Fla., in 1919 with his Deluxe Players when he applied for and got a job as a comedian in New York in 1920. The flu had hit Haskell County, Kansas In January 1918.

Thinking about it now, I never really thought about the chaos that was going on in the world during those years.

How did people continue to think up gags and write songs that weren’t sad and forlorn. Eddie wrote “A Good Man is Hard to Find” in 1917. In my book I wrote that maybe he was actually talking about the fact that the armed services were drafting men to fight in WWI.  In 1920 he wrote “Don’t Let No One Man Worry Your Mind”, but this was probably for lovers. Anyhow, the flu was still raging and Eddie still had to entertain if he was going to earn money.

I read that in order to maintain morale, World War I censors minimized early reports of illness and mortality in Germany, the United Kingdom, France, and the United States, which may have contributed to the spread. However, papers were free to report the epidemic’s effects in neutral Spain, such as the grave illness of King Alfonso XIII, and these stories created a false impression of Spain as especially hard hit, and may have given rise to the name “Spanish” Flu.

Military pathologists eventually reported the onset of a new disease with high mortality that they later recognized as the flu. Their overcrowded camps and hospitals were an ideal site for the spreading of a respiratory virus. When soldiers were sent home there was a second wave of flu victims in 1918.

It was discovered that what we now call social distancing was paramount in surviving that flu. The French colony of New Caledonia  succeeded in preventing even a single death from influenza through effective quarantines. And the world went on. And got better.

The “Roaring Twenties”. Booze and parties. Eddie was appearing onstage in “All In Fun”, dancing and singing now along with his comedy. I read he and his partner were encored many times. So everyone must have been having a good time. Duke Ellington was coming along. Eddie opened a publishing business, a movie studio and wrote “King Tut’s Blues” because of the discovery of the tomb in 1923. And better things were yet to come. Even so, there was also the fact that in those early 1900 years racism was also a death sentence for Blacks. And Eddie was touring the country with Burlesque shows. In Blackface. And he was a hit everywhere he went. Fascinating when you think about it.

I believe I inherited my father’s ability to see the better side of life-to be able to focus on positivity and to help others to experience joy. Yes, tragedy and despair and horror exist, I know-but I refuse to let it take me all the way down. As Miss Celie said: “This life be over soon” anyhow. And as my brother, Lance, used to say “You only go around once, so you might as well do it with Gusto”. (Yes, he stole it from a beer commercial-LOL).

Brian, Lance, Brad

Hey, Love you all, please, keep coming back.

 

 

 

 

elvagreen123

MOVIN’ ON IN

Well, unlike George and Weezy I’ve moved on out of my old too expensive place “in” to a cheaper place. And what a relief it is. I’ve had to go backwards to move forward. Meaning I now have a bit more money to work with and I can be more comfortable while writing my second book and while I wait for my ship to come in. I’m sleeping with less stress as opposed to sleeping because of depression. And now I can focus on The Jeffersons. Getting back into doing research for a book helps balance me out.

When I started the process of interviewing folks for my book on the 1975-1985 tv sitcom The Jeffersons, I spoke with Mr. Norman Lear first. He talked about how he was influenced to produce a show like The Jeffersons by a few people who thought it would be a good idea to have a tv sitcom that portrayed affluent Black people who were coming up in the world as opposed to just struggling along, like the family from Good Times, so, he said “we moved on up”.

The Jeffersons theme song “Movin’ On Up” was written by Ja’Net DuBois and Jeff Barry. I did not know until recently that the theme song was sung by Ja’Net DuBois. Ms. DuBois, you may remember, played the part of Willona Woods from the tv sitcom Good Times (I know you remember her). Ms. DuBois began her acting career in the theater and went on to television and movie roles. She also dances. And has won an TV Land Image Award for her role in Good Times. (Frederick M. Brown-Getty Images)

 

Jeff Barry, the co-writer of “Movin’ On Up” is a Songwriters Hall of Fame inductee. He has co-written songs for  The Monkees, The Shangri-las, The Ronettes, and he co-wrote “River Deep, Mountain High” recorded by Tina Turner. Wow. He is also the recipient of the Ahmet Ertegün Award from the Rock and Roll Hall of Fame. He has a great online site, too. (Google Advanced Image Search)

 

One of my Facebook friends said she liked the episode that featured Sammy Davis, Jr. I did not see that one, didn’t even know he had been a guest. The episode was titled “What Makes Sammy Run”. It aired January 1, 1984. I wonder how I missed THAT one. Sammy even recorded the Theme Song. Let’s see if I can post it here:

 

Hey, thanx, for stopping by!

🙂

 

 

 

elvagreen123

Respect Will Mitigate Chaos

Welcome. Thank you for visiting my Blog about my father, Eddie Green, and other stories of inspiration. Welcome to my new friends.  I’ve been posting here since 2014 and it has been a wonderful experience on line. Unlike other social media sites, I get to say whatever I want without having to expect “backlash”. I voiced my opinion on a question once on Twitter and I got so many mean responses I almost quit the site. But I realized it was not me or my thinking, just a lot of trolls. I have  good social media connections now and I love it. 

Life on planet Earth can be troublesome. These days, in America, is seems much more dangerous than in the past. So much anger and depression. Recently I received 2 messages from fans of my father who discovered my book and love the fact that I have shared my father’s life for their enjoyment. I received such positive compliments regarding the good that has come through my book, that I got this idea of a post for today. My father grew up and became successful during a truly dangerous period for Black Americans. Eddie was able to flourish even in this environment because Eddie was a nice guy. He was dependable, helpful, willing, well-read, respectful, hard-working and easy-going. He was kind and able to get along with anybody. He liked people. And he made them laugh. I believe we can have a sweeter life if we strive to show more concern and courtesy to our neighbors. As an example, here is an item from the Billboard from 1920:

“Help Everybody by Distributing Useful Information
The following letter from Eddie (Simp) Green, (he dropped the nickname by 1924) who is with Barney Gerard’s “Girls De Looks.” burlesque show is beyond doubt the most unselfish communication that has come to us since the department has been started. His little note Is an illustration of the many services to one another that actors may accomplish thru the instrumentality of this page. The letter:

Buffalo, N. Y., Nov. 9. Jack—Just a line to tell you that the boys playing this town find it so hard to get rooms that I think it would benefit all of them greatly if you would say  in your notes that when they play Buffalo the most convenient place to stop is the Hotel
Francis  directly opposite the New York City Depot. We re here this week and the show is a “riot as usual.” at the Gayety Theater.

Yours respectfully, EDDIE GREEN

(Editor’s Note—Eddie Green writes something besides letters.  He wrote “A Good Man is Hard To Find,” “Don’t Let No One Man Worry Your Mind,” “You Can’t Keep a Good Girl Down,” “Algiers” and the “Blind Man’s Blues”. He also has written himself into the class of regular fellows with the above letter. Billboard December 4, 1920

Tulsa Race Riot 1921

It must have been very difficult to think of others and to be funny to boot. Life in those days was rough.  While Eddie was at the Gayety in Dec. of 1920 trouble was brewing in St. Louis. The upheaval associated with the transition from a wartime to peacetime economy contributed to a depression in 1920 and 1921. The Tulsa Race Riot took place on May 31st and June 1st of 1921. The attack, carried out on the ground and by air, destroyed more than 35 blocks of the district, at the time the wealthiest black community in the United States. It began over a supposed assault of a White woman by a Black man. A group of armed black men rushed to the police station where the suspect was held; there they encountered a crowd of white men and women. A confrontation developed, (Picture courtesy of The Library of Congress)

How does one stay on point and continue to get along with whoever they encounter and also continue to progress in the business of being a comic. The good news is: In 1996, seventy-five years after the riot, a bi-partisan group in the state legislature authorized formation of the Oklahoma Commission to Study the Tulsa Race Riot of 1921, searching for truth and honesty and respect. Members were appointed to investigate events, interview survivors, hear testimony from the public, and prepare a report of events. There was an effort toward public education about these events through the process. The Commission’s final report, published in 2001, said that the city had conspired with the mob of white citizens against black citizens; it recommended a program of reparations to survivors and their descendants. The state passed legislation to establish some scholarships for descendants of survivors, encourage economic development of Greenwood, and develop a memorial park in Tulsa to the riot victims. Buck Franklin is best known for defending African-American survivors of the 1921 Tulsa race riot, On October 27, 2010, the City of Tulsa renamed Reconciliation Park, established to commemorate the victims of the Tulsa Race Riot of 1921, as John Hope Franklin Reconciliation Park in his honor.The park was dedicated in 2010.

 

Then there is this little item written by Gilbert Swan, of the Saratoga Springs, NY Saratogian “Sidelights of New York”, Jan 27, 1930: “Up to Harlem for a gay party in connection with the opening of the latest swanky way-up-town resort: the Plantation Club. And Eddie Green, the comic, doing an Ad Lib song about the columnists present with a verse about my modest self. . . . Which Is the first time it ever happened and left me trying to hide under my stiff choker”.

Regarding that party, about a month after Eddie’s appearance at this all-White club there was a break-in as per this article:

“THUGS INVADE PLANTATION CLUB New York, Jan. 17 — (UP) — Casting aside the usual method of intimidation and assault, a band of racketeers used pickaxes and crowbars to put Harlem’s newest night club, the Plantation club, out of business. The club was invaded yesterday by ten men who destroyed the furnishings, dance floor, costumes and electrical equipment”.  The Daily Argus, Jan. 1930

 

America was a dangerous place in those days. For a lot of people. And dangerous today. But men like Eddie and Buck  were here to show us how to thrive amid chaos. How we can strive to write ourselves into what the Billboard termed as “the class of regular fellows”. We have the ability to foster a kinder world.

Hey, thanx-for stopping by 🙂

Peace & Love

On Amazon: Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer

 

elvagreen123

Black Way Back Radio

“Radio for Negroes is a very hard field to get into . . . very hard! But the returns are so great that it’s worth the try.”

This is a quote from my father, Eddie Green, the gentleman sitting in the above picture (for those of you new to my blog). This quote appeared in a 1947 newspaper article for which Eddie was interviewed. Eddie had actually started radio work back in the late 20s. He said this in an article from The Negro Digest in 1949 stating, “It was during the year 1929. I was living in New York and trying every kind of theatrical job that was available. I had already played all kinds of vaudeville, burlesque, musical comedy and a few small radio programs.”

His radio popularity started, however with the Fleishman’s Yeast Hour Rudy Vallee Show, as shown here in this line from a local newspaper The Pittsburgh Courier, the article is about Eddie’s inclusion into yet another radio program in 1935, it said, “this was nothing new to Eddie Green, who worked several seasons very successfully with Rudy Vallee, in fact, so successfully he was returned three times by popular demand.” Eddie  went on to become Eddie the waiter on the very popular Duffy’s Tavern Radio Program from 1941-1950.

When I started this blog and began writing a biography of my father, until about 2 weeks ago, it hadn’t sunk in just how rare a Black man’s performances or contributions to radio in the early 1900s were. Probably because I wasn’t coming from a Black point of view but from a personal inspirational and hopefully, motivational point of view. Using Eddie to show my grandson how one can accomplish their goals despite obstacles, and then to show the same to anyone who is doubting their abilities. I have been sharing on Old Time Radio (OTR) blogs with much success in regard to meeting people who are genuinely interested in Eddie’s OTR life. However, what dawned on me is that yes, he was on the radio, but the radio show’s themselves were White produced programs.

Duffy’s Tavern and Amos n Andy. Today these two programs are not talked about a lot on the groups I follow. These groups talk about the Gildersleeves, The Shadow, the Gildersleeves (no, this is not an error), Jack Benny, Johnny Dollar, Groucho Marx and other similar programs. While sharing about my father’s appearances on the first two programs I realized interactions with those other OTR fans is very limited because there were not many Blacks on the radio back then. Period. My brain said “as a matter of fact, how come no one ever talks about Black old time radio?” That’s when I woke up.

I began to research African-American OTR. I found a lot of articles, such as this one from J. Fred MacDonald that says: “Certainly, there were black radio performers like Eddie Anderson, Lillian and Amanda Randolph, Eddie Green, Hattie McDaniel, Ruby Dandridge, and Juano Hernandez, but their roles were either stereotypically comedic or insubstantial. And there were so many areas where African Americans never participated: No black men or women reported the news; there were no black sportscasters, no black soap operas; and no substantial black roles appeared in romances or dramas or Westerns or detective shows.

Tens of millions of citizens tuned in thousands of stations to hear news, sports, drama, comedy, and the various other formats by which broadcasters had adapted radio to aural entertainment. To staff such operations, moreover, the stations and networks employed countless numbers of writers, directors, actors, and technicians. Thus, aside from its popularity, the radio industry was a massive commercial operation. Despite its tremendous need for personnel, however, the industry in its so-called Golden Age offered only limited opportunities for black men and women to develop.”

This was borrowed from J. Fred MacDonald who died while I was writing my book in 2015 and whose archives by the end of the 20th century, were termed by the Library of Congress to be “the most important archive in private hands in the United States.”

I did find Richard Durham. Richard Durham was born September 6, 1917 in Raymond Mississippi and was raised in Chicago. He died April 24, 1984. Durham developed an interest for radio during the depression as a young dramatist with the Writers Project of the WPA. Durham studied at Northwestern University in Chicago and was the editor of the local black newspaper, The Chicago Defender. His first major radio experience came in Chicago with the series “Democracy USA”, which he wrote for the CBS station WBBM and with Here Comes Tomorrow, a black soap opera he wrote for WJJD. His radio program Destination Freedom premiered on June 27, 1948 on Chicago radio WMAQ and consisted of 91 different scripts produced solely by Richard Durham. Destination Freedom was a provocative half-hour show that showcased the lives and accomplishments of prominent African Americans. Did you notice he wrote a Black soap opera?

My father obviously knew what he was talking about when he said radio for Negroes was a very hard field to get into way back in the day. I am beginning to understand how much effort it took for my father to achieve his dream of becoming a show business personality, as a Black man. How truly difficult it was for a Black person to step into certain positions in the early 1900s in America. Eddie’s success was unusual, then. And it is still unusual for some to discuss today. This is just a reality. I am going to delve a bit more into this Black radio thing because it interests me very much.

It fits right in with my decision to become a Cheerleader for Trailblazers (this is going to be my twitter hashtag). So many people have done so much in this world that no one talks about or acknowledges. Not just Black trailblazers, though we have become more of a priority for me-but also of young trailblazers, female trailblazers, piano-playing trailblazers. Send me a trailblazing subject, I love research.

Thanks, for stopping by

Title of this post provided by Brian Beasley, my brother 🙂

My Book: Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer

 

 

 

elvagreen123

Alberta Hunter and The Influence of Old Timers

This is the first lady that I heard sing my father’s song “A Good Man is Hard to Find” on a Los Angeles Jazz radio station in 1988. A friend recorded it to a cassette for me. The song I have placed in this post is different but connected. See, I started to write this post about the difficulty in getting today’s public interested in radio artists from the 20s, 30s, and 40s, unless they are older people or people who are into entertainment nostalgia.  And how difficult it has been to get today’s Black people interested in Black entertainers from the same era. Because there are people today (like my younger brother Brian) who have contempt for the “Rochesters” or “Fettchits”. Those slow-talking, yes, sah Blacks, thus making it harder to market the biography I have written about my father who was successful during the early 1900s. They are not proud of these old timers. But I think the fact that these entertainers persevered and succeeded during a time of great hardship for Americans and particularly Black people makes a powerful statement of tenacity that ought to be passed on and on. For instance, our kids today are listening to songs that contain profanity and outright sexual lyrics. But guess what? They need to know that this is not new, they are simply re-stating the same ideas that began back in the 20s with songs like the one below from youtube. Only a bit more subtle.

 

 

Yes, Alberta Hunter! 1895-1984. We now have the internet and cable and smartphones and no longer sit around the radio waiting for Amos n Andy or The Hit Parade or Duffy’s Tavern (with Eddie Green as Eddie, the waiter), or The Shadow, but we ought to remember these pioneers and their determination to follow and achieve their dreams. Black or White.

Then, this morning, my focus for this post began to include Racism. I read an article. On March 31, 2017 someone left a noose in the National Museum of African-American History and Culture in Washington, D. C. The world may have moved on technology-wise, but racism and hatred are still with us. For my Black brothers and sisters this may very well prove to be a reason for not wanting to look back at what some see as negative Black images from the 20s, 30s or 40s. Or maybe they see these as simply by-gone days. But remember, these Black entertainers who came before us witnessed lynchings and still chose to pursue their entertainment dreams. Through courage and determination these old timers left legacies of courage and success. They prove that perseverance, love of life and the desire to provide happiness to others can and will stop negativity from overtaking this world, that the desire to harm others can be lessened and a greater desire to help others can be achieved.

Hey, thanks for stopping by and please share this book info with others.

https://www.facebook.com/EddieGreenBook/

 

elvagreen123

Fame, Friendship, and (Some) Fortune

martingramsblogspot

Hi. To those of you new to this blog, welcome. As this blog is meant to chronical my writing of a book about my father, I have to let you know that in the past 3 years I have written and published my book. You can of course read through prior posts to get an idea of the story, or you can start here. The picture I have posted is from the radio program that brought fame to my father Eddie Green.  Taken in the early 1940s  This is a shot from the radio program Duffy’s Tavern. The gentleman on the left is the creator and star of the show Ed Gardner (who is cast as Archie.) The gentleman on the right is my father, Eddie Green, who is cast opposite Ed as Eddie the waiter.

Duffy’s Tavern was one of the most popular radio programs during the years 1941-1950, after which time the program was switched to television. Eddie was a part of this show from the beginning until 1950 when he passed away. In 1941 when he was signed on to this program, Eddie had written a best selling song in 1917, plus twenty-nine more songs, he had performed on Broadway, owned Bar-b-que restaurants, appeared on television in the first ever RCA/NBC variety test broadcast to the public, worked with Bill “Bojangles” Robinson and Louis Armstrong and had written, directed, produced and starred in four all-Black cast movies. He was on the rode to fame.

In 1943 Eddie was fifty-one years old, and at the beginning of the year he filed for bankruptcy. He owed the government $445.00. Probably had something to do with the fact that Eddie had used his own money to start his Sepia Art Pictures movie company and  some of his actors had stared accepting roles with the White owned studios who could pay much more than Eddie. And I think a business deal went awry (meaning “a friend” absconded with some money.) You could still hear him on the weekly Duffy’s Tavern radio program and on other radio programs, too.

In 1945 the money started rolling in again when Paramount decided to make a movie version of Duffy’s Tavern using the regular radio crew in the movie. The movie was titled Ed Gardner’s Duffy’s Tavern, directed by Hal Walker, starring a number of Paramount stars such as, Bing Crosby, Alan Ladd, Dorothy Lamour, Barry Fitzgerald, Veronica Lake and William Bendix, to name a few. Oh, and also Ed Gardner, as Archie, Eddie Green, as Eddie the waiter, and Charles Cantor as Finnegan. The next few years saw Eddie’s continued rise to becoming a popular, beloved comedian.

By writing the biography of my father my hope was to bring his inspiring story out of the dark and into the light of awareness, as a way to provide propelling motivation to others. Eddie said that he found the best way to achieve success, is to find something you like to do and do it the best you know how.

One other thing, Eddie and Ed Gardner became very good friends over the years. Today a Green and a Gardner are still friends, me and Ed’s son. We’re pen pals!

Thanx, for stopping by. KCB

Photo courtesy of Martingramsblogspot and Ed Gardner, Jr.

 

 

elvagreen123

YES, you can.

yesyoucan2Inspire someone today. I chose to write a book “Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer” to inspire my grandson. He was six when I came up with the idea, he is twenty-six today and the book just published in July of this year.

My very first post talked about the words “I can’t” because I heard that from my grandson a lot when he was little. Just so happens my father, who died when I was three, found success through talent and determination to escape the poverty he was born into. I figured his story would show my grandson that “you can” despite seeming obstacles.

Eddie’s rise from poverty played out mostly in the world of entertainment, with offshoots into the restaurant business. And the book became not only a book to inspire my grandson but a book about the entertainment business in the 1900s. Because Eddie was Black the book is also filled with information about other Blacks prominent in show business back in the day. It became sort of a Black Entertainment history book. So it became a book  about a Black man in America, as well as an inspirational book. People have told me the book should be required reading for young people in schools. So could also be seen as educational. My main group has proven to be people who follow entertainment nostalgia. Old time Hollywood, Old Time Radio shows, old all-black cast movies. A wide variety of folks, young and not so young.

yesyoucanMy desire to inspire my grandson with his great-grandfather’s story morphed into wanting to inspire any person who thinks “they can’t .” So I was blown away with the interest generated by this book in the Nostalgia field. I have discovered that a lot of people knew about, remembered and have actually seen my father perform. I have been made aware of the fact that there are young people  who are fascinated with success stories from the 1900s, for the very reason I wrote the book, inspiration. Also, I have happily realized the interest this book can garner in the Black community as a success story of a Black man, both personally and professionally, in a time of great racial discord.

I am going to put more energy also into sharing Eddie’s rags-to-riches story with as many people as possible, such as The young adult (YA) age group, or teen-group.  Because they are the future. They need to have access to stories that will give them hope. I hope to make this book available to younger children although it doesn’t have any colorful pictures. I also want to market to Black Ancestry sites because genealogy is a big deal today.

Sure, I want to sell a million books. My father’s first song sold a million copies in one year in 1919 (A Good Man is Hard to Find), and people are still recording it, imagine that! But this book began out of love for my grandson and grew into something I could share with people everywhere which makes me happy. And if I make lots of money I will be able to say that I am self-supporting through my own contributions.

In the late 1930s my father told a reporter that in his opinion “radio was a very, very difficult field for Negroes to get into, but the benefits were worth the try.” If he could see how effort has worked toward America having it’s first black President, I know he would be very proud.

Thanks, for stopping by.

 

 

elvagreen123

A WONderful Event!

familygathering

This is the beginning of a new phase of publishing a book. For those new to my blog, I have written a book about my father. The title is Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer which has been published by BearManorMedia, and can be found at their website or on Amazon.

I have now had my first book signing event. It was at Book Soup in West Hollywood, California. Of course my fambly were there to support me. Brad Beasley (my brother), Tanisha Beasley Harrison (my neice), Brian Beasley (my brother), and Melony Green (my lovely daughter). Plus friends and fans showed up. Unfortunately, the person to whom I dedicated this book, Edward Nathaniel Green, my grandson, was unable to attend the event as he is currently hard at work in Reno, Nevada. With his beautiful lady and their cat.  I am too proud. Of my family. And, of myself.

Since this was a first book signing I brought snacks (too much) and we had a raffle (my brother Brian won!).

I was surprised and delighted when a gentleman by the name of Miles Kreuger introduced himself to me as a long time fan of my father. Mr. Kreuger was actually in the audience as a child of five when my father was on stage performing as Koko in the Mike Todd production of Hot Mikado at the 1939 World’s Fair. He told me he had been interested in Eddie ever since. Mr. Kreuger is an aficionado on American musicals, and owns a vast amount of memorabilia, some of which he brought with him to show me. Such as an original playbill from Hot Mikado. He is going to share a recording of my father singing “Titwillow” from the 1939 stage play as soon as I correct an error I made on my business card-no phone number. He specifically said he would call me. Actually today I sent him my telephone number in a Thank you note.

Meanwhile I have been trying to set up my site here to include reviews I have received on the book, but I have not gotten very far. I have to read WP instructions over and over, then when I add something to my menu I cannot remember how I did it! I will continue to post on my activities in regard to writing this book and any other articles I write, and I will begin to incorporate other subjects that I feel are relevant to a theme of positivity in human progress. And I will probably begin to include more of my own observations on the state of this world! Just kidding. But I am sure some of my opinions will show up here. This blog and my book venture have opened up a whole new world to me. I have met many cool people and have learned to express myself as I really am.

Here is the last line I read at my book signing event: When Eddie was questioned about his recipe for success, he said “The best recipe for success that he has, is to find something you like to do, and do that the best you know how.”

Thanx, for stopping by. KCB

 

elvagreen123

BOOK REVIEWS: YESTERDAYUSA

yesterdayusa

In September of 2016 I was interviewed on Walden and Patricia’s Open House on the above named internet radio program. Patricia sent me an email after the interview and following is a portion:

QUOTE FROM PATRICIA (Walden and Patricia’s Open House) INTERVIEWER FOR YESTERDAYUSA INTERNET RADIO, SEPTEMBER, 2016:
“We have had calls and emails from listeners telling us how much they enjoyed you and were feeling so good about learning about your father, his work, the culture at the time, the people in the entertainment industry who would otherwise be forgotten So from them, too, thank you.

I tried to explain to Walden (her husband) – and probably didn’t do a very good job of it – what a remarkable and seamless blend of personal thoughts and feelings you captured (which added such warmth and life to the book) while at the same time maintaining an objective distance that made the book impartial and educational and Eddie Green captivating. I will add my comments on the Amazon site this week.

I have a hard time helping people grasp how much I love and appreciate American history, overt and obscure, but most especially the stories and experiences we would never know about except for people like you who put in the time and love to share it. What you share in your book is more than a gift for all of us.”
It is so good to receive messages such as this one and I want to thank Patricia and Walden again for having me on their program.
Thanks for stopping by and may you be inspired.